London based Ten Fé have released their new track ‘Single, No Return’. Now a five-piece, comprised of Ben Moorhouse (vocals, guitar), Leo Duncan (vocals, guitar), Rob Shipley (bass), Johnny Drain (keys), and Alex Hammond (drums). It’s the first new single since the release of their debut album ‘Hit The Light’ earlier this year. ‘Single, No Return’ is simply euphoric. The five piece have crafted a track that displays their sophisticated refined musicianship beautifully with subtle intricate layers so tightly bound yet spaced perfectly – it’s a treasure. Flickering electronics flood the track with an airy sedative that soothes and numbs the soul. Warm sharp guitar injections add a vibrant sun kissed glow while velvety smooth hazy vocals lull you into a calming sense of comfort. Deeply passionate and delicately numbing, each note takes its time leaving a hushed sense of reflection. The track builds becoming more dynamic and bouncy creating a rush of adrenaline for the crescendo. With a nostalgic sombre drizzled sublime melody weaving free and easy around the pulsating electronics and slow groove it’s the perfect mellowed return from Ten Fé.
Stream ‘Single, No Return’ below
Edits are a Girl/Boy Duo from Manchester that create “electronic other world-ness”. Sandwiched somewhere between synth pop and post-rock the band consists of members Liv Westhead (Vocals/Synths) and Chris Abbott (Guitars/Programming). Edits take pride in their D.I.Y. aesthetic; producing everything they make themselves, even their music videos. The pair recently self-recorded a video series live to tape called ‘The Tape Sessions’ showcasing their creativity and recording skills. The duo have released their new single ‘Don’t Speak’ which is a synth pop anthem reminiscent of Chvrches, The XX and Everything Everything.
‘Don’t Speak’ is an atmospheric synth pop dazzler oozing anthemic fist pump power teamed with darker indie soundscapes. Flickering synths create a fluctuating bedazzlement while swirling synths and Westhead’s vocals add passion and tension. The sharp guitar and punchy drums build the track up creating a gritty rock heaviness and rough texture to the otherwise sugary pop sound. The verses brood with a darkened undertone while the anthemic chorus bursts with mini instrumental explosions. Its charming and endearing and immensely catchy.
Stream ‘Don’t Speak’ below
Our Worth A Listen Track This Week Comes From Everywhere
Following the success of acclaimed single ‘Man Up’, London Alt Rock band Everywhere have released their new track ‘Moments’ available now in co-operation with ‘BMD w Friends’ and Universal music. Since their Hypemachine charting debut ‘Eddie’, Eveywhere’s music has been streamed millions of times on YouTube, Soundcloud and Spotify. They made their first International appearance at the 2013 NME Awards in the UK, playing alongside Django Django and Palma Violets, and later went on to support the Kaiser Chiefs and headline Notting Hill Arts Club in London.
‘Moments’ is a divine soaring infectious indie track. With a kinetic electronic soundscape consumed in a sticky flickering beat and laid back hazy vibes, it’s a dazzling knock out from the five piece. Max Berga’s vocals coo and almost whisper the verses with a compelling allurement building and becoming more dynamic as the track progresses. The song explodes into a dynamite chorus exuding carpe diem vibes and an instant burst of freedom. The production on this track is in the immaculate crisp manner we expect from Everywhere as its oozes oodles of passion. It’s a dreamy laid-back tune that rushes in with floods of adrenaline and a breezy freeing power. The song was originally performed by fellow Swedish Electro crooner ‘Kev’ and was later adapted by ‘Everywhere’ after a chance encounter.
About the track the band said: “We just heard the original and felt that it screamed for a certain kind of arrangement and feel.”
Stream ‘Moments’ below
Toronto based producer Nightshifts has released his new single ‘Karma’. Having had past musical successes in other Toronto bands and produced an official remix of “Michicant” for Bon Iver, Nightshifts is gearing up to release his debut LP this November. ‘Karma’ is a soulful blast into Nightshifts sonic universe. Its smooth cool and ridiculously groovy. With a finger clicking beat and groovy swagger soaked guitar melodies it’s a silky little number. Velvety vocals coo and charm while sonic flecks dazzle and flicker between shimmering synths. This laid-back track is polished and creamy and effortlessly cool. With a relaxing sway like tempo and clap along feature it an infectious funky pop sprinkled ear worm.
When asked about the track Nightshifts said “Karma was written at a time when all my friends and I were very unsure about what we wanted to do with our lives. I wrote the song to try and calm my own nerves; to say it’s ok not to know, let’s just enjoy the ride. Matthew Vlahovich of Young Empires co-produced this track at his Trinity Bellwoods Studio”
Stream ‘Karma’ below
Brighton’s Fond Of Rudy have released their new single ‘To Be Mine’. This shimmering indie track glistens with an electronic pop luster. It’s peppy and bright with breezy synths and ripply jagged guitar lines that add a zesty zing to the sugar-coated track. With an invigorating catchy chorus and danceable tropical hued groove this track is instantly likable and infectious. Effortlessly cool and smooth with soulful vibrant vocals wrapped in hazy ethereal soundscapes it’s a captivating dazzler. This four piece have a knack for melty melodies and ‘To Be Mine’ glistens with ear worm candied melodies and honey drenched instrumentation that leaves you craving for more.
Stream ‘To Be Mine’ below
MYA Project is the alternative, electronic/acoustic pop creation from Dalila Mya. Originating from Europe, now based in Los Angeles, this musical creativity comes from a background of classical training combined with a Sound Engineering Degree. MYA Project is a fusion of electronic and acoustic music, where Trip-Hop meets World Music and Pop Rock. Dalila’s background has seen her work as a Live Sound Engineer, working with artists such as Tool, Depeche Mode, Alabama Three and Massive Attack. Besides her live work, she has worked as a Studio Sound Engineer for several studios in England and the U.S.A., including Abbey Road in London and The Village Studio in Los Angeles. She has now released her new track ‘Something That Good’. It is the second single from the album MK. Possibly the most captivating and intense song on the album it was written and recorded in only 3 days. With a sticky flickering beat glooping and slapping against flickering electronics it’s a smouldering dark entrapment of peril. Wobbling soundscapes add a chilling mirage of obscurity, cold and sticky it is almost suffocating. Mya’s luring vocals entice and enchant with a bewitching melody that swallows you up in a confusing delusion of smoke. The melody wisps around like vapours creeping in your ears – you are powerless to its catchy entanglement. A haunting thrilling second single from MYA Project.
The video for the single was shot and produced in Los Angeles by Dalila Mya, who produced and edited the video in her own studio in partnership with, videographer and visual artist J.F. Brown.
Watch the video for ‘Something That Good’ which was shot in one day in one of the historical venues in L.A. – the Hollywood Hotel below
Nightshifts is a young, upcoming producer from Toronto. He spends most of his nights experimenting and creating music using vintage synths, groovy guitars, and drum machines to create new sonic universes. Having caught an early break with a remix of Bon Iver’s ‘Michicant’ which reached the ears of Justin Vernon himself, he has now released his debut single ‘All Along’. It’s a dreamy hazy marshmallow with a blissful lo fi production and a laid back whimsical misty atmosphere, it’s beautifully euphoric. Sweet luscious melody melts like butter on toast while synths swirl and elegantly dance around a slapping beat and groovy guitar jingles. It’s a smooth crooning swagger infused delight. Heavenly sweet and richly layered it’s refined and sleek with breezy sonic flecks that create a wispy sedative effect. A sublime debut from this young producer.
Stream ‘All Along’ below
Indie alt pop outfit Dutch Party have released the new single, ‘Blade Runner’. Dutch Party has received critical and commercial acclaim with features in Billboard, Pigeons and Planes and Fader among others. ‘Blade Runner’ is the first song off the upcoming EP ‘Combat Pop’ and combines infectious guitar riffs, with heartfelt and poignant lyricism. Originally hailing from Twin Peaks in San Francisco, Ken Franklin started writing and recording music after he discovered a recording booth in a small closet beneath the stairs of his parents’ house, that had been hidden for decades behind a wall of boxes. Inside was a reel-to-reel tape machine, an echo box, and two guitars which Franklin soon used to experiment with different sounds and sonic textures to create his own songs. After moving to LA, Ken started indie alt pop band, Dutch Party, while living in Echo Park with the intent of adding more subversion to the American airwaves.
‘Blade Runner’ is a sweet luscious treasure of infectious guitar melodies blended flawlessly creating delightful mouth-watering alternative pop. Lo-Fi vocals soothe with a dreamy haziness while sticky slapping beats and intricate rhythms playfully bounce with hyperactive elasticity. Instantly danceable and swirly this track takes you from grooving to a laid-back utopia effortlessly. Light twinkles add a sprightly feather-like wispy delicacy and airiness to the track while the stomping beat grounds it. It’s a stunning new release from Dutch Party.
Stream ‘Blade Runner’ below
Indie rock four-piece Beachwood Coyotes have released their new single ‘I’m Tired Of Rolling My Eyes’. The new single features socially conscious lyrics, critiquing race relations in America. The Los Angeles based band have received acclaim from KROQ, Huffington Post, Wonderland Magazine and XS Noize among other tastemakers.
‘I’m Tired Of Rolling My Eyes’ is an energetic explosion of luscious indie pop soaked in electronic retro 80’s sounds. Rich rhythm and flickering soundscapes create a lavish texture and blinding bedazzlement. With a vocal melody that rushes through like a surging flood, pumping adrenaline through your veins and an anthemic powerful chorus, these guys have written a track that is so intense and mighty yet glides with effortless breezy cool tones. With funky elements and hip hop hues it’s a multi faceted spurt of infectious songwriting and craftsmanship.
Beachwood Coyotes EP ‘Scrubby’ is set for release this Wednesday September 6th with a special release party at the Satellite in Los Angeles, California so make sure to check that out.
Stream ‘I’m Tired Of Rolling My Eyes’ below
Heez has released his new album ‘This time will be different’. The sensual groovy ‘Aphysical’ kicks off the album featuring sweet vocals from Culture Child. Previously featured on Indie Buddie this track has R&B soul entwined with dark clammy sultry flexwave. ‘Whoa there’ is brimming with Heez’s swagger filled attitude and sauve. Sticky beats ricochet off ethnic tinged swirling soundscapes while aggressive rapped vocals flow with venom-filled vigour. Its cruising slick and steamy while holding a nice bit of punch. ‘Sins’ featuring Trip Carter displays a brighter bubbly side to Heez’s sound. Still oozing swagger and panache from its core this sleek ditty radiates sunshine and good times. Sweet melody caresses the soft beat and gliding electronics. This is the perfect summer tune – cool breezy, sun kissed and catchy as hell. ‘Curfew’ bleeds emotion and passion to a body grooving beat and flashes of electronics. Dramatic and heavy its hard hitting and deeply emotive. With an exotic guitar feature its delicate and balmy and richly textured. ‘Slow me down’ featuring the beautiful voice of Kiki Halliday closes the album with pulsing beats dreamy tones and a delicious arrangement. Its melty melody is delicate and tender flowing with such grace and beauty while still maintaining Heez’s sticky drippy electronics. Halliday’s vocals blend perfectly with Heez’s it’s quite touching and sweet.
Heez has proven with ‘This time will be different’ album that he has a knack with melodies and a refined ear for complex sublime arrangements. At times, its tough and aggressive punchy and dark other times its sweet delicate and touching. He blends these seamlessly creating a unique exquisite album that’s absorbing.
Stream ‘This time will be different’ below