Kingpins are a Brighton-based five-piece formed in May 2017. The band have already played a handful of gigs throughout Brighton including a sold out This Feeling night as well as featured on local radio stations. The band comprised of member Henry Foulkes on lead vocals, Chris Udell on lead guitar, Joe Simmonds on drums, Sam Glinsman on rhythm guitar and Hayden Prenter on bass have released their new single ‘Don’t Go’
‘Don’t Go’ is a blistering swagger soaked display from this quintet. With punchy drums and a boisterous bass laying down a rumbly elastic foundation for the crashing guitars to rebound off these guys have created an electrifying wall of sound that is both intricate and well layered. It’s catchy and explosive in all the right places with the fiery chorus erupting instrumentally while the cool vocals douse some effortless swagger on top. It’s a fine track from Kingpins and a confident panache driven offering. Keep an eye out for these chaps.
Stream ‘Don’t Go’ below
The Ringards are a newly formed band based in London made up of four members, Freddie (lead guitar), Gary (bass), Koby (drums) and Enzo (lead vocal and rhythm guitar).Since forming a few months ago they have been busy self-producing their songs in a small shed in one of the member’s flat. The band have played a warm up gig in France with members of the French band Papooz, where they received positive feedback and were offered a potential support slot with them for their second album. The band have also had a slot on a local radio, the Boogaloo radio, where they played The Ringards track, ‘Stay Where You Stand’. The four piece have now released their new single ‘CPS’.
‘CPS’ is honest pure vintage British indie with a rawness that evokes a cold bitter chill on your shoulders. It’s melodic with sluggishly laid-back verses that make you just want to lie there and listen, soaking up the nonchalant melancholic vibe. The chorus however explodes with shredding razor-sharp guitars that wound with a jagged shrilling sting while punchy drums erupt into spirited intense dynamism. The guitars sweet melodic melody comforts and soothes through the crisp blunt icy verses. These guys deliver an intoxicating sound that swallows you up and consumes you in the emotion of the track then whacks you back with a vibrant instrumental bashing. It’s an impressive sound from this newly formed band.
Stream ‘CPS’ below
Letters to Lions are an indie rock band from Sydney, Australia. The band consists of Curt (drums), Joel (Guitar/vox), Jackson (bass) and Adam (guitar/vox). They recently released their single ‘Come Around’ via Code One Recordings. This sizzling breezy indie track bursts with slick aerial soundscapes and meticulous refined musicianship. It’s tightly crafted with razor sharp guitars piercing throughout and gashes of vibrancy cutting slices through the airy instrumentation. Punchy drums and elastic rumble on bass add a bouncy flexibility to the track while velvety expressive vocals add a slap of passion. The anthemic chorus is expressed by a swarming dynamic explosion of crashing guitars and bruising rhythm. Joel’s vocals maintain a cool laid-back vibe that glides upon the compelling instrumentation, creating a seamless blend of hazy mellowness and stinging splintery indie. It’s well-crafted and expressive yet dreamy and luscious. These guys have developed and layered this track perfectly. Its flawless, dynamic and a breath of fresh air.
The track is taken from their second EP ‘Grays Point’ which is set for release tomorrow 10 November, make sure to check it out.
Stream ‘Come Around’ below
Kavalier is an alternative four-piece band based in Kilkeel, Co. Down consisting of members Ryan O’ Neill(Guitar/Vocals), Tommy Rice (Guitar), James Burns (Bass) and Mark Mc Donald (Drums). Their formation was brought about in the winter of 2015, evoked by a desire to relieve boredom while simultaneously combating the cold winter climate. The loft space of an old, post-war knitting factory would later become the bands headquarters. Quickly they began to hone in on a sound that concluded the band had potential to develop beyond a means of alleviating winter boredom. As winter turned to spring and into the summer, the band had narrowed down their newly written material to 3 songs. These select tracks would later be recorded and compiled into their debut EP ‘Songs For Walter’. This year the band had the chance to play at Electric Picnic after being chosen as one of eleven acts to play the “Play The Picnic Stage” Courtesy of RTE 2FM.
‘Songs For Walter’ is a three track treasure box overflowing with luscious melodies, calming tones and some shredding instrumentation. The delicately beautiful ‘Wake Up’ kicks off the EP with sweet gentle tones ready to lull you into an elegant state of bliss. Warm ethereal guitar melodies jingle across a soft creamy soundscape. The cushioned bounce on drums and bass give a divine feathery light texture to this sublime track. The sharp injections on guitar and shredding solo pierce the calm track with a zesty sting adding acute spurts of brightness. ‘Stop, Rewind’ follows continuing with a supple tone, but this time the four-piece add a little more grit to the creamy flow of the EP. The stop start jumps give a jitter to the track while winding guitar melodies weave playfully throughout. Another delicate mind easing song that is oh so easy and delightful to listen to. ‘Drop 65’, the final track on the EP shows us the heavier gritty side to Kavalier. It’s swagger soaked attitude driven and darker. The guitars take a rough rugged approach with a choppy fuzzed aggressive element. The drums pound while the bass rumbles creating a meatier more rock infused track.
Kavalier ‘Songs For Walter’ EP displays their knack for beautiful organic melodies, slick intricate guitar work and sophisticated musicianship. It’s a tight EP that place’s these guys firmly in the ones to watch list.
Stream ‘Songs For Walter’ below
Lost In Motion, often abbreviated as LIM, are a British rock band formed in Shropshire in January 2017. The bands musical style primarily consists of rock with a minor emphasis on grunge. Currently the band consists of founding members guitarist Alex Byrne, bassist Joe Byrne and drummer Lewys Rees. LIM found vocalist Jess Pritchard to complete the lineup and to help LIM create their debut album. The band have released their debut single ‘The Midas Touch’ which is the lead track from their debut album and will see shows in 2017/2018 promoting both the single and album and to further build their fan base. The song is available on Soundcloud, free of charge, as the bands way of thanking everyone that has shown them support and encouragement.
‘The Midas Touch’ is a compact indie track with a gritty rock backbone. Slowly the track creeps in to start as Pritchard’s sweet enticing vocals coo the luring verses. The track explodes into a mighty fiery chorus that exudes swagger and attitude. Razor sharp guitars sting and pierce while punchy drums blast out the floor shaking beat. It’s a slick effortlessly suave display from this four piece, they take their time creating a sophisticated rounded darkly hued track oozing oodles of passion. With a glossy shredding air guitar worthy solo these guys have presented a proficient well-oiled track for their debut. Best enjoyed as loud as possible.
Stream ‘The Midas Touch’ below
We sat down for a quick chat with Andrew Berry, John Fitzgerald, Evan Butler and Eric Walsh from Sideline Fire before their ‘Outside’ single launch in Whelan’s to get to know this new indie band a little better.
Watch the interview here
Manchester indie-rock four piece The Covasettes have released their eagerly awaited debut single, ‘This Feeling’. Formed in mid-2016, the quartet comprised of Chris Buxton (Lead Vocals/Guitar), Matt Hewlett (Lead Guitar/Vocals), Jamie McIntyre (Bass/Vocals) and Matt Buckley (Drums/Percussion) have spent the last year and a half perfecting their addictive, riff laden sound with live shows across the North. Having left a lasting impression on promoters, venues and fans with their infectious live set, The Covasettes have earned themselves a firm place amongst Manchester’s busy music scene.
‘This Feeling’ is a sizzling indie rock track that bursts with feel good vibes, sunshine and sweltering heat. It’s catchy and brimming with infectious guitar hooks. With punchy drums and a groovy hip wiggling bass line it’s an instant crowd pleaser. Sharp guitars stride and pierce through the track adding a zesty refreshing sting and instant vibrancy. Richly textured and finely layered these guys have delivered a polished indie hit. The song is well thought out and crafted with sultry lead vocals teamed with an irresistible melody and foot stomp bridge. ‘This Feeling’ is everything you could want in an indie track. A fantastic debut from The Covasettes. Watch out for these guys.
Stream ‘This Feeling’ below
Nightshifts is a young, upcoming producer from Toronto. He spends most of his nights experimenting and creating music using vintage synths, groovy guitars, and drum machines to create new sonic universes. Having caught an early break with a remix of Bon Iver’s ‘Michicant’ which reached the ears of Justin Vernon himself, he has now released his debut single ‘All Along’. It’s a dreamy hazy marshmallow with a blissful lo fi production and a laid back whimsical misty atmosphere, it’s beautifully euphoric. Sweet luscious melody melts like butter on toast while synths swirl and elegantly dance around a slapping beat and groovy guitar jingles. It’s a smooth crooning swagger infused delight. Heavenly sweet and richly layered it’s refined and sleek with breezy sonic flecks that create a wispy sedative effect. A sublime debut from this young producer.
Stream ‘All Along’ below
MRYGLD (pronounced ‘marigold’) is a rock band from Birmingham, Alabama formed in 2017. This band is as fresh as they come, formed by Brandon Snipes (vocals, guitar) and the musical “dynamic duo” of Shane (lead guitar) and Alyssa Jewell (vocals, keys). After recruiting drummer Kyle Blair and bassist James McCauley, the lineup was set and MRYGLD was born. They have released their debut music video for their single ‘Cool Kids’.
‘Cool Kids’ is a dynamic infectious indie track bursting with oodles of catchy melodies honey coated and smothered in sweet heartfelt nostalgia. Sharp zealous riffs drive the track, cutting through the bubble bouncy beat and sublime melody. The blend of Snipes warm vocals with Jewell’s light sweet vocals creates a unique beautiful tone. It’s a delicious can of sugar coated indie pop with a refreshing sharp sting. Dreamy harmonies create a laid-back vibe while the driving rhythm adds a bounce quality and bop. Its instantly likable, gentle and gripping with a sway like quality and ear worm infectiousness. It’s a dainty melodic gem. Snipes vocals at times remind me of Brandon Flowers from The Killers and the guitar work is majestic, that solo is bright vibrant and energetic all while flooding you with nostalgia and reminiscence. These guys have written a track that makes you feel something. It’s pretty impressive.
Watch the video for ‘Cool Kids’ below
Alternative rock band Cloakroom Q have released their debut two singles ‘Don’t Come Home’ and ‘Wankman2000’. Hailing from Newry, Daniel Havern (Drumer), Conall Coulter (Guitarist), Dan Monaghan (Bassist), Ryan Elmore (Vocals) and Sean Hickey (Synth) formed after two of the members (Conall and Sean) saw LCD Soundsystem during their live set at Electric Picnic 2016. This influenced them to start a band which had many musical similarities to LCD. Of course, with the advent of Cloakroom Q they followed less of these musical influences as the sound developed with the additions of Dan, Ryan and Danny. Influences of the band “Slint” are present with both tracks due to the spoken word vocals featured. However, the influence of LCD soundsystem is still ever present with these tracks due to the synth arrangements.
‘Don’t Come Home’ is an intense spine chilling ominously dark trip. Twinkling creepy sinister synths create an almost horror movie like start. The steady pulsing beat creates a menacing foundation for the track while ghoulish haunting falsetto “ooh”, between anguished shaky vocals. It’s chilling and obscure smothered in simplicity as the feathery light melody on synths glisten, interweaving playfully and eerily against the harsh striking emotional lyrics. The track builds in intensity as drums pound and guitars crash becoming heavy and mosh ready, ending with the piercing shrill of distortion. This track is weighty both instrumentally and emotionally. It’s agonising, harrowing and brilliantly crafted. These guys build to a fury bursting crescendo while still holding back on some of the emotion. Its like a controlled explosion that is held taut so the intensity and torment remains throughout the fierce blow up.
‘Wankman2000’ is a pulsing psychedelic trip swirling in hypnotic soundscapes and flickering synths. A strong beat once again acts as a constant as the track wobbles and warps around it. Becoming heavy the track builds into fury infested headbang rock smothered in psychedelic delusions. Spoken vocals become aggressive and shouty. Dripping in acid-like illusions with dark eerie tones and pounding rhythms it’s another dense staggering track from this five piece.
Cloakroom Q have presented two chilling throbbing heavy hitting tracks with arrangements that take you on a roller-coaster ride of lurching and rolling with raw anguish and intensity. These two tracks whack these guys into the ones to watch list.
Stream singles ‘Don’t Come Home’ and ‘Wankman2000’ below