All posts by Indie Buddie

Run in Red ‘Fade Away’

Dublin based three piece Run in Red have released their new single ‘Fade Away’ which will be the first single from their upcoming second EP ‘Undercover, Overthrown’. This warm number coos and soothes with graceful guitar twinkles over ethereal soundscapes and a beautifully tender sing along melody. Raspy cosy vocals caress the charming melody with a sweet and easing tonality while jangly guitars and buoyant beat keep the backdrop bouncing along. It’s a heart warming number swooped in a cinematic swoony soundscape of bliss. This delightful gem is 90’s- esque, feathery light and well-crafted to grip your heart firmly and evoke those sweet, nostalgic and longing memories you had long suppressed.

To celebrate this release, the band will play their first headline show in The Sound House on Eden Quay tonight if you are around make sure to check it out

Watch the video for ‘Fade Away’ below


The Kax Self Titled Album

After a ten year hiatus The Kax are back with the long awaited deliverance of their reissued self titled debut album. Drawing influence from the likes of U2 and Gang Of Four, The Kax launch their alt rock revitalisation with 9 diverse and individually enticing tracks. Having previously built a name in and around Los Angeles, The Kax aim to take advantage of all that digital services have to offer, this motive pairs effortlessly with the growing online presence that The Kax have been accumulating over the past ten years. The band already have globally famous venues such as The Troubadour and Viper Room under their belt. Recorded and engineered by the well established and acclaimed producer Scott Gilman (Avenged Sevenfold, Alice Cooper),’The Kax’ bears all the professional make up an album may need in order to gain some headway. Two of the songs featured on this album were co written with Sierra Swan, an interscope artist who has toured with the likes of Ringo Starr and Billy Corgan.

‘The Kax’ album is brimming with powerful blistering sounds wrapped in lush melodies and vibrant soundscapes. The shredding guitar riffs plastered all over ‘So Do We’, ‘Better Then’ and ‘Remember Me’ showcase the punchy raw nature of this album as the guitars scorch throughout every track drenched in reverb and attitude while snappy drums and elastic bass lines keep the rhythmic foundations bouncing along. The whole album is an adrenaline shot of dynamic alternative rock with a driving whack of punk undertones. The fluctuant bass lines are another sublime feature throughout all the tracks, particularly in the U2- esque ‘The Hollows’ and the sun kissed infectious ‘Summertime Daze’  as they weave tightly between the sharp guitar with an infectious hip swinging groove. ‘Hungry Animals’ brings a hazy dreamy vibe into the album as the guitar lines become more light and twinkly for the verse before spasming out. The melody in particular in this song is sublime- very catchy and cool as it’s steeped in dreamy pop hues with laid  back vocals spread on top. ‘The Light’ flickers some distorted swirling psych sprinkled disco on the album with whirring guitars over a punchy drum beat and dragged out vocal notes. It’s pretty trippy but flooding with a 70’s tinged strutting swagger. The album comes to a close with ‘Coming Down’, a sparkling guitar driven number saturated in glorious melodies and passionate vocals.

It’s a compact album with heartfelt golden melodies that warm the heart and soothe the soul while packing in a hefty dose of rock edge and anthemic power.

Stream ‘The Kax’ below

https://soundcloud.com/thekaxmusic/sets/the-kax


A Chat With : Crazy Town

We sat down with Hasma Angeleno, Shifty Shellshock, Filippo Dallinferno Giomo and Luca Pretorius from Crazy Town before their show at the Bowery Dublin. We chatted about the music industry, their experiences so far and got some advice for those heading into the recording studio for the first time …. “tune your guitar guys”

Watch the interview below


Worth A Listen

Our Worth A Listen Track This Week Comes From Winter Heart

Irish band Winter Heart have released their new single, ‘Light A Match’. Winter  Heart  was formed  in  2016  by  childhood friends  James O’Donnell and Mikey  Aldridge  through  a  shared  love  of  big  choruses  and  honest  lyrics.  They’ve  played  two  headline  shows  both  selling  out  and  released  three  singles.They  describe  their  music  as  “Honest  music,  we  are  writing  about  our  lives  and  what  we  go  through,  i  don’t  see  much  point  in  writing  a  song  that  means  nothing  to  us”states  James.The  new  single  ‘Light  A  Match’  showcases a  new  mature  sound  for  the  band  and  has  gained  the  most  attention  gathering  over  10,000  views  in  its  first  two  days.

‘Light A Match’ is a breezy soaring display from this duo. Filled with heart racing soundscapes over a throbbing drum beat, it’s perfect for a gripping cinematic scene as a sweet emotion filled melody floods over swirling biting soundscapes and a fantastic rhythmic section. The passionate vocals add hues of raspy grit while ethereal guitars give the track a lofty heart gripping suspenseful lift. The divine melody fills you with a sombre sweet longing while the backing vocals surge a haunting airy quality to this exhilarating track. Winter Heart have displayed an ability to firmly consume the listener in their breathtaking wholly intoxicating sound leaving you craving more. The song builds to a thumping crescendo that sparks images of a live crowd chanting and clapping along- it’s one for arenas for sure. Keep an eye out for these guys.

Stream ‘Light A Match’ below


Bright Shadows ‘Cross the Light’ Album

Bright Shadows have released their debut studio album ‘Cross the Light’ after over 18 months of writing, recording and producing. The album features 11 tracks of upbeat pop-folk and unique vocal harmonies that reflect their popular live performances. Forming back in 2013, Bright Shadows, comprising of Helen Beth and Raji K soon decided to make the leap to go part time in their day jobs in order to put more focus on their passion and their career within music. After releasing their debut EP ‘Diffusion’ back in August 2015, a bright 6-track EP featuring harmonic pop and driving rock, and then experiencing a busy period of festivals, gigs and radio appearances, they made the decision that their next project release should reflect their more acoustic live sound. Jumping back into the studio in early 2017, the duo created ‘Cross the Light’ which encompasses the live sound that they wanted to portray.

‘Cross the Light’ is a rich invigorating collection of blissfully melodious tunes and luscious harmonies. Opener ‘Afraid of Bliss’ displays their peppy motivational sound perfectly. Filled with emotion and divine harmonies upon a hearty folky hued acoustic backdrop it sets the album up to be a bright golden ray of sunshine. The duo throw on some swagger and power with ‘She’s A Ghost’ as Helen’s commanding vocals take the lead. Melodies are the main focal point of the album as theses guys write some catchy endearing tunes that grab your attention with their honey drizzled sweetness or striking haunting quality’s. ‘If You Let Me’ displays their delicate ballad side while ‘Every Word’ takes the roll of a stomp along break up tune. Each track holds a charming little twinkle about it that softens your heart and has the ability to make you smile. Filled with strong hooks and sing along elements Bright Shadows deliver a bright vibrant collection with contrasting themes of loss and sadness throughout to create a wholly consuming album. ‘Automatic’ and ‘The Hunter’ display some swagger and slickness in the duos style as they use their acoustic sound to shake things up and become more dark and mysteriously chilling. Their skill acoustically makes the album riveting as it doesn’t lag in any place keeping you on your toes and satisfied. When they take the tone down to a heartfelt Fleetwood Mac- esque slow burner such as ‘Minute of Silence’ they gradually build it up again pacing each track meticulously making for a comfortable and easy listening experience. The country twangs flickering throughout the album create a warm glow and golden hue over it as the sweet and at times powerful harmonies between Helen and Raji are crisp and pristine and just beautiful to listen to.

‘Cross the Light’ is a passionate collection of tracks that make for a satisfying and enjoyable listen with a glass of wine and a beautiful sunset.

Stream ‘Cross the Light’ below

 

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Scally ‘Let’s F*ck’

                   Photo credit:Tanya Cullen:Bronte Photography

Mullingar rock artist Scally has just brought out the video for his third single ‘Let’s F*ck’ due for release on June 29th. The bombastic track packs a massive punch as it echoes shades of Rage Against The Machine. The track is the B-side to Scally’s latest single ‘Get Ready For War’ which was released back in March. It’s a slick raw shot of rock doused in brassy attitude. Shredding guitars crash and strike against rapid punchy drums and a groove laced bass. The track builds to a seizure inducing crescendo filled with thrilling distortion and brain spasming shrills on guitar. The riffs are well oiled and catchy while Scally’s laid back vocals daze through the verse becoming more dynamic for the brazen chorus. This high intensity track is soaked in gritty rock and roll swagger with the usual amount of pompousness you expect from Scally, however the effervescent guitar arrangement perhaps warrants this as it plows and soars through the brawny drums weaving its way around the rooted rhythmic undertow creating an ecstatic dance that practically lurches into the stomping chorus. It’s a raw lacerating groovy number that worms its way into your brain and will be next to near impossible to remove from your skull.

Scally states that the track is about “my friend who fancied this chick for ages and he just wouldn’t go over and chat to her, the verses is me telling him to grow a pair of balls and go over and talk to her and the chorus is all the things he wants to say to her but can’t”.

You can catch Scally  with his band – ‘The Dirty Rats’ live at Danny Byrnes, Mullingar on July 1st

Watch the video for ‘Lets F*ck’ below, viewer discretion is advised.

 


Crazy Town at The Bowery With Support From Sub Motion, Accidents In The Workplace and MUNKY

We sat down to watch the sound check of the Crazy Town Gang while waiting to interview them last Saturday night before their show at the Bowery Rathmines Dublin. The screaming one two’s between some slick bass, steaming guitar licks thumping drums and just sublime noise pounding through my ears was enough to tell me the crowd was in for one hell of a night. Seth Binzer affectionately known by his stage name Shifty Shellshock has one heck of a band behind him.

The support acts on the night Sub Motion, Accidents In The Workplace and MUNKY are all regular offenders on Indie Buddie as they seem to be tearing up the live circuit lately appearing everywhere I turn, much to my delight as I know these are all great bands and have come to enjoy seeing their live shows and their growth with each live show. There is a theme of missing band members tonight, Accidents In The Workplace have no saxophonist (Sean Kenny) on stage and Munky have replaced guitarist Conor Lawlor with Tom McGlynn formerly of the optimists for the night.

Sub Motion kicks things off in their pure raucous manner. A set list brimming with energy and sass, it’s another slick well oiled performance from these guys. For me Sub Motion sound their best live -the rawness of the guitars the gritty rumbling bass lines and fired up drums is a dynamite combination that materialises beautifully and dynamically live. Front woman Rebecca Geary is a force to be reckoned with- i’ve never seen her have an off performance, every show is full throttle.She hops, sways,swishes her hair, sits on the drums and dances with immense energy and spirit, it’s mesmerising.

Accidents In The Workplace follow. All of them squeezed on stage like sardines in a tin can.I love watching these guys live, it is always such fun “You’re looking well  its very warm, but sure look, did you see the football?  It’s good isn’t it ,its mad the way they run after each other and do all the football-y things but I enjoyed it all the same… lets play they are gonna get aggressive now we are Accidents In The Workplace!” the always charismatic Sean McMahon introduces the band. The banter is in full swing as they belt out their vibrant tunes. Lauren Murphy always knocks me for six with her outstanding vocals and dramatic dance moves she is always wearing magnificent colourful outfits her spritz of colour was cleverly placed on her shoulder on Saturday night – a rainbow of beautiful pink, purple, blue and yellow hues. As ever their tunes just make everyday better and their smiling faces are a joy to see. The band make the most of the space they are given and put on a wonderful show. After banter about putting a hole in the wall to see if the Bowery will sink along with immaculate performances of ‘Wake Up’ and How? They give us an extra little treat,  McMahon takes to the center of the stage to whack out a rendition of  The Fugees ‘Ready or Not’ with a trumpet added in. This rendition is pretty amazing, proving these guys aren’t just funky, groovy and melodious as hell they have some cool swagger, rap ability and attitude too.

MUNKY follow and erupt on stage in true MUNKY manner. Tom McGlynn does a fine job slashing out those hefty riffs and a slick little intro leaving all the hair flailing to Zachary Stephenson. Another immensely entertaining act live. Bassist Niall Donnelly shouts at the crowd to move closer as they belt out the funky grooves and evaporating guitar lines. The stage antics were turned down a little compared to other times I have seen them but they still exuded a huge amount of swagger and poured everything into their set keeping the dancing crowd engaged. These guys are extremely talented and every guitar stride, mosh infested instrumental and drum battering confirms this. Sub Motion’s Rebecca Geary tackles backing vocals adding a dash of chicness to the stage layout. Their manic sound is chilled by some bluesy elements making for a wholly enthralling and diverse listen.  ‘7am’ is a prime example of the finesse of this four piece as they juggle the emotional intense verses and brooding backdrop with the gritty heaviness masterfully and this translates to a sing along riff and mosh intensity that is difficult to match. Of course ‘Hunter Gatherer Blues’ and ‘Ms. Communication’ end their set giving Donnelly a chance to playfully interact as he dramatically stomps and jumps to his knees and nearly falls off the stage.

Crazy Town swarm on stage fierce and feisty as bassist Hasma Angeleno guitarist Filippo Dallinferno Giomo and drummer Luca Pretorius play a mighty intro as Shifty strides coolly onstage and moves as close to the crowd as he can. Baffled and mesmerised by his larger than life persona the crowd grab for his hand and stroke his shoes. Straight away the crowd are jumping and moshing- it’s a relentless onslaught from Crazy Town. Hasma screams into the mic while executing the most unique guitar poses- the yoga Tree Pose becoming the standard … and why not? ‘Come Inside’ sets the crowd alight, beer is spilling everywhere, fights are breaking out as two individuals are staring each other off before calling it quits after a good 2-minutes threatening each other, and girls are falling flat on their faces from the moshing- it’s pretty special. It’s a no nonsense set, there’s no time wasted with banter, these guys are here to deliver and that’s what they do. “Dublin what’s up!” Hasma shouts before  the crowd erupt for ‘A Little More Time’ . The atmosphere is electronic and fiery. Filippo is one slick guitarist who is pretty light on his feet gliding and jumping behind with graceful ferocity while Luca pulverises the drums with bloodthirsty stamina. Shifty, as expected plays the front-man role well, he engages with the crowd and swings the suspended monitors as he stands and squats- rarely moving from the front of the stage. A hopeful member of the audience buys Shifty a pint and presents it to him holding it like a golden prize-  so dramatic I almost expected a golden light to form around it while a sudden sweet sound of angels sing “ahhhhh” the beautiful moment is broken by Shifty’s apologetic refusal as he explains the band don’t drink and they offer it back to the audience member, who gladly takes one for the team telling them “its lovely”. The singing along among the crowd is captivating as each track fills them with a confidence and attitude while the lyrics roll off their tongue as they gaze at Shifty in awe almost proud to have him witness their in-depth knowledge of the lyrics. “let me see your middle fingers” Shifty introduces the blustery ‘Born To Raise Hell’. The crowd once again below back the lyrics while waving their middle fingers in the air. ‘Decorated’ is announced to massive screams and whoops and ’Butterfly’ is considerably more fun than it ever was, Crazy Town don’t even have to sing once the chorus kicks in the crowd take over.

It was a pretty special show Crazy Town swarmed in and boy did they take over and hey its nice to know they “fu*king love Dublin” and its “one of their favourite places ever”, we’ll take that.


Maddie Stenberg ‘Take Me Home’

Liverpool based artist Maddie Stenberg has released her debut single ‘Take Me Home’. Blending haunting vocal melodies with powerful introspective lyrics, Maddie Stenberg brings her experiences to life with her intricate vocals at the heart of the whole sound. Her fusion of influences create a transporting and unique sound.Backed by an intelligent and compelling band her live shows are full of intrigue that radiate a fierce boldness that is engrossing and gripping to experience.

‘Take me home’ is an enchanting atmospheric number that flows on a surge of sweet tender emotion. Stenberg’s vocals ooze emotion as her raspy hinted tones display rich depths and lush facets of sweetness between strong intense moments. The twinkling piano adds a touch of elegance to the track while warm guitars glisten between breezy soundscapes.The song builds nicely as the beat becomes more punchy as the track takes a more vivid intense approach. With beautiful backing vocals cooing over the delicate melody its a wholly enthralling majestic song. It’s a fine debut from Maddie Stenberg- well crafted beautifully composed with a sublime blend between sweet, delicate and powerful.

Stream ‘Take Me Home’ below

 


FLING ‘Extra Special’

Bradford’s resident psychedelic rockers FLING have released their new single ‘Extra Special’ which was produced by Lee Smith and Jamie Lockhart at Greenmount Studios (The Cribs, Pulled Apart By Horses, Submotion Orchestra, Snarky Puppy). Known for their wildly eccentric live shows, the burgeoning quintet have already built up quite the following, with their playful personalities seeing them well-received on the festival circuit so far this summer and have earned plaudits from the likes of Huw Stephens (BBC Radio 1) and Steve Lamacq (BBC 6 Music).

‘Extra Special’ is a delicious mouth watering glam pop number brimming with oodles of luscious melodies and fruity components to make for a satisfying listen. This track will have you drooling over its subtle gush of juicy guitar injections and sugar saturated shimmering keys. The laid back almost whispered vocals lure and entice you into this tropical bliss as Charles McSorley sprawls upon the melty melody with irresistible panache and charm while a rich rhythm shimmies and shakes creating a captivating fluctuant foundation for this delectable track. The wandering keys playfully weave between the mesmerising melodies while a glorious stinging guitar glimmers a blazing solo to create a dreamy psyche hued haze over this infatuating tune. This track is well crafted to alert all the senses and surge a sublime wave of tantalising sounds into your ears.

Discussing the single, the band stated: “It’s about that private time of solitude in between the chaos where you choose whatever it is you want to do, whether it be smoking or something else. The moment where you empty your mind from all thoughts and just experience coexisting with someone or something that gets your vibe”.

Stream ‘Extra Special’ below

 

 


Eldafyre ‘Death Of The Surrenders’ Album

Eldafyre has released his newest album ‘Death Of The Surrenders’, a poetic and endearing fusion of punk, funk, rock and blues.Originating from Victoria, Australia, Eldafyre had his first opportunity to play with a band after a jam night at a music store nearby. Spending a couple of hours jamming with rock artists from around the area, Eldafyre felt that he’d found his place within the industry singing with the support of a full band. Soon after, he put an advertisement out to try to get in touch with the artists he’d played with that night, and once they all got in contact they got together to record the album. Eventually, all members followed their own paths and left the band, nicknaming them ‘the surrenders’ Eldafyre decided to name the album after them, symbolising the birth of a new life and the start of something better. Upon the band leaving, Eldafyre wanted to record the album professionally, so with the recordings he already had, he collaborated with his producer to recreate the essence and basics of the song, whilst transforming them into something new. With most songs being recorded and completed on the first take, the 9-track album holds original and raw live energy.

‘Death Of The Surrenders’ is a calming collection of tracks that captivate and enthrall with mystical depth and gentle tones blended with some grittier elements and breezy soundscapes drizzled on top.  Eldafyre’s captivating sound becomes apparent from the opening track ‘Down Floor’ as it begins wispy and mysterious before building into a guitar whipping rock and roll number with punchy drums and crashing strikes on guitars between a powerful vocal delivery. He manages to wholly engage the listener with his endearing tunes smothered in raw passion and honest lyrics. There are some ethnic twangs through ‘Naturally Provided’ while ‘Slip Stream’ takes a more delicate guitar style that glides with elegance and calming refinement. Though the album has an evening chill time aura about it there are some swagger gems thrown in ‘Surrender’ fleshes out a funky drizzled strut ready beat with some gritty guitar grating through organ-esque keys and sassy soundscapes. ‘My Pain Is Juice’ and ‘Against The River’ follow this funky panache driven persona while ‘Heavens In The Earth’ returns us to the tranquility and earthy soundscapes of the first half of the album. ‘Satisfied’ closes the album with a waltz-like slow dance jam filled with twinkling romantic guitar and a steady, sway ready beat. This is a sublime and sweet end to an album which takes you on a flickering journey of multi genre discovery.

Stream ‘Death Of The Surrenders’ below