Edits are a Girl/Boy Duo from Manchester that create “electronic other world-ness”. Sandwiched somewhere between synth pop and post-rock the band consists of members Liv Westhead (Vocals/Synths) and Chris Abbott (Guitars/Programming). Edits take pride in their D.I.Y. aesthetic; producing everything they make themselves, even their music videos. The pair recently self-recorded a video series live to tape called ‘The Tape Sessions’ showcasing their creativity and recording skills. The duo have released their new single ‘Don’t Speak’ which is a synth pop anthem reminiscent of Chvrches, The XX and Everything Everything.
‘Don’t Speak’ is an atmospheric synth pop dazzler oozing anthemic fist pump power teamed with darker indie soundscapes. Flickering synths create a fluctuating bedazzlement while swirling synths and Westhead’s vocals add passion and tension. The sharp guitar and punchy drums build the track up creating a gritty rock heaviness and rough texture to the otherwise sugary pop sound. The verses brood with a darkened undertone while the anthemic chorus bursts with mini instrumental explosions. Its charming and endearing and immensely catchy.
Stream ‘Don’t Speak’ below
Toronto based producer Nightshifts has released his new single ‘Karma’. Having had past musical successes in other Toronto bands and produced an official remix of “Michicant” for Bon Iver, Nightshifts is gearing up to release his debut LP this November. ‘Karma’ is a soulful blast into Nightshifts sonic universe. Its smooth cool and ridiculously groovy. With a finger clicking beat and groovy swagger soaked guitar melodies it’s a silky little number. Velvety vocals coo and charm while sonic flecks dazzle and flicker between shimmering synths. This laid-back track is polished and creamy and effortlessly cool. With a relaxing sway like tempo and clap along feature it an infectious funky pop sprinkled ear worm.
When asked about the track Nightshifts said “Karma was written at a time when all my friends and I were very unsure about what we wanted to do with our lives. I wrote the song to try and calm my own nerves; to say it’s ok not to know, let’s just enjoy the ride. Matthew Vlahovich of Young Empires co-produced this track at his Trinity Bellwoods Studio”
Stream ‘Karma’ below
Brighton’s Fond Of Rudy have released their new single ‘To Be Mine’. This shimmering indie track glistens with an electronic pop luster. It’s peppy and bright with breezy synths and ripply jagged guitar lines that add a zesty zing to the sugar-coated track. With an invigorating catchy chorus and danceable tropical hued groove this track is instantly likable and infectious. Effortlessly cool and smooth with soulful vibrant vocals wrapped in hazy ethereal soundscapes it’s a captivating dazzler. This four piece have a knack for melty melodies and ‘To Be Mine’ glistens with ear worm candied melodies and honey drenched instrumentation that leaves you craving for more.
Stream ‘To Be Mine’ below
With band members that hail from as far afield as Bulgaria and Finland, indie-pop four-piece Hayes & Y harbour a somewhat continental feel that immediately sets them apart from their quintessentially British contemporaries. Having moved to the UK just a couple of years ago, the four-piece have assimilated quickly, becoming a part of their new country’s scene and taking shows at some of Britain’s best-loved venues in their stride, including the likes of London’s Dublin Castle, and Manchester’s iconic Night & Day Cafe, as well as a notable slot on the Spirit of Burgas festival in Bulgaria supporting Kasabian. With three EPs already under their belt the band have now released their latest single ‘Always So Simple, Always So Cold’. This cruising 80’s electronica flavoured track glides with effortlessly cool swagger and slicked back groovy vibes. Rolling bass lines teamed with frenetic winding guitar licks add an elastic sensual chilled back allurement while also creating a brooding moody foundation for the electronic wavy soundscapes to bounce off. The 80’s infused synths add a shimmering sparkle, breezy freshness and infectious disco dance vibe. Oh, so smooth and creamy the melody fluidly coats the rippled soundscapes while a slapping sticky beat adds a steamy sultry quality. Hayes & Y present the track in a seemingly effortless way creating a laid back hazy tune thats irresistible from the start. The vocals are sweet and luscious and oozing passion and emotion. It’s a delicious can of sugary smooth pop with a dash of zest provided by the sting on guitars – its refreshing, lush and chilled.
The accompanying video sees Hayes & Y using grainy, black & white film clips in order to reinforce the sombre tone watch it below.
MYA Project is the alternative, electronic/acoustic pop creation from Dalila Mya. Originating from Europe, now based in Los Angeles, this musical creativity comes from a background of classical training combined with a Sound Engineering Degree. MYA Project is a fusion of electronic and acoustic music, where Trip-Hop meets World Music and Pop Rock. Dalila’s background has seen her work as a Live Sound Engineer, working with artists such as Tool, Depeche Mode, Alabama Three and Massive Attack. Besides her live work, she has worked as a Studio Sound Engineer for several studios in England and the U.S.A., including Abbey Road in London and The Village Studio in Los Angeles. She has now released her new track ‘Something That Good’. It is the second single from the album MK. Possibly the most captivating and intense song on the album it was written and recorded in only 3 days. With a sticky flickering beat glooping and slapping against flickering electronics it’s a smouldering dark entrapment of peril. Wobbling soundscapes add a chilling mirage of obscurity, cold and sticky it is almost suffocating. Mya’s luring vocals entice and enchant with a bewitching melody that swallows you up in a confusing delusion of smoke. The melody wisps around like vapours creeping in your ears – you are powerless to its catchy entanglement. A haunting thrilling second single from MYA Project.
The video for the single was shot and produced in Los Angeles by Dalila Mya, who produced and edited the video in her own studio in partnership with, videographer and visual artist J.F. Brown.
Watch the video for ‘Something That Good’ which was shot in one day in one of the historical venues in L.A. – the Hollywood Hotel below
Nightshifts is a young, upcoming producer from Toronto. He spends most of his nights experimenting and creating music using vintage synths, groovy guitars, and drum machines to create new sonic universes. Having caught an early break with a remix of Bon Iver’s ‘Michicant’ which reached the ears of Justin Vernon himself, he has now released his debut single ‘All Along’. It’s a dreamy hazy marshmallow with a blissful lo fi production and a laid back whimsical misty atmosphere, it’s beautifully euphoric. Sweet luscious melody melts like butter on toast while synths swirl and elegantly dance around a slapping beat and groovy guitar jingles. It’s a smooth crooning swagger infused delight. Heavenly sweet and richly layered it’s refined and sleek with breezy sonic flecks that create a wispy sedative effect. A sublime debut from this young producer.
Stream ‘All Along’ below
Indie rock four-piece Beachwood Coyotes have released their new single ‘I’m Tired Of Rolling My Eyes’. The new single features socially conscious lyrics, critiquing race relations in America. The Los Angeles based band have received acclaim from KROQ, Huffington Post, Wonderland Magazine and XS Noize among other tastemakers.
‘I’m Tired Of Rolling My Eyes’ is an energetic explosion of luscious indie pop soaked in electronic retro 80’s sounds. Rich rhythm and flickering soundscapes create a lavish texture and blinding bedazzlement. With a vocal melody that rushes through like a surging flood, pumping adrenaline through your veins and an anthemic powerful chorus, these guys have written a track that is so intense and mighty yet glides with effortless breezy cool tones. With funky elements and hip hop hues it’s a multi faceted spurt of infectious songwriting and craftsmanship.
Beachwood Coyotes EP ‘Scrubby’ is set for release this Wednesday September 6th with a special release party at the Satellite in Los Angeles, California so make sure to check that out.
Stream ‘I’m Tired Of Rolling My Eyes’ below
Heez has released his new album ‘This time will be different’. The sensual groovy ‘Aphysical’ kicks off the album featuring sweet vocals from Culture Child. Previously featured on Indie Buddie this track has R&B soul entwined with dark clammy sultry flexwave. ‘Whoa there’ is brimming with Heez’s swagger filled attitude and sauve. Sticky beats ricochet off ethnic tinged swirling soundscapes while aggressive rapped vocals flow with venom-filled vigour. Its cruising slick and steamy while holding a nice bit of punch. ‘Sins’ featuring Trip Carter displays a brighter bubbly side to Heez’s sound. Still oozing swagger and panache from its core this sleek ditty radiates sunshine and good times. Sweet melody caresses the soft beat and gliding electronics. This is the perfect summer tune – cool breezy, sun kissed and catchy as hell. ‘Curfew’ bleeds emotion and passion to a body grooving beat and flashes of electronics. Dramatic and heavy its hard hitting and deeply emotive. With an exotic guitar feature its delicate and balmy and richly textured. ‘Slow me down’ featuring the beautiful voice of Kiki Halliday closes the album with pulsing beats dreamy tones and a delicious arrangement. Its melty melody is delicate and tender flowing with such grace and beauty while still maintaining Heez’s sticky drippy electronics. Halliday’s vocals blend perfectly with Heez’s it’s quite touching and sweet.
Heez has proven with ‘This time will be different’ album that he has a knack with melodies and a refined ear for complex sublime arrangements. At times, its tough and aggressive punchy and dark other times its sweet delicate and touching. He blends these seamlessly creating a unique exquisite album that’s absorbing.
Stream ‘This time will be different’ below
Bon Villan is a three piece electro pop band from Toronto preparing for the release of their first single ‘Outta Cash’. The band’s three members, multi-instrumentalist/Vocalist Jared Parker, multi-instrumentalists Julian Powell and Alex Hanes are all seasoned members of the Toronto music scene. Collaboration between the three began back in the spring of 2016 and the project has been picking up steam since.
‘Outta Cash’ is a fizzing bubbly can of electronic pop. Deliciously sweet and juicy with simmering electronics darting between sticky sugary beats. The candied lush vibrant melody exudes swagger and instant likeability. With raspy vocals adding a touch of grit this track oozes oodles of rich luxurious textures. It’s energetic and refreshing with snappy beats and a blissful rush of exhilarating soundscapes. This track takes you on a floaty nectarous journey of ecstasy. It’s a slick swagger infused effortlessly cool blend of electro mouth watering pop. A sublime debut from Bon Villan.
Stream ‘Outta Cash’ below
Our Worth A Listen Track This Week Comes From April Towers
Nottingham April Towers have released their new single ‘Takes One to Know One’. Since forming, the duo of Alex Noble (vocals, guitars & keyboards) and Charlie Burley (production, samples, guitars & keyboards) have put out a series of singles and EPs including last year’s ‘Silent Fever’ and have played shows and festivals in the UK and Europe. They have been away from the spotlight in recent months honing the finishing touches to their debut album ‘Certified Freaky’. Recorded at Soho’s legendary Dean Street Studios in the same room David Bowie recorded Diamond Dogs, the album is co-produced with highly revered electronic artist-cum-DJ Ben Pearce and mixed by Nathan Boddy.
‘Takes One to Know One’ is a shimmering synth pop track jammed with infectious grooves and lustrous soundscapes. It’s a sweet bubbly can of sugar rush filled pop. Smooth vocals glide along a rich catchy melody while bopping beats slap with honey coated stickiness. With body grooving rhythm and glittering synths it’s instantly enjoyable and teamed with a Pet Shop Boys vibe it’s a timeless gloopy yet smooth delight.
‘Takes One to Know One’ is the first single taken from their debut album, due out early next year, which is currently being funded through Pledge Music, more info here http://www.pledgemusic.com/projects/apriltowers
You can catch them live at
MON 26 JUNE – THE OLD BLUE LAST – LONDON, UK
Stream ‘Takes One to Know One’ below