Category Archives: Indie Electro

Ten Fé ‘Single, No Return’

London based Ten Fé have released their new track ‘Single, No Return’. Now a five-piece, comprised of Ben Moorhouse (vocals, guitar), Leo Duncan (vocals, guitar), Rob Shipley (bass), Johnny Drain (keys), and Alex Hammond (drums). It’s the first new single since the release of their debut album ‘Hit The Light’ earlier this year. ‘Single, No Return’ is simply euphoric. The five piece have crafted a track that displays their sophisticated refined musicianship beautifully with subtle intricate layers so tightly bound yet spaced perfectly – it’s a treasure. Flickering electronics flood the track with an airy sedative that soothes and numbs the soul. Warm sharp guitar injections add a vibrant sun kissed glow while velvety smooth hazy vocals lull you into a calming sense of comfort. Deeply passionate and delicately numbing, each note takes its time leaving a hushed sense of reflection. The track builds becoming more dynamic and bouncy creating a rush of adrenaline for the crescendo. With a nostalgic sombre drizzled sublime melody weaving free and easy around the pulsating electronics and slow groove it’s the perfect mellowed return from Ten Fé.

Stream ‘Single, No Return’ below


Edits ‘Don’t Speak’

Edits are a Girl/Boy Duo from Manchester that create “electronic other world-ness”. Sandwiched somewhere between synth pop and post-rock the band consists of members Liv Westhead (Vocals/Synths) and Chris Abbott (Guitars/Programming). Edits take pride in their D.I.Y. aesthetic; producing everything they make themselves, even their music videos. The pair recently self-recorded a video series live to tape called ‘The Tape Sessions’ showcasing their creativity and recording skills. The duo have released their new single ‘Don’t Speak’ which is a synth pop anthem reminiscent of Chvrches, The XX and Everything Everything.

‘Don’t Speak’ is an atmospheric synth pop dazzler oozing anthemic fist pump power teamed with darker indie soundscapes. Flickering synths create a fluctuating bedazzlement while swirling synths and Westhead’s vocals add passion and tension. The sharp guitar and punchy drums build the track up creating a gritty rock heaviness and rough texture to the otherwise sugary pop sound. The verses brood with a darkened undertone while the anthemic chorus bursts with mini instrumental explosions. Its charming and endearing and immensely catchy.

Stream ‘Don’t Speak’ below

 

 


Nightshifts ‘Karma’

Toronto based producer Nightshifts has released his new single ‘Karma’. Having had past musical successes in other Toronto bands and produced an official remix of “Michicant” for Bon Iver,  Nightshifts is gearing up to release his debut LP this November. ‘Karma’ is a soulful blast into Nightshifts sonic universe. Its smooth cool and ridiculously groovy. With a finger clicking beat and groovy swagger soaked guitar melodies it’s a silky little number. Velvety vocals coo and charm while sonic flecks dazzle and flicker between shimmering synths. This laid-back track is polished and creamy and effortlessly cool. With a relaxing sway like tempo and clap along feature it an infectious funky pop sprinkled ear worm.

When asked about the track Nightshifts said “Karma was written at a time when all my friends and I were very unsure about what we wanted to do with our lives. I wrote the song to try and calm my own nerves; to say it’s ok not to know, let’s just enjoy the ride. Matthew Vlahovich of Young Empires co-produced this track at his Trinity Bellwoods Studio”

Stream ‘Karma’ below


Hayes & Y ‘Always So Simple, Always So Cold’

With band members that hail from as far afield as Bulgaria and Finland, indie-pop four-piece Hayes & Y harbour a somewhat continental feel that immediately sets them apart from their quintessentially British contemporaries. Having moved to the UK just a couple of years ago, the four-piece have assimilated quickly, becoming a part of their new country’s scene and taking shows at some of Britain’s best-loved venues in their stride, including the likes of London’s Dublin Castle, and Manchester’s iconic Night & Day Cafe, as well as a notable slot on the Spirit of Burgas festival in Bulgaria supporting Kasabian. With three EPs already under their belt the band have now released their latest single ‘Always So Simple, Always So Cold’. This cruising 80’s electronica flavoured track glides with effortlessly cool swagger and slicked back groovy vibes. Rolling bass lines teamed with frenetic winding guitar licks add an elastic sensual chilled back allurement while also creating a brooding moody foundation for the electronic wavy soundscapes to bounce off. The 80’s infused synths add a shimmering sparkle, breezy freshness and infectious disco dance vibe.  Oh, so smooth and creamy the melody fluidly coats the rippled soundscapes while a slapping sticky beat adds a steamy sultry quality. Hayes & Y present the track in a seemingly effortless way creating a laid back hazy tune thats irresistible from the start. The vocals are sweet and luscious and oozing passion and emotion. It’s a delicious can of sugary smooth pop with a dash of zest provided by the sting on guitars – its refreshing, lush and chilled.

The accompanying video sees Hayes & Y using grainy, black & white film clips in order to reinforce the sombre tone watch it below.


MYA Project ‘Something That Good’

MYA Project is the alternative, electronic/acoustic pop creation from Dalila Mya. Originating from Europe, now based in Los Angeles, this musical creativity comes from a background of classical training combined with a Sound Engineering Degree. MYA Project is a fusion of electronic and acoustic music, where Trip-Hop meets World Music and Pop Rock. Dalila’s background has seen her work as a Live Sound Engineer, working with artists such as Tool, Depeche Mode, Alabama Three and Massive Attack. Besides her live work, she has worked as a Studio Sound Engineer for several studios in England and the U.S.A., including Abbey Road in London and The Village Studio in Los Angeles. She has now released her new track ‘Something That Good’. It is the second single from the album MK. Possibly the most captivating and intense song on the album it was written and recorded in only 3 days. With a sticky flickering beat glooping and slapping against flickering electronics it’s a smouldering dark entrapment of peril. Wobbling soundscapes add a chilling mirage of obscurity, cold and sticky it is almost suffocating. Mya’s luring vocals entice and enchant with a bewitching melody that swallows you up in a confusing delusion of smoke. The melody wisps around like vapours creeping in your ears – you are powerless to its catchy entanglement.  A haunting thrilling second single from MYA Project.

The video for the single was shot and produced in Los Angeles by Dalila Mya, who produced and edited the video in her own studio in partnership with, videographer and visual artist J.F. Brown.

 

Watch the video for ‘Something That Good’ which was shot in one day in one of the historical venues in L.A. – the Hollywood Hotel  below

 

 


The Only Ocean ‘Fake Sunflowers’

The Only Ocean are a four -piece atmospheric rock band from Lompoc, CA — a town most notable for its high security prison and its annual Flower Festival. Friends since junior high, the band taps into a level of unity that is typically only achieved by sibling groups, like the Beach Boys or the Jonases, their tight modern grooves locking together to support a soft bed of crackling guitars and soaring vocals. In 2015, they released their self-titled debut album, a polished collection of dreamy psych-rock bangers, produced by Jonathan DeBaun (The Mars Volta, Omar Rodríguez-López). After a year of supporting the record with energetic shows spanning the California coast, they returned to studio to record a 5-track follow up EP, titled ‘TOO’; a denser and more aggressive effort, with lead single ‘Cul-De-Sac’ approaching hardcore and punk rock in its ferocity. Tracks like ‘So Shy So High’ hinted at a more ornate and melodic direction to come. With the recent addition of guitarist Mic Singh, The Only Ocean’s sound has expanded to even grander proportions. Their recent release, ‘Good Morning’, is a confident and deliberate side-step into the festival rock arena, with producer DeBaun again returning to put his signature flair on things, dutifully guiding the band into new territory. The Only Ocean have now released their new single ‘Fake Sunflowers’ which follows the new solid sound of ‘Good Morning’ .

‘Fake Sunflowers’ flickers and bleeps with flashing sonic soundscapes against strident sharp guitars and an infectious beat. The soaring chorus adds an ethereal quality to the track while the lush sweet melody glides along smooth and creamy like honey to the ears. Tight harmonies add a multi dimension and rich texture to the track while the electronic soundscape adds a psychedelic dreamy vibe. It’s displayed simply but backed by richly layered intricate instrumentation. Another sublime track from The Only Ocean.

Stream ‘Fake Sunflowers’ below

 


Indie Buddie Introducing : Nightshifts

Nightshifts is a young, upcoming producer from Toronto. He spends most of his nights experimenting and creating music using vintage synths, groovy guitars, and drum machines to create new sonic universes. Having caught an early break with a remix of Bon Iver’s ‘Michicant’ which reached the ears of Justin Vernon himself, he has now released his debut single ‘All Along’. It’s a dreamy hazy marshmallow with a blissful lo fi production and a laid back whimsical misty atmosphere, it’s beautifully euphoric. Sweet luscious melody melts like butter on toast while synths swirl and elegantly dance around a slapping beat and groovy guitar jingles. It’s a smooth crooning swagger infused delight. Heavenly sweet and richly layered it’s refined and sleek with breezy sonic flecks that create a wispy sedative effect. A sublime debut from this young producer.

Stream ‘All Along’ below


Beachwood Coyotes ‘I’m Tired Of Rolling My Eyes’

Indie rock four-piece Beachwood Coyotes have released their new single ‘I’m Tired Of Rolling My Eyes’. The new single features socially conscious lyrics, critiquing race relations in America. The Los Angeles based band have received acclaim from KROQ, Huffington Post, Wonderland Magazine and XS Noize among other tastemakers.

‘I’m Tired Of Rolling My Eyes’ is an energetic explosion of luscious indie pop soaked in electronic retro 80’s sounds. Rich rhythm and flickering soundscapes  create a lavish texture and blinding bedazzlement. With a vocal melody that rushes through like a surging flood, pumping adrenaline through your veins and an anthemic powerful chorus, these guys have written a track that is so intense and mighty yet glides with effortless breezy cool tones. With funky elements and hip hop hues it’s a multi faceted spurt of infectious songwriting and craftsmanship.

Beachwood Coyotes EP ‘Scrubby’ is set for release this Wednesday  September 6th  with a special release party at the Satellite in Los Angeles, California so make sure to check that out.

Stream ‘I’m Tired Of Rolling My Eyes’ below


Heez ‘This time will be different’ Album

Heez has released his new album ‘This time will be different’. The sensual groovy ‘Aphysical’ kicks off the album featuring sweet vocals from Culture Child. Previously featured  on Indie Buddie this track has R&B soul entwined with  dark clammy sultry flexwave. ‘Whoa there’ is brimming with Heez’s swagger filled attitude and sauve. Sticky beats ricochet off ethnic tinged swirling  soundscapes while aggressive rapped vocals flow with venom-filled vigour. Its cruising slick and steamy while holding a nice bit of punch. ‘Sins’ featuring Trip Carter displays a brighter bubbly side to Heez’s sound. Still oozing swagger and panache from its core this sleek ditty radiates sunshine and good times. Sweet melody caresses the soft beat and gliding electronics. This is the perfect summer tune – cool breezy, sun kissed and catchy as hell. ‘Curfew’ bleeds emotion and passion to a body grooving beat and flashes of electronics. Dramatic and heavy its hard hitting and deeply emotive. With an exotic guitar feature its delicate and balmy and richly textured. ‘Slow me down’ featuring the beautiful voice of Kiki Halliday closes the album with pulsing beats dreamy tones and a delicious arrangement. Its melty melody is delicate and tender flowing with such grace and beauty while still maintaining Heez’s sticky drippy electronics. Halliday’s vocals blend perfectly with Heez’s it’s quite touching and sweet.

Heez has proven with ‘This time will be different’ album that he has a knack with melodies and a refined ear for complex sublime arrangements. At times, its tough and aggressive punchy and dark other times its sweet delicate and touching. He blends these seamlessly creating a unique exquisite album that’s absorbing.

Stream ‘This time will be different’ below


Mura Masa ‘Blu’ and ‘Second 2 None’

Mura Masa the Guernsey-born producer, whose debut album assimilates an impressively diverse array of genres and guests including the likes of Charli XCX, A$AP Rocky, A.K Paul, and affiliates of Alex’s own Anchor Point family like Nao, Bonzai and Tom Tripp). He has unveiled ‘Blu’ (featuring Damon Albarn) and ‘Second 2 None’ (featuring Christine & The Queens), taken from his much-anticipated, self-titled debut album. With the former premiering as Zane Lowe’s Beats 1 World Record and the latter Radio 1’s Hottest Record In The World, ‘Mura Masa’ will be released on July 14th on Anchor Point/Polydor Records.
‘Blu’ is a dense heavy emotional track. Layered vocals delicately painted upon intricate lush arrangements create a passionate sonically profound track that boasts Mura Masa’s refined craft. This slow burner cruises and glides with soul and passion while filling out the sound with rich nature-like sounds. The track takes you into an earthy natural state of paradise that is instantly relaxing and time stopping.
‘Second 2 None’ brings us zesty ethereal twists with interweaving beats tooting synths and breezy flute sounds. This sweet little ditty stutters and bleeps with thrilling euphoria. The infectious slap beats groove with a body moving sway while Christine and The Queens’ vocals add passion and heartfelt pure emotion. Its luscious celestial soundscape transports you to another beautiful world that’s fresh and crisp with sublime production that is simply masterful.
Mura Masa is bending and warping genre lines and completely altering the way music is enjoyed. With Mura Masa it feels like an experience- an entrancing, beautiful, compelling experience.

Stream ‘Second 2 None’ and ‘Blu’ below