All posts by Indie Buddie

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Indie Quick Picks

Dead Naked Hippies

Genre: Gritty Post-Punk

Bio: Dead Naked Hippies thrashed into life in late 2016. The trio, bolstered by let-loose front woman Lucy Jowett alongside band mates Joe Clarke (guitar) and Jacob Marston (drums), have cemented their take-your-head-off wall of sound, dancing around trashy alt rock & punchy post-punk. Since their inception, they have received love from BBC Introducing. The band have shared stages with the likes of Dream Wife & Le Butcherettes and in 2017 played to a sold out crowd at Live at Leeds, which lead to a slot on the Festival Republic stage at Leeds Festival 2017.

Track: Guillotine

Why We Like It: It’s a blistering ear bleeding blast of punk rock that begins chilled calm and luring as a low-key guitar and drum groove teamed with cooing vocals introduce the track soft and lulling before its slaps you in the face with its fiery chorus. Dead Naked Hippies blend the luscious sweet and lacerating sour seamlessly. The scorching distorted guitar crash and shred through the chorus and punchy drum pummels and batters creating a pulverising backdrop for Jowett’s dynamic powerful vocals. Its sharp. shredding, and soothing chill all at once- a sublime combination.

You Can Follow Dead Naked Hippies on Facebook Here  https://www.facebook.com/deadnkdhippies/

Stream ‘Guillotine’ below

GORILLABRAIN

Genre: Indie alternative

Bio: GORILLABRAIN is a London based solo artist who has released his debut single ‘Fire (Watch Me Breathe)’

Track: Fire (Watch Me Breathe)

Why We Like It: It’s a dark spine chilling number encapsulated in swirling thick murky electronics whacking and slapping off a sticky gooey beat and whispered vocals. The stinging guitar injections slip in a glimmer of steaming vibrancy between this dark abyss of mystery. The track builds becoming more intense with an INXS feel to it as it seeps a slithering hint of swagger and sweltering stuffy heat into its rhythmic section while the vocals remain entrancing, seductive and creepy. It’s a unique track that is absolutely thrilling and mesmerising to listen to. Evoking goosebumps and chills while also captivating you and luring you into the danceable hypnotic soundscapes.

You Can Follow GORILLABRAIN On Twitter Here https://twitter.com/GORILLA_BRAIN

Stream ‘Fire (Watch Me Breathe)’ below

https://soundcloud.com/gorillabrain

Jessie Munro

Genre: Alternative pop

Bio: Twenty-three year-old Toronto born, Los Angeles based artist Jessie Munro has been mesmerizing audiences worldwide, with her stunning soulful vocals and sleek, modern-electro R&B/pop. Finding her start in classical music and musical theatre, Munro went on to attend the prestigious Berklee College of Music, propelling her songwriting abilities and giving her the musical maturity which is evident throughout her music. The soulful songstress is now preparing to release her Debut EP ‘On My Own’, a six-track release which tackles the stages of post break-up.

Track: ‘Under Fire’

Why We Like It: This richly melodic track pushes through on a driving peppy bassline which hops along snappy drums creating a finger clicking infectious groove. Munro’s vocal’s sweetly glide upon the smooth creamy melody with passion and soulful tones that hover and slide between luscious coos and rich depths. This sprightly track floods with vibrancy as zesty guitar strides weave between the vivid rhythm creating a refreshing sting and lamenting lull as the dreamy vocal’s soothe and ease with a blissful bounce and joyful quality. It’s a catchy irresistible gem.

You Can Follow Jessie Munro on Facebook here https://www.facebook.com/jessieleithmunro/

Stream ‘Under Fire’ below

 Gang of Four

Genre: Post punk

Bio: UK post punk icons Gang of Four have posted a new video for their latest single ‘Lucky’, taken off ahead of a new Gang of Four EP titled ‘Complicit’ which was co-produced by the band’s Andy Gill, alongside Ben Hillier (Blur, Depeche Mode) and Ross Orton (M.I.A., Arctic Monkeys). The EP, from a band recently quoted as a touchstone for musicians as diverse as St Vincent, Frank Ocean, James Murphy and Pharrell Williams.

Track: Lucky

Speaking about the track Gang of Four’s Andy Gill says; “It’s about how luck defines more than we imagine. You might think of the words from Macbeth concerning life being an hour upon the stage where the walking shadow struts and frets but can change nothing. A parallel idea is that luck may have as much impact on the course of a life than anything an individual does. As in Sartre’s ‘les jeux sont faits’, action, truth, morality will always play second fiddle to luck.”

Why We Like It:  It’s a slick fuzzed strut of infectious musicianship. A striding sharp guitar shreds through a foot stomping beat and dizzying electronics creating an enthralling panache driven listen. The swagger filled vocals cruise in effortless and cool with a mesmerising charm while the swirling soundscapes dazzle and erupt in the background. The infectious groove and danceable hypnotic backing is filled with mysterious yet mesmerising qualities that will have you strutting your stuff on the dance floor in no time

You Can Follow Gang of Four on Facebook here  https://www.facebook.com/gangoffourofficial

Watch the video for ‘Lucky’ below

The Harriets

Genre: alternative indie

Bio: Leeds band The Harriets are Daniel-Parker Smith (guitar and other instruments, baritone vocals, jawline) and Ben Schrodel (bass and other instruments, tenor vocals, Roman nose). The band formed in early 2016 and since then quickly got the attention of UK based radio and festival organisers. “Television” was recently played on BBC Radio Leeds as part of a 6 week consecutive run of their songs

Track: Television

Why We Like It: It’s a retro peppy number that strides on jangly guitar shimmying around a punchy drum beat and groove fuelled bass and just all-round infectiousness. The catchy chorus teamed with dynamic expressive vocals and lush backing coos makes for a unique refreshing listen. Its drenched in laid back swagger and a hint of nonchalance. It’s difficult not to dance to this jittery number as shaky percussion and vibrant sing along ready feature make this track just a fun gem to listen and dance to.

You Can Follow The Harriets On Facebook here https://www.facebook.com/TheHarriets/

Stream ‘Television’ below

You Can Follow Our Indie Quick Picks Playlist On Spotify here 

 

 

 


Uncategorized

TheDoubtfulBottle ‘EYE’

Four piece Indie rock band TheDoubtfulBottle has released their newest single ‘EYE’. TheDoubtfulBottle showcase a wide range of innovation when concerning both composition and songwriting in their hard hitting song ‘EYE’. Paired with the notorious and long established producer Jake Rousham who has worked with the likes of The Who this release is captivating to say the least. The inspiration for the piece remains as innovative as the actual composition and arrangement of the music. Drawing on an Orwellian theme of the public being kept under constant surveillance the ‘EYE’ strives to portray the damage that can be done and the mass dissatisfaction at being so heavily watched. The band have featured on both the widely popular ‘Alternative Addiction’ website and Soundfiction with a growing online presence and a whole host of live shows to attend and even festival performances.

‘EYE’ is a woozy surf tinged number driven by a strident gritty riff and driving rumbly bass. It’s a fresh slice of indie rock with intricate motifs weaving together before dissolving into a vaporous drift of dreamy psychedelic indie rock just when the meaty heaviness is about to take hold. It’s truly captivating and satisfying as a pop drizzled melody binds this luscious labyrinth of complexity together. The rooted rhythm keeps the track thumping along while the reamping guitars keep the snappy number chugging through your brain until you are dancing and bopping along. Its catchy and richly layered with the lush backing vocals and abstract sounds flickering throughout making for a wholly unique and tantalizing listen.

Stream ‘EYE’ below

https://soundcloud.com/thedoubtfulbottle/the-doubtful-bottle-eye-wav?in=thedoubtfulbottle/sets/eye


Alt- Pop, Indie, New Music, Singer/Songwriter

Jack Woodward ‘Rain’

Cheshire 24 year old solo artist Jack Woodward has released his new single ‘Rain’. The track was recorded in St Helens, North West England, with a production team called ‘Sugar House’ and is the 10th song that they have worked on together. Woodward has played a lot of new venues and festivals both solo and with his backing band, including performing on the X Factor Live Tour in Brighton to 4500 people, playing the BBC Introducing Stage at Blackburn’s festival of making, playing a sold out gig at Sound in Liverpool and The Cavern Club. His last EP ‘Higher’ was met with incredible support, with tracks broadcast multiple times by BBC Introducing Lancashire, Amazing Radio, features from BBC 6 Music’s ‘Fresh Faves’ and interviews with BBC Introducing Lancashire and The ‘Warrington Guardian’

’Rain’ is a sparkling swirling concoction filled with dark stormy tones over sublime musicianship. Flashing electronics dazzle and coil above jangly guitar and spaghetti western hues. The vibrant electronics and buoyant beat keep the track bouncing along at a steady peppy pace as the mysterious haunting guitars whine and creep in filling the track with tones of uncertainty and danger. The catchy chorus and velvety vocals add an infectious gripping texture to the track while the sweet melody soothes and laments over the instrumental turmoil. It’s a compact polished number that soars to ethereal heights with sublime instrumentation and cinematic vibes that will have you on the edge of your seat.

When asked about the track Woodward said:  “‘Rain’ is about a man who has made a terrible mistake and committed a crime. He’s on the run from the world and searching for escape and solace anywhere he can find it; in his lover.”

Stream ‘Rain’ below


Alt Rock, Indie, indie rock, New Music, Worth A Listen

Worth A Listen

Our Worth A Listen Track This Week Comes From Black Honey

Black Honey have shared another new track called ‘I Only Hurt The Ones I Love’, the follow-up to recent pop hit ‘Bad Friends’. The song precedes the group’s debut album, which is expected to land in September. They also have a headline tour coming up, which will see them head out from 13th October, with the finale taking place at London’s Electric Ballroom.

‘I Only Hurt The Ones I Love’ re-introduces that sweltering spaghetti western guitar Black Honey do so well. Once you hear that thrilling shrill you know your in for another infectious striking track from Black Honey. Izzy’s smooth vocals coo over the blistering guitar strides and punchy drums while that tasty melody drizzles a sweet nectarous syrup on top. It’s dipped in the laid-back swagger we know and love from this four piece while they flood the track in haunting mystery with some bopping pop sprinkled on top. This deadly concoction is the scrumptious irresistible sound of Black Honey. The catchy chorus, rumbling bridge teamed with slick bass licks and guitar hooks make for a polished glossy yet gritty blast of chilled indie rock.

Watch the video for  ‘I Only Hurt The Ones I Love’ below


Ambient Music, EP Review, Indie, New Music

Transmission Club ‘The Hour of the Wolf’ EP

Cork-based alt-rock outfit Transmission Club will release their second EP, ‘The Hour of the Wolf’, on Friday, July 13th. Recorded and produced by Chris Somers at One Chance Out Studios, the band’s sophomore release takes the listener on a musical trajectory from the intimate to the anthemic within three tracks. The E.P was mastered by Pete Maher (The Pixies, Jack White, Goldfrapp) in his London studio. Titled after the surrealist horror film by Ingmar Bergman, ‘The Hour of the Wolf‘ delves into themes of isolation and fear of the subconscious, explored through a compelling blend of folk-rock and electronic soundscapes. Formed in 2014 as the bedroom recording project of Michael Prendiville, Transmission Club is quickly becoming one of the most unique acts in the Irish music scene. The band’s diverse sonic palette combines elements of indie, folk and grunge, textured with harmonium, violin, keyboards, guitars, drum machines and loops. Recording takes place in bedrooms and living rooms in Cork, giving the music a raw, untrammelled feel. Transmission Club’s first EP, Salt, was released in November 2015, gaining airplay on The Alternative with Dan Hegarty (2fm), The Paul McLoone Show (Today FM) and on 8Radio. Transmission Club also recorded a live session for The Paul McLoone Show in January 2016. Salt was voted No.1 in The Last Mixed Tape’s Reader’s E.P of the Year 2015 Poll. The video for “Taking Off (Blackhole)” was nominated for a Pure M award for Best Music Video in 2017.

‘The Hour of the Wolf’ is a spellbinding three track combo that enthralls and captivates the listener in its luscious deeply moving soundscapes. From the atmospheric and delicately moving ‘This War’  with its elegance and tender tones nudged by warm guitar twinkles, soft percussion and sweet string strides, this bands sophisticated and deeply poignant musicianship becomes apparent. The band build the track meticulously, slowly brooding as if every breath, every note takes its own pace, gently conveying the heart breaking theme. The track builds to a distorted explosive crescendo which sends shivers down your spine. They write tunes that make you listen, grab your attention and tear your heart out. They do this not only through sweet tenderness but through gritty dark instrumentation too. ‘Taking Off (Blackhole)’ is simply magnificent. Eerie vocals coo over lamenting strings and a dark murky guitar riff. Once again distortion is placed perfectly to add urgency and a sense of dizzying panic through this sublime gripping experience. The elegance of the strings is the perfect contrast to the psychedelic haunting soundscapes. This bands ability to creating wholly enthralling tunes that fill you with emotion from melancholic and sweet to haunting and chilling is fantastic. They execute their instruments with a fine tuned precision that is masterful. ‘The Porcupine Dilemma’ brings us to the end of our mesmerising journey with Transmission Club. It’s a soft little gem that features glistening guitar between emotional, warm vocals while lush backing vocals, a thumping beat and graceful strings  fill out the sound. It’s deeply moving and passionate as the divine melody fluidly flows over the tapping rhythm and delicate instrumentation. ‘The Hour of the Wolf’ EP is a thought provoking well structured treasure trove that fills you with vivid instrumentation, oodles of passion with wholesome melodies running throughout. It’s a thoroughly satisfying and rich experience.

‘The Hour of the Wolf’ will be available from July 13th on Bandcamp, iTunes and Spotify. A limited CD run of the E.P will be available also.

You can follow Transmission Club on Facebook here https://www.facebook.com/transmissionclubmusic

 

 

 


Alt- Pop, Indie, Indie Pop, indie rock, New Music

The Covasettes ‘Top Drawer’

                                            Photo credit: Ianthe Warlow

Promising Manchester indie-rock band, The Covasettes, have released their third single ‘Top Drawer’, following the release of their last two singles, ‘This Feeling’  and ‘Wondering Why’, The Covasettes have enjoyed success so far, featuring on BBC Introducing and playing sold out shows in Manchester, Leeds, Derby and London.

‘Top Drawer’ is a fizzing blast of vibrant indie that surrounds your ears in blissful summer-soaked tones and luscious melodies. A buoyant beat hops and rebounds off exuberant weaving guitars while a peppy bassline holds it all together. This scorching dazzler is infectious and filled with glorious hooks and tasty guitar lines that leave you craving for more. With a sublime melody melting upon a vivid and radiant backdrop this wonderful tune wraps your ears in an ethereal peppy cloud of delight. Smooth velvety vocals flow upon the sweet melody while the anthemic chorus adds that instant rush of youthful adrenaline that ensures this track will be placed firmly on repeat. With its glossy lustre and irresistible infectiousness ‘Top Drawer’ is a well-crafted and thoroughly satisfying listen.

Watch the video for  ‘Top Drawer’ below


Alt Rock, Glam Rock, Indie, indie rock, New Music, Rock and Roll

Miles Kane ‘Cry On My Guitar’

Miles Kane has released another new track ‘Cry On My Guitar’ from his forthcoming new album, titled ‘Coup De Grace’ which is set for release on August 10. The release marks his third solo album, following predecessor ‘Don’t Forget Who You Are’ from 2013. ‘Cry On My Guitar’ is a stomping dazzler that struts in loaded with intoxicating guitar whines, thumping drums and swagger laced vocals – Kane has channeled his inner Marc Bolan. This slick frenzy of rock n roll is overflowing in steamy panache as the exhilarating chorus blasts adrenaline pumping stamina into your veins while the cool shimmy ready verses chill the feverous atmosphere. ‘Cry On My Guitar’ sounds like it could have come from the seducing glam rock mania of the 70’s with a modern Kane twist. That clap along feature, vaporous guitar solo and constant groovy backdrop drive this electrifying spectacle. It’s a swanky outburst that is sure to have your blood pumping and live audiences in a crazed frenzy. Once again Kane produces a chic riveting number that will have you dancing, attempting air guitar and just feeling like a bad ass.

Stream ‘Cry On My Guitar’ below

 


Alt- Pop, Hypnotic, Indie, Indie Psychedelic, New Music, psychedelic

The Vryll Society ‘Light At The Edge Of The World’

Psychedelic Risers The Vryll Society have released their new single ‘Light At The Edge Of The World’ from their debut LP ‘Course Of The Satellite’ set for release 10th August via Deltasonic Records. Having already produced a series of critically acclaimed singles, including  ‘A Perfect Rhythm’ and ‘Shadow Of A Wave’, the fast-rising Merseyside outfit are primed for their first full-length release, with impressive appearances at the likes of Glastonbury, Reading & Leeds and TRNSMT helping them develop a staunch grassroots following. The band have received extensive support from BBC Introducing with slots at their SXSW and Glastonbury showcases alongside a Maida Vale live session over the past 18 months, whilst widespread acclaim from Huw Stephens (BBC Radio 1), Phil Taggart (BBC Radio 1) and Steve Lamacq (BBC 6 Music) has seen the spotlight on the psych-pop quintet intensify, leading to supports with Blossoms, The Coral and The Kooks.

‘Light At The Edge Of The World’ is a pop sprinkled whirl of blissful psychedelia that glides in on a delicious sugar coated wave of swirling soundscapes while gentle guitars twinkle between a snapping glucose sticky beat and groovy bassline. The sweet vocals caress the divine melty melody as the tightly layered space rock electronics wisp and coil about playfully. It’s a breezy sweet little number smothered in euphoric bliss and intensely rich textures. The weaving keys wander between the dreamy soundscapes while jangly guitars entwine around the luscious melody adding a dash of zest and juicy texture to this feathery light trippy gem. The touch of distortion adds some grit and dizzying quality to the mind melting bliss while that heavenly pop melody hooks you into the enthralling beauty of this magnificent track. It’s well-crafted and meticulously arranged to make for a completely submerging tasty listen.

You can catch The Vryll Society Live at

21 July – Liverpool International Music Festival (LIMF)

09 Oct – Bristol Exchange, Bristol

10 Oct – Heartbreakers, Southampton

11 Oct – The Lexington, London

12 Oct – The Actress and Bishop, Birmingham

16 Oct – Soup Kitchen, Manchester

17 Oct – King Tut’s Wah Wah Hut, Glasgow

18 Oct – Brudenell Social Club (Community Room), Leeds

19 Oct – Liverpool 02 Academy 2, Liverpool

Stream ‘Light At The Edge Of The World’ below

 

 


Alt Rock, EP Review, Grunge, Grunge Pop, Indie, indie rock, New Music, Rock, Summer Grunge

Fangclub ‘True Love’ EP

Fresh from their first UK headline tour, Irish rock band Fangclub have released their highly personal new EP titled ‘True Love’.  Last year the trio Steven King, Kevin Keane and Dara Coleman released their self titled debut album to mass critical acclaim and also toured the UK and Ireland with their own headline dates as well as playing shows with Biffy Clyro, Muse, Pixies, and SWMRS. Fangclub have gathered major attention from the press (Kerrang!, Rock Sound, Upset) and specialist DJ’s at BBC Radio 1 (Annie Mac, Huw Stephens, Daniel P.Carter, Phil Taggart), and Kerrang! Radio with their monstrous tracks ‘Bullet Head’, ‘Loner’, ‘Dreamcatcher’ and ‘Bad Words’.

‘True Love’ marks massive growth in the bands sound. The swirling and churning dark tones lurk underneath even the most peppy sounding of the tracks. There is something more sophisticated and painful in this EP. The meaty brain crush blast we are used to once again feature on True Love however they have honed in and sharpened everything from meatier ground shaking basslines and immense pounding drum grooves to slick acute guitar lacerations placed perfectly for maximum impact. Fangclub have us firmly in their grips and they are not letting go. Recent single ‘Knife’ sets the thrilling mayhem in motion with gritty basslines grumbling under slashing guitars and demanding drums. The chilled vocals cool the scorching instrumental backdrop for the verse teasing the explosive chorus we have come to love from Fangclub. Slick basslines have become a staple on this EP as they fluidly flow throughout each track with a sublime rooted groove adding a lusty darkness to each track, like a shadowy thread holding each song together. ‘Heart Is A Landmine’ is where their shadowy eerie tones take over. A moody melody bleeds over a punchy backdrop of slithering guitars whining between a mighty rhythmic bounce. It’s a cinematic tune that could feature in a Batman movie especially with its stirring melody and sublime griping guitar feature. It’s pretty dark and dramatic yet magnificently catchy and climatic all at once. ‘Smother’ brightens the tone of the EP. The guitars become lighter as they zealously inject juicy zest between punchy punk flavoured rock. Its sun kissed melody melts upon the gritty soundscapes like butter as a slick guitar solo and sing along ready chorus slaps on a glossy finish. The “buzz kill” ‘Sweater Forever’ follows. This is my kind of tune. It’s a moody sunny day wallowing blast of grunge that is just magnificent. The drums trudge through a gloopy sweet melody while the piercing sting on guitars lament and soar over this sullen tune. It’s both vibrant and sulky all at once as their vivid use of instrumentation and shaky percussion creates gripping heart wrenching turmoil for us to immerse in. Those twinkling keys add a light innocence through the heavy monotony. The scale of emotion presented through music in this track is masterful and exactly how I hoped these guys would progress. The sheer musical depth containing perfectly timed multi facets glimmering through emotional honest lyrics make for a completely absorbing listening experience. ‘High’ closes the EP bringing everything full circle. It’s upbeat, powerful, catchy and filled with scorching guitar lines. The vocals lure you into the relentless onslaught of crashing drums, brawny bass lines and mouth watering guitar work.

‘True Love’ is a flavourful and tantalizing EP from the trio and proves Fangclub have a lot to offer – they are just coming into their prime.

Stream ‘True Love’ below


Album Review, Indie, New Music

Chimpanbee ‘Can’t Stop or Rewind’

Irish indie band Chimpanbee have released their debut album ‘Can’t Stop or Rewind’. Chimpanbee formed in 2010 from the ashes of a grunge rock band called The Creaks. In 2010 the band released an E.P entitled the “The Pressures of Free Money” which was free to download. With 25,000 friends on myspace the E.P found many ears and some decent airplay which was followed by a brief venture to London and some popular local shows. The band were then discovered by Alex Jones of Ruby Music and subsequently signed a deal. After some extensive and fervent recording session’s the album was nearly finished and a highly anticipated release was on the horizon , but unfortunately tensions frayed as they do and the young ensemble split in 2012. This left the album incomplete and seemingly to go to waste. But in 2017 the album re-surfaced and Chimpanbee were revived in the process. The band added a new lead guitar player by the name of Alan Stacy, a bluesy, soulful and gifted professional to compliment the rough and ready haphazard style Chimpanbee had crafted.

‘Can’t Stop or Rewind’ ignites an instant rush of excitement within the listener with its rich luscious sounds and genre bending refinement. From that snappy whack of opening track ‘Sleep in Your Bed’ Chimpanbee introduce their fun infectious sound with groove mingled rhythms wiggling beneath an infectious vibrant melody and slick guitar flourishes. This foot tapping swagger soaked style continues throughout the album ‘Fell In Love’s ethereal guitars and sparkling keys soar over a dreamy coated melody. The energy in these hyped up energetic tunes keeps the album tipping away at a lively enjoyable pace as Chimpanbee flesh out their tunes and compact finely layered sound. The slow burners hone in on their exquisite musicianship. ‘Light It Up’ begins sweet broody and delicate with lush backing vocals cooing behind twinkling guitars and velvety passionate vocals. They begin the track gentle, tender and emotionally dreamy. When those lyrics hit you they relate to that poor sod who we have all been at one time or another however, the track builds becoming more bad ass and hefty developing into a fiery rock heavy anthem. Punchy drums ,striking guitars and distortion make for a cinematic wallop that fights back the timid beginning. With a sing along bridge this track is one for massive live shows. You can imagine the crowd swaying, moshing and bellowing back the lyrics. This song alone gives a sublime glimpse into the magnificent capability of this band. The sprinkling of sun kissed vibes through ‘Tokyo’ adds a peppy buoyancy to the album with golden light guitar strides between sprightly drums and glistening keys. The catchy sing along choruses are plentiful and are a fundamental element in each and every glorious track. ‘Snaaakes’ gives us a mysterious fairy like tone to the album with rumbly percussion flickering underneath magical soundscapes. It’s the tune that sparks images of little Celtic fairies dancing on midsummer’s night as magical blue and gold lights twinkle about, floating in the air like fireflies. The dark undertones add a sublime mystifying quality to this indie folk number. Darkly coated and eerie ‘Systems Failed’ has a thick heavy chorus of crashing guitars and meaty drums while ‘No Lies’ has a vibrant animated bounce. Each track holds its own identity within the album and brings a delicious new dimension and layer to sink your teeth into. Title track  ‘Can’t Stop or Rewind’ closes the album with delicate elegant piano and a steady beat holding a strong foundation for the sweet vocals and sombre drenched melody to glide off. This track is laced in lonely melancholic tones and the piano playfully weaves a beautiful melody like its dancing and swaying in sweet lamenting solitude. It’s a tear jerking melody that floats into your head until you are humming this bitter/sweet tune. The whistle feature adds a charming quality as that piano melody becomes the main focal point of the song I found myself lost in its beautiful majestic tone leaving everything else in the track in the faint distance.

‘Can’t Stop or Rewind is a charming and captivating experience. From the start to the end of the album you feel like you have experienced a multitude of emotions traveling through journeys of happiness, joy and grief all while bewitched within Chimpanbee’s musicianship.

About the album the band said “Can’t Stop or Rewind is an album that takes you on a journey from an alcohol and drug fueled one night stand right through to falling in love , developing unhealthy attachments and dependencies until it all finally winds up in full destructive mode and ultimately a bitter end. An elementary tale performed as though the world ends tomorrow, it aggressively captures the intensity and mystique of meeting the real world for the first time”.

Stream ‘Can’t Stop or Rewind’ below