The Bridport Dagger have released their new single ‘Wolves’ which was recorded at Brixton Hill Studio. Band members Chaz Foster (Bass and Guitars), Lawrence Rice (Guitars), Neil Walsh (Viola), Jason Idnani-Powdrill (Vocals, Guitars) and Arran Goodchild (Drumming, Keys, Percussion) have created a track so stirring and hair raising it will leave you on the edge of your seat, constantly looking around for something to jump out of the shadows and get you.
‘Wolves’ enters with palpitating guitars quivering over rumbling drums as frontman Jason Idnani-Powdrill’s vocals shudder with an eerie theatrical tremble. It’s cinematic and dramatic as scurrying guitars build tension while the lyrics deliver an ominous narration. The music paints a picture like your watching a pistols at dawn western between dark mysterious characters. The blood curdling suspense tells you this story won’t end well. It’s a chilling goosebump inducing rush of adrenaline. Smothered in delectably enticing drama and a thrilling apprehension of this harrowing dooms day, it’s a captivating tale depicting the breathtaking cusp of demise. These guys contain an intense surge of anxiety and urgency in this four minute track relentlessly bombarding you with a slick swaggered rush of panic and terror. It’s well crafted, dark yet seductive and blood thirsty but sounds like it was made for a Tarantino movie. A riveting listen.
The band will soon be heading back to the studio in November to record songs for their debut album and judging from this track it’s going to be heart stopping and amazing.
Stream ‘Wolves’ below
Newcastle upon Tyne based noisy, artsy indie-rock trio Swine Tax have released their fourth single ‘Feels Like’. Taking influence from Pavement, the National and Parquet Courts, Swine Tax continually strive to create music prolifically and unerringly explore new sonic and emotional territory – an ethos which is underpinned by their commitment to writing, recording and mixing every song independently. The track was largely written and recorded during the band’s intensive August residency at the iconic Sage Gateshead music venue, having been chosen from artists across the north-east of England to compose new material in their time there. Born out of these productive sessions, this latest single perhaps provides the most accurate representation of Swine Tax’s unpredictable, emotional and, at times, euphoric live performances.
‘Feels Like’ is a woozy spin of blusterous indie rock. Beginning disguised as a croony, hazy, dream pop tune with a smooth guitar jingle and soft beat doused in a sun kissed melody. The track builds becoming more intense and sharp. Crashing guitars shrill and smash against boisterous pounding drums and strident soundscapes add a piercing razors edge. With a playful vocal delivery and boppy bubbly exterior it’s instantly likeable. The splintery guitar solo radiates golden flashes of scintillation while still piercing with a shrilling sting. Upbeat and fizzy it has all the elements of a perfect indie rock track.
Stream ‘Feels Like’ below
Our Worth A Listen Track This Week Comes From The Hubbards
Riding high on a wave of praise following their most recent single ‘Just Touch’, Hull-born Leeds-based four-piece The Hubbards have already notched up support slots for the likes of stadium stars Foals and The 1975, not to mention a coveted slot at this year’s Radio 1’s Big Weekend. Their material has aired on both Radio One and 6Music, while previous single ‘Cold Cut’ was used on ‘Made In Chelsea’. The quartet have now released their new single ‘Body Confident’. This laid-back indie bopper cruises against a backdrop of crunching sharp guitars and punchy drums. The dazed hazy melody drifts with a woozy dreamy loftiness and ear worm infectiousness. With an air of casual easy going almost “meh” nonchalance to take the edge off the piercing dynamic soundscape it’s effortlessly cool and breezy. Elastic bass and bouncy drums give a gyrating swagger and enthralling allurement to the track. It’s smooth with a groovy mellow backbone and one for lazy hazy days.
You can catch The Hubbards Live at
7th October: Sebright Arms, London
13th October: Fruit, Hull
21st October: – The Shed, Leicester
22nd October:- The Brunswick, Brighton
Watch the video for ‘Body Confident’ below
Hailing from the UK, AT THE SUN are a heavy rock five piece blending their love of blues, metal and classic rock to create a powerful sound of big riffs, soulful vocals and ripping solos. The heavy rockers have released a video for their powerful cover of Rag’n’Bone Man’s ‘Human’. Putting a heavy swagger soaked spin on one of last year’s most successful chart songs AT The Sun add groovy sensual basslines punchy drum kicks and slick guitar licks taking the track to new rock approved heights. Alluring and gritty with sultry tones blended throughout the five-piece put their own stamp on the song and it is stunning.
When asked about the video the band said, “For this video, we really wanted people to see us up close and personal” says guitarist Kieron Heavens, “we had a great time taking such a powerful song and giving it the AT THE SUN treatment”.
AT THE SUN will be playing a show at Proud Camden on the 18th November in support of their upcoming single “Walk On Over”, taken from the debut EP “Breathe” for more info go to https://www.facebook.com/atthesunband
Watch the video for At The Sun’s ‘Human’ Cover below
Melbourne alternative rock two piece Dear Thieves are set to release their Sophomore EP ‘P.Y.M.’ on October 13th. Since their debut EP ‘Bad Habits’ was released late March of this year the pair went straight back to the studio, honing their unique brand of hard hitting alternative rock, resulting in their most refined and honest release to date. Hitting the Melbourne music scene early 2013 Dear Thieves have been prolifically writing music and making a name for themselves by gigging persistently throughout the city. The duo have embarked on multiple east coast tours in support of their debut single ‘My Street’ and the ‘Bad Habits’ EP, and have graced the stage with the likes of Sydney’s Strangers and fellow Two-piece heavy hitters King Of The North.
‘P.Y.M’ or Punch Your Mates (if you’re into that kind of thing) is 5 tracks of gritty, versatile unapologetic rock music that is catchy as hell. ‘Bruce Willis’ kicks of the EP, slick moody and attitude soaked with punchy drums adding a relentless rebound effect while crashing guitars and swagger soaked almost eerie raspy vocals add a gritty brawn to the track. Instantly catchy and wrapped in heavy mosh ready instrumentation it’s a pretty slick vigorous start to the EP. The EP continues to travel at a constant high energy and bulky pace. ‘Used To Be Dead’ brings a creepy darkness into the mixture of pounding rock. Once again rich flickering rhythm gives a sensual flexibility as the track teases and builds tension for the massive frenzy causing headbanging crescendo. ‘Kids’ takes the persona of the dark smoky sultry track. Doused in hair raising chilling tones teamed with powerful vocals and mighty robust drums it seeps and weeps danger and haunting vibes. Razor sharp bass strikes and slaps with lusty dynamism creating a thrilling experience. Title track ‘P.Y.M’ is a hardy raw track oozing aggression and demanding attention. It’s sleek yet booming with rugged drums and boisterous guitars. Swagger soaked and catchy this track is a severe bashing to the skull with intense energy and passion. ‘Alone’ closes the EP as mighty and fierce as its predecessors. Dear Thieves finish the album on a high dose of battering piercing rock.
‘P.Y.M’ displays Dear Thieves knack for bloodthirsty bruising rock. Rich intricate grooving rhythms and catchy hooks blend together to create a infectious barbed selection of tracks smothered in dark tones and chilling eerie atmospheres. Well-crafted and layered it’s a dynamic EP well worth putting on repeat blasting it out as loud as you can and rocking out to.
Dear Thieves are set to launch their sophomore EP on the 13th of October At Melbourne’s iconic Cherry Bar and follow it with a string of shows through Victoria and up the East Coast.
Listen to the ‘P.Y.M’ single on YouTube here
Wicklow band Feuds have released their new single ‘Anything I Wouldn’t’. The track was recorded in the Hot Spot, Greystones and recorded, mixed and mastered by Eoin Whitfield. A beautiful ethereal guitar melody introduces the track followed by gritty heavy crashing guitars and pounding drums. The track finds the perfect blend between sweet and sour as Feuds seamlessly flicker between luscious delicate guitar melodies and heavy mosh worthy soundscapes. Light and twinkly they excel with intricate nimble blissful guitar lines and wispy dreamy soundscapes. You could relax safe and comfortable in the hazy sun kissed, honey coated guitar refrains. The rumble elastic rhythm gives the track a rippling quality and adds movement and body. The simple vocal melody lets the music speak for itself as it encapsulates and wraps you in its dreamy state. When it’s heavy it’s striking and powerful yet still maintains that hazy structure however a little more fuzzed and darker toned. An impressive track from the Wicklow lads.
Watch the video for ‘Anything I Wouldn’t’ below
Manchester-based alternative trio Delphina Kings will release their new single ‘Like You’ this Friday. This slinky, steamy psychedelic smothered track coils and curves with sinister sensual tones between sharp guitars and crashing drums. The verses creep in with eerie spine chilling mystery and crooning vocals. Warped and twisted in a wobbly 60’s psychedelic mirage the track seeps out sensual sultry delusions. With swirling trippy soundscapes that slip through your fingers like quicksilver it’s a hallucinogenic mind-bending prism. Delphina Kings add a rough sharp belt of rock with harsher guitar strides and punchy drums for the thrilling chorus adding a mosh quality to the melty liquefying soundscapes.
Follow Delphina Kings on their socials to listen to the track as soon as it’s released here
Facebook : https://www.facebook.com/delphinakings/
Twitter : https://twitter.com/delphinakings
Reading Indie four piece Mellor have released their new single ‘Bone Idle’. The band consisting of members Gary, Sam, Kris, and Josh have had a whole host of national and regional media support from the likes of Absolute Radio, BBC6 Music, BBC Berkshire, BBC London, and BBC Introducing. Labelled by Alt Reading as “one of Reading’s most exciting acts”, they bring a live show packed with high energy, raucous vocals, big guitar riffs, and pounding drums. The bands dedicated following is steadily on the rise thanks to shows up and down the UK sharing stages with the likes of The Kooks, Frankie & The Heartstrings, Carl Barat & The Jackals, Flyte, and The Milk.
‘Bone Idle’ is a snappy infectious buzz filled blast of indie rock. Energetic and high powered it sends shivers down your spine creating groove induced dance and shimmy symptoms. Punchy drums slap against shredding razor sharp guitars while elastic bass rebounds with vigorous stamina. Its fizzing instantly catchy indie rock that explodes with youthful energy and some slick piercing guitar moments. With a delectable melody and anthemic chorus ‘Bone Idle’ is destined to be epic live. Raspy vocals and intricately weaved instrumentation add a nice little gritty texture and multi dimension to the track. Once again Mellor knock it out of the park with this peppy effervescent track. These guys just keep on belting out some pretty slick bangers.
Stream ‘Bone Idle’ below
Our Worth A Listen Track This Week Comes From Novatines
Five piece alternative rock outfit Novatines have released their debut single ‘Medicine’. Released through Dirty 38 Records, ahead of a UK tour in November, ‘Medicine’ which was recorded live and produced by the band encapsulates the band’s’ spirit, verve and intensity in its every fine detail. This debut is a statement piece as bold and honest as any. Manifested in the city of Bath, the group are heavily steeped in the pure essence of rock & roll, following the footsteps of giants and knowingly steering off the beaten track, reforming the sound in their own image.
‘Medicine’ is a red hot blast of rock & roll. Shredding guitars crash and blast against pummeling drums while sneering vocals bellow. It’s anthemic with fiery energy and fist pump middle finger aggression consumed in a mini explosion. Sing along ready and ridiculously catchy it’s a foot stomping fury fueled torpedo. Gritty attitude driven and exuding sweat and leather swagger, this track is on fire. It is mosh ready with a fantastic running bassline, it pumps adrenaline into your veins causing an impulsive desire to scream out the lyrics. I can imagine this track is epic live.
Stream ‘Medicine’ below
Glasgow based singer-songwriter Kev Howell has recently released his debut album, ‘Haunting Ambition’. After beginning writing original material back in 2014 with an old 8-track machine, some Cubase software, and a lot of ambition and talent, Howell has come a long way. Over the past 3 years, he has grown a solid and dedicated fanbase and gained support slots for the likes of Ben Ottewell and Bill Ryder-Jones. Inspired by the likes of The Beatles, Led Zeppelin and Pink Floyd, ‘Haunting Ambition’ boasts nine alternative rock tracks, driven by melodic guitar chords and a haunting and distinctive vocal line.
‘Haunting Ambition’ is a swirling dark concoction of alternative soft rock churning and coiling in a sixties psychedelic dissolving fermentation. Smooth and crooney ‘Distance’ sets the mood of the album. The underlying groovy hints present itself through the bouncy rhythm while spooky spine chilling soundscapes wisp around haunting vocals. The smooth melody is delicate,soft and almost fragile while sharp guitars sting with a stabbing shrill creating a goosebump inducing thrilling listen. The shadowy narcotically hazy ‘Kamikaze’ follows. Vaporous and smouldering this sultry track exudes eerie tantalising mystery wrapped in a psychedelic rock mirage. There is definitely a Beatles-eque vibe in the song maybe it’s something about Howell’s soothing McCartney-like smooth vocals or the melty melody smothered in dark creeping sixties psychedelia. Each track flows fluidly into the next bringing you further into Howell’s cloudy dream state. ‘Ode to an Angel’ lightens the mood and tone of the album. Gentle, sweet and delicate with soft accompaniment it’s heavenly and calm. Warm guitar twangs twinkle in and out of the lush emotional vocal melody while glistening soundscapes add a heartfelt sprinkle of affection. It’s an elegant mood shifter. Each track is well layered yet arranged meticulously in such a way so each note, each pluck and strum makes its own impact and striking imprint on your soul. With this album when it’s swoony and dreamy it’s divine but Howell knows exactly when to break that up and add a wobbly mirage of sharp guitar stings. Each song tells an absorbing story which pulls you right into the depths of the track creating a wholly engulfing experience. ‘Nightbird’ brings a shimmy dance quality with an impressive array of instrumentation from banjo twangs to electric and acoustic guitar intertwined with electronic soundscapes. It’s infectiously boppy and very catchy. ‘Grave Lament’ is just simply beautiful and mesmerising. Howell gives you just under a minute and a half of this blissfully sweet relaxing track. Warm guitar takes you to a dreamy island paradise while a gentle snapping beat soothes your mind. It’s mind melting soul fulfilling and oh so good. With velvety vocals caressing a creamy melody it’s like he takes away all your worries and for a brief moment you are in Utopia. ‘Snipers Blues’ closes the album off with a gritty punch of blues rock. Dirty riffs drive the track while kinetic drums bounce and pound with ferocious energy. It’s effortlessly cool, swagger driven and ballsy while also holding an air of breezy laid back attitude. Sultry and eerie with sharp guitar wails it’s a dramatic memorable end to the album.
Kev Howell’s ‘Haunting Ambition’ album blends the brawny fiery punch of rock with sublime smoky poetry and sensual steamy psychedelia, showcasing his refined and proficient musicianship. It’s an album you can put on and will listen to all the way through finding new intricate details each time. He leaves space for thought and contemplation while still layering and weaving fine textures and sublime melodies. An impressive debut.
Watch the video for ‘Kamikaze’ below