Dead Vibrations burst onto the booming Stockholm music scene in 2015 and have been flying the flag high for Scandinavian shoegaze ever since. Their dark and gloomy noise pop channelling a mix of visceral Mary Chain-esque guitars, droning psychedelia a la Spacemen 3 and even Seattle grunge at times – resulting in a reverb-drenched sound that manages to sound both unapologetically indebted to its influences yet completely modern. Having spent the last couple of years touring Europe, bringing their blistering live show to venues and psych fests across the mainland, and releasing just two releases – their debut 12″ EP ‘Reflections’ and 2017s 7″ single ‘Swirl/Sleeping In Silver Garden’ – Dead Vibrations have signed to London imprint Fuzz Club Records for the release of their self-titled debut album, due for release January 26th. To kick-start 2018 the band have released their crushing second single from the album, ‘On A Sunday Morning’.
‘On A Sunday Morning’ is a thunderous assault of dizzying noise pop concealed among a swirling intoxicating blur of shoegaze guitars and blinding psychedelia. Razor sharp guitars pierce through the track drenched in stinging acid as they scorch and blaze between pulverising drums. Its hazy delusional psychedelic soundscapes swivel and swirl like a hypnotic dazed invasion on your senses while lo-fi vocals echo throughout soothing the dazzling soundscapes. Using a sublime amount of shrilling distortion the band create a trippy relentlessly biting track wrapped in a frenzy coating of buzz fuelled darkness. With a gloomy moody tone propelling the track and forming its thick sulky fuzz tainted foundation it’s still surprisingly light and zesty. Dead Vibrations have found the perfect blend of dynamized, shrilling psychedelia and smooth hazy pop to create an invigorating kinetic track.
Stream ‘On A Sunday Morning’ below
The Cheap Thrills are a garage/psych pop band from Liverpool. Renowned for producing sonic pop songs with catchy hooks and melodies crafted and then recorded in the centre of Liverpool. The band have released their new single ‘Sentimentality’ and it’s a sugar rush of indie pop bliss. It is shaken and fizzed with crashing guitars splintering off punchy robust drums which adds a healthy dose of garage grittiness. Smooth vocals surge passion and youthful adrenaline over a jumpy bass line and spacey guitars while the infectious luscious melody sweetens the deal and leaves you craving more. With shimmering flashing synths adding a rush of breezy aerial freedom it’s a blood pumping blistering gush that will have you up dancing and bellowing out the lyrics in no time. The Cheap Thrills are an exciting band that create electrifying passionate tunes that leave you itching for more.
Watch the video for ‘Sentimentality’ below
Smash Boom Pow are Vancouver, BC blood-brother duo Ulysses (Vocals / Guitar) and Zane (Drums). They have released their new single ‘Way Too Much’. The track is taken from the duo’s forthcoming sophomore EP, which is scheduled to be released later this year.
‘Way Too Much’ is a raw razor-sharp garage pop track brimming with gritty jagged riffs so harsh and dirty you will need a tetanus shot. Pounding drums are skull bashingly thrilling while Ulysses’ raspy vocals spit and exude attitude and almost disgust. It’s a splintery fiery track with a sick catchy pop drizzled melody that will be stuck in your head all day. You will have to forcefully prise this track from your head. Watch out for these guys they are just too good.
About the track the band said, “The lyric you’re asking way too much of me” is not about an unreasonable labour request, but rather unfair emotional demands and the psychic damage they can inflict. On one hand, you have love for someone and are inclined to compromise for the sake of the relationship, on the other you’ve gotta be true to your experience and set the record straight. It’s not worth living a lie.”
Stream ‘Way Too Much’ below
The Revellions are a six piece band of misfits based in Dublin city that play a mixed sound of Garage Surf Rock with a side order of psychedelic music. Band members James Lister (Lead Vocals & Guitar) . Sean Adderley (Guitar). Edward Ãspel (Guitar & Backing Vocals). Juan Castilla ( Bass Guitar). Anna Mulhbach (Keys & Backing Vocals) and Mick Smith (Drums) have been taking their sound to the next level following their two well known albums “The Revellions” and “Give it Time”, being promoted by several successful tours in Germany, France, United Kingdom, Norway and Spain. The band is currently working on the final stages of their forthcoming 3rd album. Courtesy of Mersol Music Label The Revellions are also releasing a New Single for Record Store Day on April 22nd 2017 and will be having a launch party for that in the Grand Social. The Single is called ‘False Hope’ and will be released on 7″ vinyl in a textured card sleeve with superb artwork done by Blanca Fons. We had a listen to the track along with its b side ‘Carrie Ann’ to get a taste of what’s to come from the third album.
‘False Hope’ is a trippy moment into luscious floaty soundscapes with almost triumphant little bursts throughout. Its a groove-based shimmy flooded with an overwhelming exhalation of cool sensual swagger and euphoric bliss. Its mind numbing psychedelia which crashes over you in waves of sound, pulling back and pushing forward, becoming stronger as the track progresses. Wobbly guitars create a prism of thrilling distortion while punchy drums and elastic bass lure you into the inner depths of the track. Peppy and full of sultry tones its a steamy boogie that is insanely catchy and compelling while intense raspy vocals add grit and fight to the swirling enigma. The track builds to an intense dizzying crescendo bursting with life and energy before the final mighty chorus. ‘False Hope’ is tightly bound and well crafted creating a trippy bubble and a staggeringly good display from The Revellions.
‘Carrie Ann’ is a vibrant swagger filled strut of joy. Its a confidence-building ball of fire. Nimble slick guitar adds elation and oomph while the rapid spring of percussion lifts the track into a state of buzz filled exhilaration. Raspy vocals give us a rough and tumble quality while exceptional keys bring us depth and rich textures. Its an all round pleaser. ‘Carrie Ann’ is superbly layered and soaked in panache with a strut- like prance, its a blistering charmer. Soft lull of backing vocals adds an elevated feel to the track while instrumentally the track explodes with an illustrious blase.
The Revellions new album will see the light at the end of 2017 as the band has already started to showcase the new songs across the core venues of garage rock music in Dublin city and a tour over in Spain. These guys are ones to keep and eye out for.
You can catch them live at The Grand Social, Dublin 22nd April we’ll be there and it promises to be one hell of a show.
Follow The Revellions on Facebook here https://www.facebook.com/therevellions/
Our Worth A Listen Track This Week Comes From Get Inuit
Kent four piece Get Inuit released their new single ‘Barbiturates’ earlier this year. Band members Jamie, Ollie, James and Rob have been fine-tuning their fuzzed-out live show and have supported the likes of VANT, Spring King, The Magic Gang, PUP, Slaves and DZ Deathrays.
‘Barbiturates’ is dynamite of insanely infectious fuzzed up jagged guitar rock, coated with sublime melodic bubbliness. This snappy tense explosive track is bursting with bloodcurdling thrilling screams and frenzy drenched episodes, coupled with razor-sharp shrilling guitar, punchy drums and driving roll on bass. This is almost theatrically contrasted with brief silences and afflicted whispers creating a breathtaking manic conflict. One minute Get Inuit are screaming at you with pulling your hair out frenzy the next calming with gentle eerie whispers and coos. All hysteria and mania aside this dynamic four piece pull out some glorious sweet Vampire Weekend-esque melodies that create a blissful ear-worm effect surrounded by ferocious guitars and robust drums. The vocals on this track are amazing with such height, powerful range and control that will have you in awe. The track finishes delicately with a trembling almost spoken vocal like tidying yourself up after a psychotic enraged episode, all is normal again. These guys are too good.
Stream ‘Barbiturates’ below
Birmingham-based garage-psych-rockers The Good Water have released their new single ‘Mansaid’. The track comes hot on the heels of their previous single ‘See Your Light’ which received airplay with Steve Lamacq, Mary-Anne Hobbes and Shaun Keaveny at BBC 6Music as well as tastemakers at Amazing Radio and influential LA stations KROQ and Indie 1031). Since forming in early 2015, The Good Water have been busy. The boys quickly picked up loyal support from Brum Radio with their drone-rock debut single ‘Everything Is’, They have gained new fans at raucous shows around the Midlands and blew away audiences supporting Mercury Rev, Super Furry Animals and Bill Ryder-Jones at Lunar Festival. The duo’s brand of psychedelic rock grooves, obscure lyrics and nimble riffs is streamlined into tight garage-pop frameworks and press has been quick to spot their talents, with rave reviews from Soundsphere Magazine, Ear To The Ground Music, Slap Magazine, Diamond Deposits, Born Music Online and Mytacism Music amongst many others.
‘Mansaid’ is red hot fiery garage rock smothered in a gritty fuzzed mind trip of psych-pop. Its a strutting frantic rush of effortless cool puzzlement that exudes swagger and blistering slick flamboyance. Blazing riffs give the track a scorching intensity while the psychedelic pop harmonies soothe and cool the track down before it kicks into the shredding frenzied mosh worthy chorus. With verses that glide in with liquid fluidity backed by feverish flaming guitar riffs and a driving punch on drums its insanely addictive. These guys are ones to watch.
Stream ‘Mansaid’ below