Tag Archives: Electronic Pop

Nightshifts ‘Karma’

Toronto based producer Nightshifts has released his new single ‘Karma’. Having had past musical successes in other Toronto bands and produced an official remix of “Michicant” for Bon Iver,  Nightshifts is gearing up to release his debut LP this November. ‘Karma’ is a soulful blast into Nightshifts sonic universe. Its smooth cool and ridiculously groovy. With a finger clicking beat and groovy swagger soaked guitar melodies it’s a silky little number. Velvety vocals coo and charm while sonic flecks dazzle and flicker between shimmering synths. This laid-back track is polished and creamy and effortlessly cool. With a relaxing sway like tempo and clap along feature it an infectious funky pop sprinkled ear worm.

When asked about the track Nightshifts said “Karma was written at a time when all my friends and I were very unsure about what we wanted to do with our lives. I wrote the song to try and calm my own nerves; to say it’s ok not to know, let’s just enjoy the ride. Matthew Vlahovich of Young Empires co-produced this track at his Trinity Bellwoods Studio”

Stream ‘Karma’ below


Fond Of Rudy ‘To Be Mine’

Brighton’s Fond Of Rudy have released their new single ‘To Be Mine’. This shimmering indie track glistens with an electronic pop luster. It’s peppy and bright with breezy synths and ripply jagged guitar lines that add a zesty zing to the sugar-coated track. With an invigorating catchy chorus and danceable tropical hued groove this track is instantly likable and infectious. Effortlessly cool and smooth with soulful vibrant vocals wrapped in hazy ethereal soundscapes it’s a captivating dazzler. This four piece have a knack for melty melodies and ‘To Be Mine’ glistens with ear worm candied melodies and honey drenched instrumentation that leaves you craving for more.

Stream ‘To Be Mine’ below


MYA Project ‘Something That Good’

MYA Project is the alternative, electronic/acoustic pop creation from Dalila Mya. Originating from Europe, now based in Los Angeles, this musical creativity comes from a background of classical training combined with a Sound Engineering Degree. MYA Project is a fusion of electronic and acoustic music, where Trip-Hop meets World Music and Pop Rock. Dalila’s background has seen her work as a Live Sound Engineer, working with artists such as Tool, Depeche Mode, Alabama Three and Massive Attack. Besides her live work, she has worked as a Studio Sound Engineer for several studios in England and the U.S.A., including Abbey Road in London and The Village Studio in Los Angeles. She has now released her new track ‘Something That Good’. It is the second single from the album MK. Possibly the most captivating and intense song on the album it was written and recorded in only 3 days. With a sticky flickering beat glooping and slapping against flickering electronics it’s a smouldering dark entrapment of peril. Wobbling soundscapes add a chilling mirage of obscurity, cold and sticky it is almost suffocating. Mya’s luring vocals entice and enchant with a bewitching melody that swallows you up in a confusing delusion of smoke. The melody wisps around like vapours creeping in your ears – you are powerless to its catchy entanglement.  A haunting thrilling second single from MYA Project.

The video for the single was shot and produced in Los Angeles by Dalila Mya, who produced and edited the video in her own studio in partnership with, videographer and visual artist J.F. Brown.

 

Watch the video for ‘Something That Good’ which was shot in one day in one of the historical venues in L.A. – the Hollywood Hotel  below

 

 


Dutch Party ‘Blade Runner’

Indie alt pop outfit Dutch Party have released the new single, ‘Blade Runner’. Dutch Party has received critical and commercial acclaim with features in Billboard, Pigeons and Planes and Fader among others. ‘Blade Runner’ is the first song off the upcoming EP ‘Combat Pop’ and combines infectious guitar riffs, with heartfelt and poignant lyricism. Originally hailing from Twin Peaks in San Francisco, Ken Franklin started writing and recording music after he discovered a recording booth in a small closet beneath the stairs of his parents’ house, that had been hidden for decades behind a wall of boxes. Inside was a reel-to-reel tape machine, an echo box, and two guitars which Franklin soon used to experiment with different sounds and sonic textures to create his own songs. After moving to LA, Ken started indie alt pop band, Dutch Party, while living in Echo Park with the intent of adding more subversion to the American airwaves.
‘Blade Runner’ is a sweet luscious treasure of infectious guitar melodies blended flawlessly creating delightful mouth-watering alternative pop. Lo-Fi vocals soothe with a dreamy haziness while sticky slapping beats and intricate rhythms playfully bounce with hyperactive elasticity. Instantly danceable and swirly this track takes you from grooving to a laid-back utopia effortlessly. Light twinkles add a sprightly feather-like wispy delicacy and airiness to the track while the stomping beat grounds it. It’s a stunning new release from Dutch Party.

Stream ‘Blade Runner’ below


Indie Buddie Introducing : Bon Villan

Bon Villan is a three piece electro pop band from Toronto preparing for the release of their first single ‘Outta Cash’. The band’s three members, multi-instrumentalist/Vocalist Jared Parker, multi-instrumentalists Julian Powell and Alex Hanes are all seasoned members of the Toronto music scene. Collaboration between the three began back in the spring of 2016 and the project has been picking up steam since.
‘Outta Cash’ is a fizzing bubbly can of electronic pop. Deliciously sweet and juicy with simmering electronics darting between sticky sugary beats. The candied lush vibrant melody exudes swagger and instant likeability. With raspy vocals adding a touch of grit this track oozes oodles of rich luxurious textures. It’s energetic and refreshing with snappy beats and a blissful rush of exhilarating soundscapes. This track takes you on a floaty nectarous journey of ecstasy. It’s a slick swagger infused effortlessly cool blend of electro mouth watering pop. A sublime debut from Bon Villan.

Stream ‘Outta Cash’ below


Worth A Listen

Our Worth A Listen Track This Week Comes From April Towers

Nottingham April Towers have released their new single ‘Takes One to Know One’. Since forming, the duo of Alex Noble (vocals, guitars & keyboards) and Charlie Burley (production, samples, guitars & keyboards) have put out a series of singles and EPs including last year’s ‘Silent Fever’ and have played shows and festivals in the UK and Europe. They have been away from the spotlight in recent months honing the finishing touches to their debut album ‘Certified Freaky’. Recorded at Soho’s legendary Dean Street Studios in the same room David Bowie recorded Diamond Dogs, the album is co-produced with highly revered electronic artist-cum-DJ Ben Pearce and mixed by Nathan Boddy.
‘Takes One to Know One’ is a shimmering synth pop track jammed with infectious grooves and lustrous soundscapes. It’s a sweet bubbly can of sugar rush filled pop. Smooth vocals glide along a rich catchy melody while bopping beats slap with honey coated stickiness. With body grooving rhythm and glittering synths it’s instantly enjoyable and teamed with a Pet Shop Boys vibe it’s a timeless gloopy yet smooth delight.

‘Takes One to Know One’ is the first single taken from their debut album, due out early next year, which is currently being funded through Pledge Music, more info here http://www.pledgemusic.com/projects/apriltowers

You can catch them live at
MON 26 JUNE – THE OLD BLUE LAST – LONDON, UK

Stream ‘Takes One to Know One’ below


S.O.S ‘Silent Witness’

Bedford-based, 22-year-old singer songwriter Sophie Debattista aka S.O.S. has released her eagerly awaited second single ‘Silent Witness’ off her debut EP ‘Edges Of The Mind’. S.O.S is a first-class graduate from The Institute Of Contemporary Music Performance. She headed the production team on the trend-setting track alongside the renowned mastering engineer Shane the Cutter who has worked with the likes of Nathan Fake, Luke Abbott, Blu Mar Ten and DJ Shadow amongst others. The young singer has supported US superstars Ciara and Ariana Grande, British legends Take That and One Direction whilst playing top venues such as the NEC Birmingham, The Roundhouse Camden, IndigO2, O2 Islington Academy, Barfly Camden, Proud Camden (headliner), Troubadour (headliner) and The Water Rats to name a few. S.O.S’s tantalising lead single ‘Bittersweet’ received top press coverage and radio play including support from the likes of BBC Introducing, BBC6’s Tom Robinson and Clash Music amongst many others.
‘Silent Witness’ is a glossy pop track laced in sticky tar- like darkened electronics. This catchy track holds an air of mystery and shadowy tones with almost whispered seductive vocals for the verse luring you into the entrapment of the infectious chorus. The track displays crisp production and well blended crafted sounds, featuring pulsing sticky electronically influenced beats and intricate detailed lyrics. Smothered in intensity this track is a catchy vibrant pop tune cloaked with dark gluey electronics. The electro-pop tune will be accompanied by an edgy and intense music video created by up-and-coming director AJ Ullah and will be released on the 14th April via her independent label Sossy Music.

When asked about the track Sophie said:
“Silent Witness is about a young girl who finds herself in a difficult situation. She’s at an age where her friends are beginning to experiment with new ventures however she doesn’t feel like she’s ready to join them just yet and doesn’t want to rush into maturing too quickly. When she finds herself in the wrong place at the wrong time, she has to make an important decision whether to live up to her friends’ expectations or whether to listen to her heart and not go through with it. The song explores the different emotions that the young girl goes through at this tough time. She wants to remain credible but wants to be sensible, so does she go through with it? You’ll have to listen to the song to find out…”.
Stream ‘Silent Witness’ below

Ten Fé ‘Hit The Light’

London-based duo Ten Fé have released their much anticipated debut album ‘Hit The Light’.Recorded in Berlin, Ben Moorhouse and Leo Duncan’s stunning debut is an album to get lost in. The duo effortlessly blend blissful soft rock with psychedelic electronic rock ’n’ roll creating an album where each track warrants its place and has its own identity on the album while gliding fluidly into the next track.
‘Overflow’ kicks the album off with sweet nostalgia. Moorhouse’s warm mellow baritone soothes and cushions the listener from the bittersweet sentimental drenched track. It becomes instantly obvious these guys have a  knack for irresistible melodies that lull in the back of your mind portraying perhaps harsh sombre tones but with a grace and a delicacy that is just beautiful. With longing tapping synths, lush harmonies and rich layered echo textures Ten Fé begin to introduce us to their enthralling sound that will transport you to a mind numbing journey into a swirling world of emotions.
‘Turn’ follows dripping in sonic 80’s infused soft rock, Duncan mourns a strained relationship.Its wistful with an afflicted tone but by no means doleful. Psychedelic “wah wah” on guitar ripples through the track like a wobbly warping mirage while the soft beat peps the track up adding a lively bouncy effect. Lush harmonies are what these guy do effortlessly and it adds such a rich elegance to the track especially when teamed with a mind melting melody.
Moorhouse takes on lead vocals on the dreamy ‘Elodie’. I must confess my favourite track on the album, ‘Elodie’ is the kind of track that you fall in love with. It reduces you to a liquid substance and really shows off the duos fine musicianship. The rich, daydream tone on vocals coo and lull with lavish qualities. Its heart on your sleeve raw emotion, tender and sweet yet radiating bright vibes. With yearning lyrics and lamenting “sigh-like” backing vocals, it swoons you into a bubble of nostalgic dreaminess. The rolling piano refrain creates a swan-like elegance while the steady tempo, warm feelings and heavenly melody make this track a perfect treasure.
‘Twist Your Arm’ flurries with loose floaty ecstasy featuring a propulsive strong beat and elastic bass teamed with a stinging slide guitar. The swirling electronics chilled with breezy natural tones add a psychedelic feel. The track builds into a massive full bodied chorus with hand clapping, swaying and almost Gospel- like crescendo. With smooth vocals reaching to a dynamic falsetto this track is dynamite.
‘Another Way’ is summer in a bottle. Open roads sunshine relax and chill. Limber dainty guitar adds to the bright luminous vibe while the washed-out keys flood the track with cool relaxed tones. Its mind easing bliss with falsetto vocals and rich harmonies creating the perfect backdrop to just let everything go.
‘In The Air’ jogs along again displaying Ten Fé’s knack for ear-worm indie pop. Zesty bright guitars interplay with a steady consistent beat while Moorhouse  and Duncan’s  vocal harmonies intertwine. Its effortless cool melody and vocals give the track a mellow bright free vibe.
‘Don’t Forget’ brings us a beat driven track with a darker tone. Flashes of sharp guitar add piercing scintillation to the track while soft backing vocals echo. The track becomes more electronically heavy as it progresses building to almost an 80’s rock balled classic. Its all fist pumping vibes by the shredding guitar solo.
‘Follow’ another delightful melodic banger. Smothered in uplifting vibes with nostalgic undertones and gentle vocals. With wistful synth swirls, its tear jerking stuff that still makes you feel good.
‘Make Me Better’ blast us with strings, sticky snappy beats and a The Verve vibe mixed with  Roy Orbison-esque elements. Its dark dramatic and fantastically sharp.Its a rush of blood churning with bubbling emotions and flashes of blazing synths.Epic orchestral peaks create an anthemic explosion while a calm steady bassline grounds the track adding depth. Its larger than life and immense yet majestic. You will have stuck song syndrome with that hook on strings it will be in your head all day.
‘Burst’ bops with hopeful vitality. The use of reverb changes the track that would perhaps have been more country into a fusion with psychedelic trippy electronics. Its catchy fun and lively and twangs in all the right places.
Our journey with Ten Fé comes to and end with the tender emotional ‘July Rain’. Rich percussion perfectly placed throbs and kicks with a stomping beat.Light pitter patter adds a rain like quality while a beautiful piano feature adds grace and elegance to this emotional track. This duo are not afraid to wear their heart on their sleeve and its beautiful aching tracks like ‘July Rain’ that come to fruition because of this. Delicate backing vocals heighten the emotional vocals and raw lyrics. This stunning track brings the album to a heart wrenching yet satisfying end.
Ten Fé compiled a combination of impeccable songs that are a treasure. Each track flows perfectly into the next. Its an emotional journey that the band take you on with them. Giving a personal experience to every listener that makes you hold the album close to your heart. As expected Ten Fé knocked it out of the park with catchy melodies and well crafted musicianship, ‘Hit The Light’ is what we expected and more, majestic personal and larger than life.
Stream ‘Hit The Light’ below

DYLYN ‘Mimosa’

Toronto-based pop artist DYLYN has released her new single ‘Mimosa’. This adrenaline-charged infectious track glides with effortlessly cool sleek fluidity while packing contagious dance vibes. With quirky synths that have a panpipe effect teamed with a thrilling overflow of snappy sick beats that rebound with intense elasticity its a rubber ball of electronic paradise. DYLYN’s velvety vocals whisper with melty smooth textures while exuding sass and attitude.The verse jogs steadily to the electrifying catchy chorus. ‘Mimosa’ is a confidence boosting luring electro pop smasher drizzled with cool swoony tones.
When asked about the track DYLYN said
“Mimosa” is exactly that – both musically and thematically. Many of us experience some sort of anxiety throughout our lives. The song captivates that inner struggle we go through in our heads, that battle to either drown in it or to fight it. The world can feel like it’s crashing down on you and everything in your life can seem like it’s coming to an end. “Mimosa” is a way of saying sometimes you need to just take a deep breath and let things happen. Sometimes knowing you dwell in the dark with others is surprisingly comforting.”

Stream ‘Mimosa’ below

Robert Loud ‘Intentional’

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Robert Loud is the electro solo-project from Robert Connolly (lead guitar/vocalist of Fictionist). He has released his first track ‘Intentional’ from his forthcoming EP set for release early 2017. The track features guest vocals by Janessa Smith (Goldmyth). ‘Intentional’ creates a room-shaking body grooving dance-music moment with a heavy electronic beat, driving and orbiting swirling synths with sweet vocal melodies. Having distorted vocals and tropical undertones this track will get you on your feet and dancing like a Daft Punk robot. Easing us into the sound to start, Robert Loud lures us with infectious beats and honeyed melodies. Once you are drawn in queue the swirling hypnotic elements contrasting heavy fuzzed psychedelia and your trapped in a hazy concoction of electronic pop and edgy indie that commands you to dance.
Stream ‘Intentional’ below