Category Archives: Garage Rock

Worth A Listen

Our Worth A Listen Track This Week Comes From Get Inuit

Kent four piece Get Inuit released their new single ‘Barbiturates’ earlier this year. Band members Jamie, Ollie, James and Rob have been fine-tuning their fuzzed-out live show and have supported the likes of VANT, Spring King, The Magic Gang, PUP, Slaves and DZ Deathrays.
‘Barbiturates’ is dynamite of insanely infectious fuzzed up jagged guitar rock, coated with sublime melodic bubbliness. This snappy tense explosive track is bursting with bloodcurdling thrilling screams and frenzy drenched episodes, coupled with razor-sharp shrilling guitar, punchy drums and driving roll on bass. This is almost theatrically contrasted with brief silences and afflicted whispers creating a breathtaking manic conflict. One minute Get Inuit are screaming at you with pulling your hair out frenzy the next calming with gentle eerie whispers and coos. All hysteria and mania aside this dynamic four piece pull out some glorious sweet Vampire Weekend-esque melodies that create a blissful ear-worm effect surrounded by ferocious guitars and robust drums. The vocals on this track are amazing with such height, powerful range and control that will have you in awe. The track finishes delicately with a trembling almost spoken vocal like tidying yourself up after a psychotic enraged episode, all is normal again. These guys are too good.
Stream ‘Barbiturates’ below

https://soundcloud.com/get-inuit/barbiturates

Odd Couple ‘Gone Solid’

German rockers Odd Couple have released their new single ‘Gone Solid’ ahead of their second album ‘Flügge’ (meaning “independent” or “to spread one’s wings” in German) which is set for release April 21st. Odd Couple duo Tammo Dehn and Jascha Kreft’s modern approach to recording sound takes influence from hip hop and the kosmische musik experimentation of West Germany in the seventies.
‘Gone Solid’ is a blissfully brutal attack on the senses with a hybridisation of garage rock pummelling with ferocity and chilled with swagger filled vocals and waves of electronic psychedelia. With a beat that straddles the line between motorik rhythms and hip hop its a strut and display of effortless cool panache within the constraints and solid structure of the track. Infectious gritty chunky guitar riffs add brawn and a beefy punch. This track oozes attitude and slick swanky flamboyance all while packing a serious dose of heavy mosh worthy frenzy. The quality is on point ,richly layered and multi textured, you hear a new impressive feature of the song each time you listen. These guys are musical wizards. Its eccentric and retro while remaining fresh and original. ‘Gone Solid’ is the epiphanies and freakouts of decades past with hints of soul, garage rock, psychedelia and funk . You feel sure you recognise something to pin it down to a genre, but you don’t quite, hence mind blowing.
Stream ‘Gone Solid’ below

https://soundcloud.com/cargorecordsgermany/odd-couple-gone-solid/

The Good Water ‘Mansaid’

Birmingham-based garage-psych-rockers The Good Water have released their new single ‘Mansaid’. The track comes hot on the heels of their previous single ‘See Your Light’ which received airplay with Steve Lamacq, Mary-Anne Hobbes and Shaun Keaveny at BBC 6Music as well as tastemakers at Amazing Radio and influential LA stations KROQ and Indie 1031). Since forming in early 2015, The Good Water have been busy. The boys quickly picked up loyal support from Brum Radio with their drone-rock debut single ‘Everything Is’,  They have gained new fans at raucous shows around the Midlands and blew away audiences supporting Mercury Rev, Super Furry Animals and Bill Ryder-Jones at Lunar Festival. The duo’s brand of psychedelic rock grooves, obscure lyrics and nimble riffs is streamlined into tight garage-pop frameworks and press has been quick to spot their talents, with rave reviews from Soundsphere Magazine, Ear To The Ground Music, Slap Magazine, Diamond Deposits, Born Music Online and Mytacism Music amongst many others.
‘Mansaid’ is red hot fiery garage rock smothered in a gritty fuzzed mind trip of psych-pop. Its a strutting frantic rush of effortless cool puzzlement that exudes swagger and blistering slick flamboyance. Blazing riffs give the track a scorching intensity while the psychedelic pop harmonies soothe and cool the track down before it kicks into the shredding frenzied mosh worthy chorus. With verses that glide in with liquid fluidity backed by feverish flaming guitar riffs and a driving punch on drums its insanely addictive. These guys are ones to watch.

Stream ‘Mansaid’ below

Live Music Review of Fangclub Supported By Vulpynes and Long Tail at Whelan’s Dublin

Offering ear-bleeding rock, raw and unprecedented talent Fangclub descend on Whelan’s Dublin with support from Vulpynes and Long Tail.The garage rock trio assured us last time we met them that their live shows were epic and so naturally we had to check this bold claim out for ourselves.
Vulpynes kicked things off to a fiery start with ‘Sublingual’ they blast the timid crowd with bloodthirsty blustery rock. This duo take no prisoners as Kaz’s drumming ruthlessly pummels through each track while Maeve’s strong fierce vocals resounds over the ruckus like a powerhouse. The beefy depth on guitar and shattering distortion adds a dark lusty gritty texture. They roared through the set with tracks like ‘Bitches are like Waves’ and ‘Break off the Legs’ Vulpynes are not ones to be messed with. This is music for bruised, battered moshing unfortunately a lot of the audience were too timid for the mania however they warmed up as the set progressed. Belting out the single ‘Terry Said’ Vulpynes take the track to a red blooded hair flying all over the place mania. But it was new track ‘Can’t Sit Still’ that showed that this band is destined for big things and are more than capable of holding their own. The track gave me a Jack White ‘Lazaretto’ vibe with an awesome bridge change up. Its one to look out for. Finishing their set with ‘OCD’ Vulpynes rattled the bones off the bashful crowd, warming them up and filling them with dynamic maniacal energy for the acts to come.
An utterly absorbing set follows from Long Tail as they draw the crowd nearer with ‘Waiting’. Displaying a heavier sound live and some snazzy guitar changes. The bright bubbly tracks smothered in positive upbeat tones take a punchy more aggressive role instrumentally while Ed’s vocals and lyrics still flood with dreamy cool motivational vibes. Filling the crowd with go for it attitude the band are met with a comical stage invasion as a member of the crowd jumps on stage and wiggles around like a dizzy lone ranger only to fail in attempt to crowd surf but that didn’t stop him from trying again. Long Tail display a slick tight performance and exude a comfortable swagger on stage that draws the crowd in. ‘Our Star’ and ‘Better Way’ displays glossy melodious riffs with Steve’s elastic bass teamed with Ronan’s punchy drums these guys make performing look easy. The crowd reacts well to each track as Ed banters back and forth a little and seems to sweet talk the crowd into bopping along. Even Indie Buddie gets a nice shout out. Their set finished with the single ‘Your Time’ this peppy anthem sums up the radiant glow and vibrant burst of energy all the tracks on their set possess.
Fangclub take to the stage with an undeniable confidence and breakneck momentum. Swarming into tracks like ‘Psycho’ and the feverish ‘Dreamcatcher’ they leave the crowd in awe and eager to engage in neck snapping frenzy. Steven, Kevin and Dara display electrifying energy that had every one engaged jumping and moshing as they unleashed their explosive sound completed with flashing lights. The rapid pacing percussion is frenzied and boisterous as frontman Steven, croons with raspy gritty intensity giving tracks like ‘Loner’ and ‘Coma Happy’ an eerie spine chilling quality. These guys can put on a show with vigour and roaring enthusiasm getting the crowd jumping and moshing with raging mania. The entire set is professional, slick, fun and compelling to watch as distorted shrill on guitars add a thrilling deafening elation of ear splitting satisfaction. Finishing with an epic crowd surf as Steven jumps into the crowd and they lift him like a heroic champion. What a kick ass performance. Whelan’s was left  more than satisfied with the level of enthralling noise created by all three bands. Who said rock n roll is dead?

Lumer ‘Futile’

Hull’s scuzz punks Lumer have released their new track ‘Futile’. Alex Evans (bass/vocals), Benjamin Jackson (Guitar), Jacob Wardle (drums) and Thom Foster (synth/guitar) have unleashed a storm of ferocity, beaten and pummelled with pulverising drums and shrilling razor sharp riffs. The splintering guitars sting with knife edged slashes as the track races into a bloodthirsty frenzy of venom induced intense passion and mania. Strong vocals brood to start developing into a hurricane of screaming howling roars exuding fiery aggression. This track is a brawl of bustling gravelly grit mixed with explosive punk topped with fury and turmoil. Its pure unadulterated bedlam that is headbangingly good and mosh pit frenzy ready.
Stream ‘Futile’ below

https://soundcloud.com/lumeruk/futile

Worth A Listen

Our Worth A Listen Track This Week Comes From Honey Lung

 

Honey Lung are an alternative band from London. They have released their debut EP ‘Kind Of Alone’. Which has already captured the interest of the likes of Radio X and BBC Introducing. We have chosen their single ‘End Of Time’ from the EP as our worth a listen track this week. ‘End Of Time’ instantly blasts you with fierce 90’s grunge. Shredding guitars rip through the track with raw razor sharp grit and relentless aggression while the drums pound and pummel giving rough and tumble grainy textures that is absolutely thrilling. Soaked in an infectious pop melody that contrasts the dark moody tone, its a sulky sweet juicy track to sink your teeth into. Monotonic, droning brooding vocals fester and wallow in the downcast tone giving a nostalgic nod to the moody bands of 90’s youth. This track bursts with energy and vibrancy in-between the gloom. The zesty riff slaps you in the face and throws you head first into their ebullient sound, leaving you craving more and more for this sun soaked vitalising unique moping sound. The track summarises youth- hood’s conflicting feelings and emotions perfectly, pouty gloomy yet epic. Watch out for these guys.
Stream ‘End Of Time’ below

https://soundcloud.com/honey-lung/honey-lung-honey-lung-02-honey-lung-end-of-time

Hollie Joyce ‘Poster Girl’

Hollie Joyce is a singer songwriter who is becoming known for her wild, unconventional and ruthlessly blunt style of music. Currently residing in Melbourne Joyce is a songwriter completely in control of her craft. Combining fervent lyrics with distorted and at times eerie tones, Joyce has established a compelling sound that doesn’t hold back. From 70’s horror flicks and spaghetti westerns Joyce has developed a dynamic cacophony that sometimes strays into raucous rock ’n’ roll freak outs, while at other times deviating to the more alluring and melodic. Joyce has released her first single ‘Poster Girl’ off her upcoming EP which is scheduled for release early next year.
‘Poster Girl’ is a fiery garage soul track exuding scalding blistery swagger blended with sizzling sultry soulful tones that coax and sensually lure into the burning gritty garage rock. Joyce sings with strong confident attitude and sass that builds into a howl and an expression-filled scream. Coated in sway-like elastic sensuality and driven with ruckus causing rock and roll the track boils with red hot steamy attitude that is sure to burn everything in its path as it flies past leaving smoke and debris behind. With a western desert saloon cabaret vibe followed by a drunken brawl with a sweltry sting on guitar and punchy drums that leaves you black and blue, Hollie Joyce is on fire.
Stream ‘Poster Girl’ below

Varvara ‘Death Defying Tricks’

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Finnish garage-rock band, Varvara have announced the release of their upcoming album ‘Death Defying Tricks’ which is set for release on 4th November. Band members Mikko Kiri (Vocals/Guitar), Tommi Muhli (Guitar), Toni Raukola (Guitar/Vocals), Simo Kuhlman (Bass) and Lauri Tattari (Drums) present us with their blusterous hefty headbanging rock.
‘Sons’ and ‘Caught’ waist no time in pelting us into Varvara’s pummelling strike of killer riffs and pounding drums. With tuneful melodies and luring Queens of the Stone Age- esque vocals Varvara  display their hardcore moshing teamed with intense melodic sways. ‘Warning Sign’ changes the tone a little the song starts with striking guitar and gentle vocals. The track builds for the gritty trashing chorus with strident crash on guitars and burly drums. However it maintains a flexibility and elasticity with the malleable sensual bass and change to a smooth bounce on drums at times. ‘Human Being’ has a massive chorus and clap along beat combined with shredding screeching guitars its a balls out energetic anthem. ‘No Reason’ gritty swagger filled rock and roll gives us a sensual side to the five piece. Slick riffs and striking guitars mixed with attitude and aggression its a punchy pulveriser .‘Arrows’ slows the mood with a sway like atmosphere to start with gentle twinkle on guitar. Sweet vocals and eerie haunting atmosphere set the tone. The track builds into body pounding chorus and sharp guitars. The thick heavy intensity of the verse is broken by a dropping head bang instrumental and a shredding guitar feature that is sure to have a live audience going crazy. ‘Since We Cant Explain’ ‘Shadow of Mistrust’ and ‘Headlights’ continues to display Varvara’s acute melodies infectious hooks and haunting vocals wrapped up in sticky gooey atmospheres with mosh worthy gritty rock thrown in. The album finishes with ‘Crossed My Mind’ which displays idiosyncratic quirky indie elements with a bizarre theatrical vocal accompanied by bright energetic tones. It closes the album on a vibrant note while ensuring that Varvara cannot be pinned down into a style or genre. They do whatever they want.
Stream ‘Caught’ below

New Valley Wolves ‘Silver Tongue’

New Valley Wolves have released their new track ‘Silver Tongue’. Its a snarling, balls-out beast of a track bursting with the bluesy, gritty, frantic sound that the rock duo create. It’s a ferocious riff-driven wall of sound enriched with sensual elastic tones. With irate swagger infused vocals, primal drumming and a bass so skilfully wielded it lures the listener into a fuzzed haze of entrapment that could cause a frenzy-filed brawl amongst the most timid of people while still remaining tactile. Lyrically, ‘Silver Tongue’ is pure unadulterated macho rock. New Valley Wolves once again create an almighty racket as Joyce assaults the drums creating a turbulent pounding sound adding to the tracks speed driven fury.
New Valley Wolves have released a video for ‘Silver Tongue’ it captures the high intense energy and atmosphere of their live shows. Watch the video below.

Rat Ta’Mango ‘Let It Go’

Rat Ta’Mango are an Adelaide band who play a unique brand of blues rock, fusing elements of garage, psych and funk. The three piece have recently released their debut self titled EP. The 5 track Ep is bursting with a mixture of garage rock, blues and Latin-jam influences intertwining and blending together while creating a massive raw sound that packs a punch.
It was their first single ‘Let It Go’ that caught our attention. Its heavy furious fuzzed intro teases their garage rock mosh worthy sound before revealing a funky slick verse. The sensual swagger and opulent rhythmic groove and percussion-soaked bounce adds an elasticity and addictive energy to the track. The vocals are passionate and dynamic giving a steamy exhilarating strut quality and confidence. The track spirals into a shredding guitar solo and intense weighty burly headbang. ‘Let It Go’ softens to gentle vocals and light accompaniment before a final beefy robust crescendo to end. Rat Ta’Mango show us how to mix raw gritty bluesy sound with funky sensual guitar licks and fantastic brawny hooks leaving you wanting to hear more.
Stream ‘Let It Go’ below