Category Archives: Hypnotic

The Lizards ‘She Goes Down’

Birmingham, garage-psych band The Lizards have released their new single ‘She Goes Down’. The band consists of members Cameron Harris,Dan Whitehouse,Liam Radburn and Harry Shaw. ‘She Goes Down’ is a wavy dazed prism of blissful psychedelia. Gentle explosions of ecstasy burst from each note like sparkling fragments of magic, enticing with wonder and elation. Soft swaying guitars like a narcotic sedative soothe with an instant mind numbing effect while the wobbly rhythm flickers with mystifying euphoria. Hazy honeyed vocals and pacifying melody gives the track a swoony daydream vibe. Its a liquefying illusion masterfully crafted to melt your mind. The Lizards have created a trance-inducing track that is just magnificent.
Watch the video for ‘She Goes Down’ below


Mouth Breather ‘Mysteries of Nature’.

Mouth Breather have released a video to their new track ‘Mysteries of Nature’. This funky track is slippery, swanky, flamboyance smothered in sultry psychedelia and 70’s tinged grooves. Its all flares and flowers wrapped in a dreamy hypnotic haze. This track is sweet simplicity, catchy and laced in a funky bass. Wobbly trippy 70’s soundscapes flood the track in a wispy mind bending euphoria while lush nectarous vocals unwrap your mind. This dreamy light track is so catchy and free like a helium balloon it floats in the air, gravity sure isn’t telling this track what to do. Exceptionally well formed ‘Mysteries of Nature’ is a Utopian gem.
When asked about the track the band said
“Mysteries of Nature” grew out of a funky bass-line I laid down while jamming with some friends last summer. Simple, yet catchy enough that every other part of the song just seemed to naturally fall into place. There wasn’t much planning that went into the video either. The director, William Wilkinson, and I used an old TV zoom lens and a sequin curtain to capture a glossy, zoom-heavy 70s visual accompaniment”.

Watch the video for ‘Mysteries of Nature’ below

 


Worth A Listen

Our Worth A Listen Track This Week Comes From The Cuckoos

Psych rock band The Cuckoos from Austin have recently released their self-titled debut EP. The Cuckoos are Kenneth Frost (Lead Vocals/Songwriter, Keys), Dave North (Lead Guitar, Backing Vocals), Eric Ross (Bass) and Cole Koenning (Drums). These young guys (the oldest is just 21) create music that sounds like it’s straight from the 1960’s however with their own unique twist. The quartet recently completed a successful first-ever run at SXSW and aren’t slowing down any time soon, booking shows across their home-state and in the UK. We have chosen their track ‘Mind Breakthrough’ as our worth a listen track this week.
‘Mind Breakthrough’ is a dark grimy twisted concoction of classic rock brewed with psychedelic garage and hints of acid. Its an opaque trip into a thick hazy hallucinogenic delusion. With mesmerising eerie synths and thrilling razor sharp guitar, its a swirling dizzy opiate mirage smothered in dark dingy tones. The groovy rhythm adds a shimmy to the track, the limp kind one would do when mind boggled and dazed. Deep strong vocals command with a spellbinding possession while the track consumes you in its narcotic swirling abyss. ‘ Mind Breakthrough’ is an enchanting luring track that is riveting and smothered in nostalgic and retro vibes. It showcases the fine musicianship of these young guys. If they are writing tracks like this now imagine whats next… its going to be good. Watch out for these guys.

Stream ‘Mind Breakthrough’ below


Ivory Wave ‘Separate Beat’

Birmingham’s Ivory Wave have released their new single ‘Separate Beat’. The new track which the band have been debuting live at gigs across the midlands, is produced by Matt Terry and recorded at Warwickshire’s Vada Studios.

‘Separate Beat’ is a psychedelic trip swirling with narcotic dizzying soundscapes. Sparkling zealous guitars  and mind expanding synths swirl with euphoric bliss while lush lulling backing vocals take the track to a hazy dreamy state. The commanding vocals and heavy beat becomes the steady anchor to hold on to while the track attempts to sweep you up into its woozy hypnotic  electronics. Its a track for relentless dancing.

You can catch Ivory Wave live at

May 20th The Sunflower Lounge (single Launch) The Sunflower Lounge, Birmingham

June 9th Record Junkee, Sheffield

June 10th Verve Bar, Leeds

Stream ‘ Separate Beat’ below


Odd Couple ‘Am I Evil’

Our favourite new garage-rock duo Tammo Dehn and Jascha Kreft from Odd Couple have released their new single Am I Evil’. This follows their previous banger ‘Gone Solid’ which we featured on Indie Buddie last month. Both tracks feature on their debut album ‘Flügge’ which is due for release later this month.

‘Am I Evil’ is a fatal blast of ruthlessly sleek infectious garage rock that effortlessly drifts from slinky and groovy to head banging mania. Mind blowing and blissfully obscure this duo know what they are doing as they present us with a septic jaunt back to a time when things weren’t so mercilessly sanitised and lobotomised. Dirty gritty riffs forcefully hook you into their villainous prowl while Odd Couple question their unhealthiest and most intrusive thoughts. Mighty pulverising drums bring the track to that powerful brawny punch and mosh worthy frenzy. With western cowboy-like guitar interjections and incredibly slick guitar licks, Odd Couple gives you mind numbing thrilling opaque fierceness that holds a slithery retro sleekness. It’s sultry silky and packs a mighty punch all while having a retro tint and brutish swagger. These guys are ones to watch.

Stream ‘Am I Evil’ below

MYA Project ‘It’s All About Imagination’

MYA Project is the alternative, electronic/acoustic pop creation from Dalila Mya. Originating from Europe, now based in Los Angeles, this musical creativity comes from a background of classical training combined with a Sound Engineering Degree. MYA Project is a fusion of electronic and acoustic music, where Trip-Hop meets World Music and Pop Rock. Dalila’s background has seen her work as a Live Sound Engineer, working with artists such as Tool, Depeche Mode, Alabama Three and Massive Attack. Besides her live work, she has worked as a Studio Sound Engineer for several studios in England and the U.S.A., including Abbey Road in London and The Village Studio in Los Angeles. Dalila has her own recording studio in LA where she produces all her works including the new release ‘MK’. MYA Project released the 10-track debut, ‘MK’ on the 3rd of March through Milky Bomb Records and has now released the video for the single ‘It’s All About Imagination’.
‘It’s All About Imagination’ is haunting goosebump inducing euphoria. Subtle electronics seep in with eerie tones while the enchanting luring melody seduces, fused with slow groovy dance influenced beats. Swirling interweaving electronics create a dizzy narcotic effect while a captivating bassline and sting on guitars add a razor sharp edge and rock influence. Funky sway-like rhythm adds an elasticity and malleability to this bewitching track while spacey futuristic electronic flashes add a chilling obscurity. Velvety smooth sweet enticing vocals lead you down a musical rabbit hole of hazy spiralling delirium. With a mind numbing illusion rippling effect ‘It’s All About Imagination’ is an experience that will have you in a trance.

You can watch the video for ‘It’s All About Imagination’ on MYA Project’s facebook page here https://www.facebook.com/myaprojectmusic/videos/10154340559705777/
Stream  ‘It’s All About Imagination’ below

 

Future Lover ‘Dead Soul Dagger’

Future Lover has released a new single ‘Dead Soul Dagger’ Colin Lime is Future Lover, He writes, records, and produces all the music, with occasional contributions from far-out friends. Originally hailing from Indianapolis, and having spent more than a decade touring the country and living in New York, the sound of Future Lover reflects that journey. It evokes a psychedelic trip through inner and outer space, lighting up the darkness and rocketing out into the universe. He calls his sound “Psych-Wave”. ‘Dead Soul Dagger’ is taken from ‘Reverb Tales’, the forthcoming LP out May 2017 on Crystal Cave Records.
‘Dead Soul Dagger’ is a fuzzed kaleidoscopic prism of psychedelic rock swirling with trippy confusion. Opiate vocals sooth with a narcotic numbing effect while weaving electronics act as a wobbly wave like mirage causing a blissful daydream head trip. Razor sharp fuzzed guitar becomes the constant, keeping you from dangerously slipping into the enticing enigma. The shredding guitar riff is gritty and hypnotic with steamy flashes of disorientation. Strong punchy drums give the track a heavy sound that will cause your glazed head to mosh messily and uncontrollably while you become consumed in the dark bewitchment of this fascinating track. Haunting falsetto vocals echo in the background while the track swirls and weaves with liquid blurred fluidity. Let Future Lover dissolve your brain in trippy ecstasy.
Stream ‘Dead Soul Dagger’ below

MUX ‘Can you see who?’ EP

MUX, a brand new electro-stoner band from London is to release at the end of March their EP entitled ‘Can you see who?’. MUX blend elements of electronica, stoner, trip-hop and punk leaving you in a twisted knot of thrilling euphoric disorientation. Comprised of members Tiz, Paul, and Jonas, MUX present  an EP that is a gripping electrifying enigma fuzzed and gritty and smothered in obscure darkness. The band officially started in the summer of 2016 when Tiz and Paul (drums) met in Brighton, while shopping for souvenirs. They started fighting over a seashell ashtray and ended talking about Kendrick Lamar’s latest album. A couple of months later, the pair met Jonas (Guitar) at a Mac DeMarco concert in Camden. Jonas was headbanging harder than everyone else.
‘MDMA’ kicks off the EP with a creepy sinister shadowy tone. Raspy whisper-like vocals are hair-raisingly chilling while the gritty distorted guitar adds a rough round the edges sharpness. Its like a psychedelic trip that’s freaked you out but still feels good. A rapid elastic rhythm gives a sticky gooey glooping effect. The track becomes more dynamic as it progress with the intense electronics becoming more frantic while the shredding guitar pierces with shrilling ferocity. The electronic woodblock-like feature is a recurring element in the EP’s tracks and it adds a plump texture and unusual refreshing contrast to the dark psychedelic swirling surround. It acts like a conscious anchor keeping your mind from becoming completely engulfed by the musical whirlwind.
‘Gold and Prozac’ follows with shivering fuzzed guitar against a tapping rhythm. The track oozes lurid  gloppy liquid- like electronics that seep throughout the track, broken only by hypnotic trance inducing psychedelia. Eerie dark vocals are ghostly with a theatrical tint of evil. Epic basslines travel through each track providing a weighty beefy foundation to sink your teeth into.
‘Teenage Father’ begins with the sweet request “Kill Me” building into a thunderous mighty headbanger. This frenzy causing hysteria is sticky mosh pit neck-breaking head banging ready. Snapping bass is teamed with a fantastic driving guitar that shrills with blissful ear-piercing capability. Its a blood pumping smashing monster of a track that is convulsion causing derangement but so good.
‘Stray’ finishes the EP with a sensual riveting all absorbing guitar feature, lusty crescendo and  pounding rhythm mixed with electronic blurring perplexity, all bashed out and liquored up leaving you in a glazed mind boggled mush. Blending heavy turmoil with sensual steamy red hot piercing guitar and luring vocals, this track penetrates your skull with relentless soundscapes and acute powerful momentum.
Each track flows fluidly into the next as MUX  take you on a riveting complex journey through their proficient composition and exquisite craftsmanship. Its dark, its gritty and fuzzed with narcotic effects. ‘Can you see who?’ is a swirling invasion into your mind showing you a shadowy kaleidoscope of abstruseness.
Watch a snippet of what you can expect below

The 220 Project ‘Between Two Points of Light’

The 220 Project have recently announced the release of their futuristic nine track album ‘Between Two Points of Light’. This will be the electronic duo’s second release, after productions from their first EP, ‘The Lost Particles’, received critical acclaim from ‘Getintothis’. Hailing from Bristol and Dorset, the duo have been producing music together for a number of years. This particular album was inspired by the pairs interest in space travel and science fiction which can be heard in the futuristic and ambient sounds throughout the album.
‘Between Two Points of Light’ is nine tracks of galactic futuristic psychedelic vibes. Its calm placid spacey electronics place you in a state of daze and gentle dizzy bewilderment. Deep warm basslines add texture and grounding to the hypnotic album while soft rapid beats flash like delicate laser lights giving you a blurry narcotic trip. Using a mix of analogue and digital hardware to create a bass heavy mix of psychedelic ambient techno dub featuring 303 squelches and layered synths backed up by thudding kick drums The 220 Project take you on a journey of mind boggling science fiction.
Influenced by groups such as Leftfield and System 7, the duo describe how they developed their sound,

“We’ve developed our sound, being inspired by different artists and styles of music and making something that we wanted to listen to that combined trance, acid and dub elements.”
The album ‘Between Two Points of Light’ is set to be released on 10th March 2017 and will be available via all major media providers. More information on the group can be found on their social media pages or on their official website here

Facebook https://www.facebook.com/the220project/?hc_ref=SEARCH&fref=nf

Soudcloud https://soundcloud.com/the220project

Website https://www.220project.com/

 

Eugene Twist ‘Stuntman’

Scottish artist, Eugene Twist is back with his newest single ‘Stuntman’ from his highly-anticipated album of the same name. With a lyrical arena that boasts whistleblowers, extraterrestrials and self-consuming psychonauts, Scotland’s Eugene Twist is not your everyday songwriter. After two years in the musical wilderness, his second album ‘The Stuntman’ has arrived on the back of one mission, to let the storyteller run riot inside the song. Taking time to build a makeshift studio and learning how to record and mix allowed Eugene time to breathe with his arrangements.
‘Stuntman’ is a trippy funky flex of cool swagger teamed with dark bewilderment. With a slippery sway of greasy fluidity this track exudes panache with a hit of sleazy thrown in. The charming spoken vocals add a punk vibe to the verse as they flicker with shards of detest while they become velvety smooth for the chorus adding a luring melty quality. The slick shredding guitar adds a glossy enticing allurement before it builds into a distortion of psychedelic wobbly opiate perplexity. The deep elastic bass adds a tone of seduction and bewitchment that gives the track a fluid abstruse structure. ‘Stuntman’ is a shimmy and a sway of fun cloaked in darkened eerie danger that creeps with chilling mystery.
Watch the video for ‘Stuntman’ below