Tag Archives: electro – pop

Ten Fé ‘Twist Your Arm’

London-based duo Ten Fé have released their new single ‘Twist Your Arm’ which was produced by Ewan Pearson (Jagwar Ma, M83, The Rapture). It is a taste of whats to come from their upcoming debut album ‘Hit The Light’ which is due out February 3rd. Ben Moorhouse and Leo Duncan have already given us the acclaimed singles ‘Make Me Better’, ‘In The Air’, ‘Elodie’ and ‘Turn’ which accumulated over 6 million streams on Spotify. ‘Twist Your Arm’ is a relaxed bouncy pop track with trippy swirling electronics chilled with breezy natural tones and soaked in effortlessly cool funky swagger. Your heart skips a beat in time with the pulsating punchy beat as the melody sweeps you up into a fluffy cloud of psychedelic bliss. This deeply yearning track twirls with loose floaty ecstasy while pulling you into its depths with the propulsive strong beat and elastic bass. The funky guitar adds an infectious groove and energetic refreshing lift to the track while the velvety smooth vocals soothe and coo with hair raisingly creamy richness and lush falsetto in the chorus. The track builds to a massive Gospel like crescendo that compels you to sing along and sway back and forth clapping along.
Each track Ten Fé have released brings something new to the table displaying fine musicianship and diversity. Their debut album ‘Hit The Light’ is going to be one satisfying feast of juicy tunes that will brighten up 2017.
Stream ‘Twist Your Arm’ below

The Fin.’Through The Deep’ Remix EP

Japanese masters of shimmering ethereal pop, The Fin. have announced an exclusive remix EP, featuring versions remixed by The Field, Ten Fé and All We Are. The ‘Through The Deep’ remix EP features four adventurous reworkings of tracks from their ocean-inspired dream-pop nugget ‘Through The Deep’ which was released in the summer. The remix EP will also serve as a key component of the launch of Spotify in Japan. Hailing from the vibrant Japanese port city of Kobe, The Fin. elected to temporarily relocate to England’s equally bustling capital in autumn 2016 to explore the impact that life in London might bring to bear on their new material. Having signed to Lost In The Manor Records the previous year, the band’s growing renown on these shores has led to a surge of media interest and prime headline slots such as this year’s Great Escape Festival. The Fin. have performed before thousands of rapturous fans at major Japanese festivals including Fuji Rock, Rising Sun and Viva La Rock. Not content with such acclaim in one country alone, Yuto Uchino (vocals and synths), Ryosuke Odagaki (guitar), Takayasu Taguchi (bass) and Kaoru Nakazawa (drums) set their sights worldwide and in 2015 embarked on a major tour of the US, which included a performance at SXSW, before signing to Lost In The Manor and releasing their debut UK EP, ‘Night Time’.
All We Are step up to the plate first with their exceptional rework of ‘Anchorless Ship’. Guro and Luis convert the sparse funk of the original into a haunting cut of anthemic techno, upping the tempo, bottoming out the bass end and decorating the track with dissonant acid stabs. True to All We Are’s psych-disco leanings, their ‘Anchorless Ship’ evolves into a second act with a ferocious tribal edge, and psychedelic stinging acid trip that livens up the original dream pop and introduces an invitation to dance that can’t be refused.
London’s blissful electro-indie pairing Ten Fé follow next artfully crafting their mix around the melodic synth washes of The Fin.’s 60-second ‘Heat’, originally the track shimmers with a chillwave and beautiful ocean lit glittering synths. Ten Fé expand the groove via a punchy bassline set to a motorik pulse, adding a kick and edge to the track. Phasing the original sine-wave oscillations and warping frontman Yuto’s vocal into an alien drawl. This singular piece of extra-terrestrial kraut-funk builds to a euphoric climax, as horn stabs and sustained harmonics add colour to an irresistible clubland vibe.
Stockholm-born, Berlin-based ambient techno producer Axel Willner, aka The Field, transcends the rapturous dream-pop of the EP’s title track ‘Through The Deep ‘ with an extraordinary 12-minute canvas of electro-minimalism. A hypnotic raga for our time, ‘Through The Deep’ here becomes an unusual jewel of rich, breathy experimentalism, almost imperceptibly peaking and trudging along luring and drawing you onto its mesmerising sonic path.
Finally ‘White Breath’ a remix by The Fin.’s vocalist Yuto Uchino takes us to the end of our psychedelic trance with soft electronic waves weaving and swirling in a blissful mind-bending kaleidoscope. Removing the delicate vocals of the original and becoming completely consumed in thick electronic experimental psychedelia. Beautiful warm tones on guitar give us a strong melody to hold onto keeping us afloat from the pulling and swirling abyss of the track.
The ‘Through The Deep’ remix EP is a Pandora box delight, full of mesmerising waves of synths interweaving and washing with acid elements and sonic depths with reverb weighty guitars on top of blissful melodies. The guys did a fantastic job with the remixes however I will say check out the originals first, you will fall in love with them and will only then appreciate the true talent of The Fin. and the effort and craft that went into creating the remixes.

Stream both the original and the ‘Through The Deep’ remix EP below

Baum Jr. ‘When I Grow Up’

Hailing from Manchester, Baum Jr. is a newly emerging musician with an aptitude for creating catchy electro songs with edgier vocals. He has a background in rock and describes his newly-invented genre as ‘Next-Gen 8-bit’, calling upon influence from film scores and game soundtracks of the 1980’s. His debut single ‘When I Grow Up’ was released in October and is a re-imagination of a Garbage song, the popular American-Scottish alternative rock outfit founded in the mid 90’s. Baum Jr.’s rendition of the track boasts some restructuring and sonic shifts. In lieu of Garbage’s alternative rock stylings from 1998, Baum Jr. has opted for an electronic pop landscape that’s infused with his signature ‘8-bit’ sound. It is elegantly contemporary while wholly retro.
‘When I Grow Up’ is an electronic composition bursting with thick gooey synths that bleep and bloop with bombastic acoustic drums that create a dramatic backdrop for the anthem-like chorus. With an eerie spacey electronic vibe created by the darkened shimmering synths and elastic bounce and rumble beat Baum Jr. gives us a dramatic swirling electronically bubbling punchy track that seems a little subdued by the tactful, edgy vocals. Baum Jr. has rebuilt Garbage’s song from the ground up utilising a new key and style while effortlessly showcasing his complicated, structured music.

Stream ‘When I Grow Up’ below

Robert Loud ‘Intentional’

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Robert Loud is the electro solo-project from Robert Connolly (lead guitar/vocalist of Fictionist). He has released his first track ‘Intentional’ from his forthcoming EP set for release early 2017. The track features guest vocals by Janessa Smith (Goldmyth). ‘Intentional’ creates a room-shaking body grooving dance-music moment with a heavy electronic beat, driving and orbiting swirling synths with sweet vocal melodies. Having distorted vocals and tropical undertones this track will get you on your feet and dancing like a Daft Punk robot. Easing us into the sound to start, Robert Loud lures us with infectious beats and honeyed melodies. Once you are drawn in queue the swirling hypnotic elements contrasting heavy fuzzed psychedelia and your trapped in a hazy concoction of electronic pop and edgy indie that commands you to dance.
Stream ‘Intentional’ below

Fictionist ‘Free Spirit’

Fictionist are an Electro-pop / rock band from Provo, Utah. Band members Aaron Anderson, Robbie Connolly, Brandon Kitterman, Stuart Maxfield have shared the stage with Imagine Dragons and Vampire Weekend, and are now back with their latest record ‘Free Spirit’.
‘Free Spirit’ is an uplifting and vibrant track with an electro-pop sound and bursting with sunny vibes. This dance worthy pop track was made for blasting through your speakers on a hot sunny day. Full of cool tones conveyed in the fresh airy echo vocal accompanied by shimmering synths, energetic beats and radiant guitars. Its infectious chorus will have you singing along and dancing in no time.
Stream ‘Free Spirit’ below

ISLE

 

ISLE are Scottish electro-pop duo Liam Rutherford and Ben Singer. The have created a refreshing blend of electro pop and rock that is just infectious. Their track ‘Kid’ is an energetic explosion of dynamic synths winding guitar and snapping beats. With beautiful piano feature in the background and even a Celtic undertone this song has everything and more. From just seconds into the song you are blasted into a swarm of amazing sounds that blend remarkably well together. The animated spirited vocals adds an anthem-like quality to the song with fist pumping intensity that makes this song vibrant and enthusiastic.
‘Surrender’ is a melodic track with again a beautiful piano feature running throughout. Its upbeat positive tone is conveyed with clap along bridge, snapping snare and uplifting “oh wo-oh” backing vocals. Its a catchy rhythmic track that you can’t help but sing and clap along to.
Stream ‘Kid’ and ‘Surrender’ below

Brendan Maclean

Brendan Maclean is an Australian gem, his new release ‘Hugs Not Drugs (Or Both)’ is a brilliantly flamboyant track with a catchy melody and infectious hook. Its electro – rock beat is sure to get you up Dancing. Brendan shows off his vocal range with a fun loving chorus that has a Panic! At The Disco vibe. Brendan has a full dynamic voice full of confidence and swagger .With witty lyrics and full of high energy its a party track that is sure to do well.
Stream ‘ Hugs Not Drugs (Or Both) ‘ below