Nightshifts is a young, upcoming producer from Toronto. He spends most of his nights experimenting and creating music using vintage synths, groovy guitars, and drum machines to create new sonic universes. Having caught an early break with a remix of Bon Iver’s ‘Michicant’ which reached the ears of Justin Vernon himself, he has now released his debut single ‘All Along’. It’s a dreamy hazy marshmallow with a blissful lo fi production and a laid back whimsical misty atmosphere, it’s beautifully euphoric. Sweet luscious melody melts like butter on toast while synths swirl and elegantly dance around a slapping beat and groovy guitar jingles. It’s a smooth crooning swagger infused delight. Heavenly sweet and richly layered it’s refined and sleek with breezy sonic flecks that create a wispy sedative effect. A sublime debut from this young producer.
Stream ‘All Along’ below
Indie alt pop outfit Dutch Party have released the new single, ‘Blade Runner’. Dutch Party has received critical and commercial acclaim with features in Billboard, Pigeons and Planes and Fader among others. ‘Blade Runner’ is the first song off the upcoming EP ‘Combat Pop’ and combines infectious guitar riffs, with heartfelt and poignant lyricism. Originally hailing from Twin Peaks in San Francisco, Ken Franklin started writing and recording music after he discovered a recording booth in a small closet beneath the stairs of his parents’ house, that had been hidden for decades behind a wall of boxes. Inside was a reel-to-reel tape machine, an echo box, and two guitars which Franklin soon used to experiment with different sounds and sonic textures to create his own songs. After moving to LA, Ken started indie alt pop band, Dutch Party, while living in Echo Park with the intent of adding more subversion to the American airwaves.
‘Blade Runner’ is a sweet luscious treasure of infectious guitar melodies blended flawlessly creating delightful mouth-watering alternative pop. Lo-Fi vocals soothe with a dreamy haziness while sticky slapping beats and intricate rhythms playfully bounce with hyperactive elasticity. Instantly danceable and swirly this track takes you from grooving to a laid-back utopia effortlessly. Light twinkles add a sprightly feather-like wispy delicacy and airiness to the track while the stomping beat grounds it. It’s a stunning new release from Dutch Party.
Stream ‘Blade Runner’ below
Indie rock four-piece Beachwood Coyotes have released their new single ‘I’m Tired Of Rolling My Eyes’. The new single features socially conscious lyrics, critiquing race relations in America. The Los Angeles based band have received acclaim from KROQ, Huffington Post, Wonderland Magazine and XS Noize among other tastemakers.
‘I’m Tired Of Rolling My Eyes’ is an energetic explosion of luscious indie pop soaked in electronic retro 80’s sounds. Rich rhythm and flickering soundscapes create a lavish texture and blinding bedazzlement. With a vocal melody that rushes through like a surging flood, pumping adrenaline through your veins and an anthemic powerful chorus, these guys have written a track that is so intense and mighty yet glides with effortless breezy cool tones. With funky elements and hip hop hues it’s a multi faceted spurt of infectious songwriting and craftsmanship.
Beachwood Coyotes EP ‘Scrubby’ is set for release this Wednesday September 6th with a special release party at the Satellite in Los Angeles, California so make sure to check that out.
Stream ‘I’m Tired Of Rolling My Eyes’ below
Heez has released his new album ‘This time will be different’. The sensual groovy ‘Aphysical’ kicks off the album featuring sweet vocals from Culture Child. Previously featured on Indie Buddie this track has R&B soul entwined with dark clammy sultry flexwave. ‘Whoa there’ is brimming with Heez’s swagger filled attitude and sauve. Sticky beats ricochet off ethnic tinged swirling soundscapes while aggressive rapped vocals flow with venom-filled vigour. Its cruising slick and steamy while holding a nice bit of punch. ‘Sins’ featuring Trip Carter displays a brighter bubbly side to Heez’s sound. Still oozing swagger and panache from its core this sleek ditty radiates sunshine and good times. Sweet melody caresses the soft beat and gliding electronics. This is the perfect summer tune – cool breezy, sun kissed and catchy as hell. ‘Curfew’ bleeds emotion and passion to a body grooving beat and flashes of electronics. Dramatic and heavy its hard hitting and deeply emotive. With an exotic guitar feature its delicate and balmy and richly textured. ‘Slow me down’ featuring the beautiful voice of Kiki Halliday closes the album with pulsing beats dreamy tones and a delicious arrangement. Its melty melody is delicate and tender flowing with such grace and beauty while still maintaining Heez’s sticky drippy electronics. Halliday’s vocals blend perfectly with Heez’s it’s quite touching and sweet.
Heez has proven with ‘This time will be different’ album that he has a knack with melodies and a refined ear for complex sublime arrangements. At times, its tough and aggressive punchy and dark other times its sweet delicate and touching. He blends these seamlessly creating a unique exquisite album that’s absorbing.
Stream ‘This time will be different’ below
Inner Tongue has released his new single ‘Dig Deeper’ taken from his forthcoming debut album, which will be released early next year. The song is about the adrenaline you feel before take off, the seconds in weightlessness and the eventuating Netflix-boredom, that can be ultimately freeing. It’s a light floatable swish of sweet lush elegance. Fluttering and free this track is weightless and dainty with smooth velvety vocals melted on a honey drizzled melody and warm mellow toned keys bouncing with floaty buoyancy. It’s a dreamy hazy bubble to loose yourself in where everything is gentle, soft and painless. The sticky beat and wobbly soundscape adds a psychedelic dream-like opiate state of ecstasy. Each musical movement carries a sense of depth as if intricately thought out and crafted with care and precise detail. It’s poetically beautiful, unbinding and silky. It’s lush heaven for the ears.
When asked about the song Inner Tongue said “I recently bought an old Roland Space Chorus and had a good time experimenting with it in the studio. The moody drum sound I’ve created with it, was somewhat inspiring, so I recorded a few chords and vocals over it. That’s how Dig Deeper started. With the video I wanted to visualise the effortless character of the song. The filming was more like a party with wild lights and smoke. Random fact, at around 2 AM we put on a few Bowie songs and danced to them instead. Some of that also ended up in the video.”
Watch the video for ‘Dig Deeper’ below
Bon Villan is a three piece electro pop band from Toronto preparing for the release of their first single ‘Outta Cash’. The band’s three members, multi-instrumentalist/Vocalist Jared Parker, multi-instrumentalists Julian Powell and Alex Hanes are all seasoned members of the Toronto music scene. Collaboration between the three began back in the spring of 2016 and the project has been picking up steam since.
‘Outta Cash’ is a fizzing bubbly can of electronic pop. Deliciously sweet and juicy with simmering electronics darting between sticky sugary beats. The candied lush vibrant melody exudes swagger and instant likeability. With raspy vocals adding a touch of grit this track oozes oodles of rich luxurious textures. It’s energetic and refreshing with snappy beats and a blissful rush of exhilarating soundscapes. This track takes you on a floaty nectarous journey of ecstasy. It’s a slick swagger infused effortlessly cool blend of electro mouth watering pop. A sublime debut from Bon Villan.
Stream ‘Outta Cash’ below
Mura Masa the Guernsey-born producer, whose debut album assimilates an impressively diverse array of genres and guests including the likes of Charli XCX, A$AP Rocky, A.K Paul, and affiliates of Alex’s own Anchor Point family like Nao, Bonzai and Tom Tripp). He has unveiled ‘Blu’ (featuring Damon Albarn) and ‘Second 2 None’ (featuring Christine & The Queens), taken from his much-anticipated, self-titled debut album. With the former premiering as Zane Lowe’s Beats 1 World Record and the latter Radio 1’s Hottest Record In The World, ‘Mura Masa’ will be released on July 14th on Anchor Point/Polydor Records.
‘Blu’ is a dense heavy emotional track. Layered vocals delicately painted upon intricate lush arrangements create a passionate sonically profound track that boasts Mura Masa’s refined craft. This slow burner cruises and glides with soul and passion while filling out the sound with rich nature-like sounds. The track takes you into an earthy natural state of paradise that is instantly relaxing and time stopping.
‘Second 2 None’ brings us zesty ethereal twists with interweaving beats tooting synths and breezy flute sounds. This sweet little ditty stutters and bleeps with thrilling euphoria. The infectious slap beats groove with a body moving sway while Christine and The Queens’ vocals add passion and heartfelt pure emotion. Its luscious celestial soundscape transports you to another beautiful world that’s fresh and crisp with sublime production that is simply masterful.
Mura Masa is bending and warping genre lines and completely altering the way music is enjoyed. With Mura Masa it feels like an experience- an entrancing, beautiful, compelling experience.
Stream ‘Second 2 None’ and ‘Blu’ below
Our Worth A Listen Track This Week Comes From April Towers
Nottingham April Towers have released their new single ‘Takes One to Know One’. Since forming, the duo of Alex Noble (vocals, guitars & keyboards) and Charlie Burley (production, samples, guitars & keyboards) have put out a series of singles and EPs including last year’s ‘Silent Fever’ and have played shows and festivals in the UK and Europe. They have been away from the spotlight in recent months honing the finishing touches to their debut album ‘Certified Freaky’. Recorded at Soho’s legendary Dean Street Studios in the same room David Bowie recorded Diamond Dogs, the album is co-produced with highly revered electronic artist-cum-DJ Ben Pearce and mixed by Nathan Boddy.
‘Takes One to Know One’ is a shimmering synth pop track jammed with infectious grooves and lustrous soundscapes. It’s a sweet bubbly can of sugar rush filled pop. Smooth vocals glide along a rich catchy melody while bopping beats slap with honey coated stickiness. With body grooving rhythm and glittering synths it’s instantly enjoyable and teamed with a Pet Shop Boys vibe it’s a timeless gloopy yet smooth delight.
‘Takes One to Know One’ is the first single taken from their debut album, due out early next year, which is currently being funded through Pledge Music, more info here http://www.pledgemusic.com/projects/apriltowers
You can catch them live at
MON 26 JUNE – THE OLD BLUE LAST – LONDON, UK
Stream ‘Takes One to Know One’ below
Formed in the honest grit of Hamilton, Ontario, Basement Revolver have seen a quick and notable ascent into the spotlight with their unique brand of 90’s infused indie-rock. Their first EP racked up over 800,000+ plays on Spotify and nearly 100,000 plays on SoundCloud and they have also managed to open for accomplished national acts like Dave Monks (Tokyo Police Club), We Are The City, Evening Hymns and The Acorn. The three piece have now released their new single ‘Johnny Pt. 2’ which follows last year’s EP and debut single ‘Johnny’. The song comes from their forthcoming second EP ‘Agatha’ out this July 21st on Yellow K Records in the US and fear of missing out in Europe.
‘Johnny Pt. 2’ is emotionally translucent, like glass this track is delicate and breakable as Chrisy Hurn’s vocals display raw emotion and longing while instrumentally it holds strong and firm. It’s a slow burner brooding from the start and soaked in yearning tones with a soft beat and electronic hints, it’s a captivating and refined experience. Elastic beat and strident sting on guitar adds a raw edge and organic coarse texture. The sweet soft vocals smoothen the track and highlight the tender lyrics. Building as it progresses with sonic blends winding in and out, its almost hypnotic and mesmerising yet so delicate.
When asked about the track the band said “This new track continues the story. Johnny Pt. 2 was written almost directly after I broke up with “Johnny” – it was the heartbreak caused by an end, the wish that I could have been better, and the desire to continue a friendship. When a friendship wasn’t possible, I wanted them to know that heartbreak or not, I would be there if needed – I would put aside all the things that broke our relationship and the things that gave me identity for a chance at friendship. In hindsight, I have since learned a lot about myself, and that I don’t need to disappear in order to have people that I care about in life.”
Stream ‘Johnny Pt. 2’ below
Heez has released his new track ‘Aphysical’ featuring Culture Child. This sensual groovy slow burner cruises with sharp blips and gooey beats. Coated in a darkened clinging almost gluey electronics with a luring steamy melody this track brings R&B soul intermix with clammy sultry flexwave. This muggy track suffocates like a stuffy room on a hot day with nothing but the gentle refreshing cooing vocals from Culture Child and zesty instrumental twangs acting like a brief cooling breeze.
‘Aphysical’ was recorded by Heez and Culture Child in Heez’s college apartment in June 2016. When asked about the track Heez said “The song is about creating your own world that you want to live in outside of this one and sharing that beautiful experience with somebody else”
Stream ‘Aphysical’ below