Tag Archives: EP Review

Cider Wasps ’Ethereal’ EP

Cider Wasps are a four-piece alternative rock band from Dungarvan, Co. Waterford, Ireland. The band consists of brothers Danny and Tommy Dunford, Stephen Keating and Colin Drummey. Formed in early 2013 the quartet have been gigging in various venues across the country but as of late have started hitting the Irish festival scene with an appearance at Indiependence 2016. The band launched their debut EP entitled ‘HERE’ in the autumn of 2015 which featured their single Lúnasa. Many radio stations and DJ’s picked up on the EP immediately and it began to hit the Irish airwaves on stations such as WLR-FM, Beat 102-103, CRY104FM, and 98FM to name a few. Their most recent ’Ethereal’ is the second EP release from the band which was launched alongside an independent tour of Ireland starting in Whelans and finishing in Waterford.

’Ethereal’ is an impressively smooth EP packed with passion and sublime melodies. Each track glides smoothly into the next. The tempos are easy-going with dramatic crescendos and with sleek production it’s radio ready. The dreamy delicate ‘80beatspersecond’ kicks off the EP. Silky smooth vocals caress a sweet luscious melody while a throbbing beat sets up the tension for the explosive chorus. These guys write tracks from the heart, every song evokes a rush of urgency and intense emotion while soaring backing vocals and aerial breezy soundscapes lift the tracks to skyscraper heights.’Hummingbird’ trots in with a lively bounce and jangly melodic distorted guitar. The heavy rapid drums and resounding pulse on bass adds a lively energy to the track and danceable foundation. ‘Home’ slows the tone again to start. It’s a heavenly delicate romantic track that builds into a mammothly anthemic explosion. Elevated backing vocals and a heart wrenching rush of blood to the head chorus displays just how good these guys are at making you feel every heavy towering note. ‘Magic Beans’ is simply beautiful and graceful with heavenly soundscapes to start. The track once again erupts for this striking mind-blowing crescendo as Danny Dunford slips into his sweet falsetto range while hefty drums pound and crashing guitars blister and burst through the colossal soundscape. The divine ‘Ethereal’ finishes the EP with warm mellow guitar plucks and tender glowing tones. It’s candy coated purity and tear jerkingly delicate. A sublime melody and sharp guitar stings create a hazy sombre feathery lightness that is just heavenly. When the beat kicks in it’s soft and spongy adding a soothing cushion and bounce. It’s just sublime, a song to treasure.

The ‘Ethereal’ EP is a luscious highly emotive and passionate collection of tracks that touch on all aspects of modern pop/pop-rock without losing cohesion. Silky smooth with the right amount of punch and heaviness throughout. Dunford uses his velvety vocals to inject the right combination of sincerity, drama and emotion into all five tracks creating a satisfying beautiful listen.

You can catch Cider Wasps at their next live show on 23rd November at Fibber Magees, Dublin make sure to check them out.

Stream ‘Ethereal’ below


The Strypes ‘Almost True’ EP

Cavan rock and roll band The Strypes have released a new EP ‘Almost True’ to ease the withdrawal symptoms of those eager fans craving some more music from the four piece. ‘Almost True’ follows the rooted rock and roll sound of their outstanding album ‘Spitting Image’ which was released in the summer. ‘How Could I Forget’ propels the EP into motion with it’s sun kissed laid back hazy vibes, glorious guitars and snappy punchy drums. Catchy and vibrant it’s dance around the room in your PJs bliss. The song is sweetly nostalgic and easy-going, romantic yet sombre but still hard-driving. It’s the kind of track that hits your bloodstream with the urgency of one’s first kiss and one’s first heartbreak all at once.‘Heavenly Soul’ is a banger. That gritty darkly hued T-REX- esque riff to start followed by a foot tapping beat sets the track up for big things. With shaky percussion building tension and an infectiously catchy chorus, it’s a triumphant blast of euphoric adrenaline. With blistering guitars, rumble on drums and a sharp harmonica injection smothered in dark tones it’s chilling yet fiery. Intricately layered and tightly bound it’s one for the sticky mosh pits. ‘Freckle And Burn’ brings us the four piece’s swagger drenched shimmy ready 60’s tinged rock and roll. Trying not to wiggle and dance to this song is impossible. It’s so infectious and groovy and that bassline, elastic, sensual and slick. The track builds to a mammoth crescendo of screaming vocals and frenzied instrumentation it’s so cool and sleek. The guitars stride and jab with a feverish charisma creating  a strut worthy swanky prance of summery delight. The final track on the EP is a live cover of ‘Summertime Blues’. This feisty accelerated version showcases some shredding guitar work, neck snapping drumming and attitude driven panache. Razor sharp and laced in distortion these guys have whacked out a smashing cover. I’m a fan of the original Eddie Cochran version but who can resist a rough and tumble pumped up rock and roll cover.

Stream ‘Almost True’ below


Indie Buddie Introducing : Kavalier

Kavalier is an alternative four-piece band based in Kilkeel, Co. Down consisting of members Ryan O’ Neill(Guitar/Vocals), Tommy Rice (Guitar), James Burns (Bass) and Mark Mc Donald (Drums). Their formation was brought about in the winter of 2015, evoked by a desire to relieve boredom while simultaneously combating the cold winter climate. The loft space of an old, post-war knitting factory would later become the bands headquarters. Quickly they began to hone in on a sound that concluded the band had potential to develop beyond a means of alleviating winter boredom. As winter turned to spring and into the summer, the band had narrowed down their newly written material to 3 songs. These select tracks would later be recorded and compiled into their debut EP ‘Songs For Walter’. This year the band had the chance to play at Electric Picnic after being chosen as one of eleven acts to play the “Play The Picnic Stage” Courtesy of RTE 2FM.

 ‘Songs For Walter’ is a three track treasure box overflowing with luscious melodies, calming tones and some shredding instrumentation. The delicately beautiful ‘Wake Up’ kicks off the EP with sweet gentle tones ready to lull you into an elegant state of bliss. Warm ethereal guitar melodies jingle across a soft creamy soundscape. The cushioned bounce on drums and bass give a divine feathery light texture to this sublime track. The sharp injections on guitar and shredding solo pierce the calm track with a zesty sting adding acute spurts of brightness. ‘Stop, Rewind’ follows continuing with a supple tone, but this time the four-piece add a little more grit to the creamy flow of the EP. The stop start jumps give a jitter to the track while winding guitar melodies weave playfully throughout. Another delicate mind easing song that is oh so easy and delightful to listen to. ‘Drop 65’, the final track on the EP shows us the heavier gritty side to Kavalier. It’s swagger soaked attitude driven and darker. The guitars take a rough rugged approach with a choppy fuzzed aggressive element. The drums pound while the bass rumbles creating a meatier more rock infused track.

Kavalier ‘Songs For Walter’ EP displays their knack for beautiful organic melodies, slick intricate guitar work and sophisticated musicianship. It’s a tight EP that place’s these guys firmly in the ones to watch list.

Stream ‘Songs For Walter’ below

 


Anna-Liese ‘Stand On My Own’ EP

Waterford-based Anna-Liese have released their new EP ‘Stand On My Own’. The four piece which consists of members Emmet Conefery (vocals, guitar), Mark Walsh (vocals,guitar), Eddy Blake (drums) and Sean Carey (bass guitar) have fabricated a collection of tracks that takes their sound to a new level. The ‘Stand On My Own’ EP marks a serious more sophisticated and refined venture into their alternative rock. ‘Standing By The Riverbed’ is the first track on the EP and it screams their new tighter more competent sound. With a Green Day-esque feel mixed with a massive anthemic chorus, crashing guitars and punchy drums, it’s one hell of an introduction to the EP. Showcasing a substantial growth since their previous EP ‘Chasing and Fading’ it’s crisp compact and oh so catchy. This quartet have learned to take their time pacing each track out building and brooding with the verses with little chorus bursts teasing and leaving space for the crescendo’s to soar and excite. ’Oh Me Oh My’ is perhaps my favourite track on the EP. It jingles and sways with sweet sharp guitar melodies while a soft punch on drums adds a shot of grit. The vocal melody glides with bright melty smoothness while lush backing vocals coo with tender delicacy. It’s melancholic and gentle but those guitar lines are sublime- sharp and zealous adding splinters to the breezy sombre track. ‘Scrappy Boy’ adds a bit of heaviness to the EP. It’s slick swagger soaked and gritty. Once again shredding guitar lines lift the track into legendary status while a driving rumble on bass adds a ripply foundation and flexibility to the track. The vocals are strong and expressive. ‘First In Line’ lightens the tone of the EP, again it’s energetic and instrumentally snug. The tracks run along balancing heavier soundscapes with light airy indie seamlessly. Now ‘Stand On My Own’ brings us to the end of the EP with a cocktail of sounds and tempos. Beginning jangly and almost tropical before the vocal line brings a slower cruising tempo, with twinkles of warm guitar. The feisty chorus is catchy and assertive. The track returns to the brisk peppy tropical tone before resting on a swayable weaving hazy crescendo.

Anna-Liese ‘Stand On My Own’ EP exudes passion. It feels like they let go and poured themselves into this EP wholeheartedly and it pays off. They have grown up and with that have taken a strong command, honed in and refined their sound. It’s a joy to listen to. They flicker and fluctuate between different musical styles seamlessly creating their own unique style which is hard to do without sounding choppy and rough. There is something for everyone. It’s so melodic, luscious and well crafted. Anna-Liese are coming into their own.

Stream ‘Stand On My Own’ EP below


Young Earth ‘Frequency Illusion’ EP

Dublin Indie-Pop/Rock band Young Earth have announced the release of their debut EP, ‘Frequency Illusion’ on Tuesday 7th November along with their biggest headline show to date in The Academy 2, Dublin to mark it’s release. The five track EP will include previous singles ‘Worth It’ and ‘Got A Secret, the latter having amassed over 100,000 Spotify Streams and was previously featured on Indie Buddie. The band have earned critical acclaim from blogs and music tastemakers both internationally and in Ireland, leading to a busy summer of festivals, a co-headline tour and regular local and national radio play, including being included on RTE 2fm’s Rising Playlist.

The ‘Frequency Illusion’ EP is an oh so sweet collection of infectious indie bangers. Every track is short,snappy and feverishly good, they will give you stuck song syndrome. The warm vibes kick in from the first track which is title track ‘Frequency Illusion’. Featuring some golden guitar lines that twinkle throughout it’s indie at its best. With running elastic basslines and a punchy beat teamed with velvety soothing vocals, it’s a balmy soothing track soaked in sweet nostalgia. Honey drizzled summer pop melodies add a swoony hazy tone while the sharp zesty spurts of guitar give a nice edge and sting to the track. This ear worm dreamy haze continues with ‘Worth It’ however, it takes a heavier raw approach to the verse. These guys have a knack with melody and this is visible in every single smashing delicious chorus. Though the lyrics can portray a sombre or longing theme they balance this with a boppy contagious sound that fluctuates between sugar pop and heavier indie rock. ‘Got a Secret’ displays their grittier side. Blistering guitars, striking rhythm and fiery drums- it’s a tight display of their refined musicianship. It features finger clicking swing-like panache soaked verses, zesty sprightly choppy guitar strums and a vibrant bounce on drums teamed with breezy cool vocals. The song oozes oodles of competence and swagger. The powerful instrumental break adds a heavy mosh ready neck snapping might to the track displaying Young Earths diversity and seamless blend between luscious pop and heavy rock. ‘Under Cover’ cruises in, smooth and sleek with an enticing luring verse and glossy exterior. It’s just too cool and suave. The track builds becoming more dynamic for the anthemic chorus and shrilling guitar solo. Catchy as hell and razor sharp yet oh so smooth, it just screams panache. ‘Let Go’ brings us to the end of the EP on a high. Melty bright melody, creamy vocals and luminous tones bring that state of euphoria and elation that Young Earth do so well. Warm mellow guitar lines playfully entwine between the delectable melody while a throbbing rhythm adds a flexible groove and danceable quality. It’s uplifting and motivating with hints of sentimentality creating a richly emotive track that grabs you and makes you want to listen to it over and over again.

Young Earth ‘Frequency Illusion’ EP is a refined well crafted EP brimming with killer melodies and smashing instrumentation. These guys blister and bubble in all the right places while also wrapping you in a luscious layer of sun kissed dreamy pop. The tracks are like smarties, smooth creamy heavenly inside with a harder shell coating. They balance summer pop anthems and sweet melodies with heavier, fuzzier sounds seamlessly. An impressive EP from the Dublin four piece.

Lead Single, ‘Let Go’ will be released on the 31st October. Tickets for their EP launch will be available through Ticketmaster Ireland in association with MCD productions here – http://Bit.do/YOUNGEARTHTICKETS It’s one not to be missed.

Stream ‘Got a Secret’ below

 

 


Matt Katsis ‘As The River Runs’ EP

Melbourne bluesman and folk balladeer Matt Katsis has recently released his newest 6-track EP,’ As The River Runs’. The EP will be the third release from the artist and the release will be accompanied by an 8-date tour across Australia. The seed was planted for Matt through exposure to family friends playing the acoustic guitar at family gatherings, and since then Matt has grown into a well known Australian alternative singer-songwriter with an individual edge. The successful release of his last EP ‘The Burke & Wills Sessions’ back in 2016 was warmly welcomed and since then Katsis has been working hard on writing and recording his newest collection of tracks. After extensively touring over the past couple of years, Katsis shows no signs of slowing. His newest EP release ‘As The River Runs’ encompasses his distinctive fusion of folk, blues and roots and now, after a recent trip to the US travelling through Nashville, New Orleans and Memphis, his music hints at influences of alternative country and Americana.

‘As The River Runs’ is a wholesome slice of folk and blues flavoured country pie. ‘Colours’ kicks off the EP foot stomping and soaked in bluesy swagger. Gritty guitars screech and whine while a  throbbing pulsing beat adds a strong foundation and kick to the track. Katsis’ warm raspy vocals add a gritty texture while guitars wail with a sensual allurement. ’ Need You Here’ is a delicate subtle track with very little instrumentation to start letting Katsis’ soothing warm vocals take the limelight. Light guitar twinkles throughout with delicate percussion chimes and a stomping beat. Golden and wholesome this track glows with infectious bright tones and comforting positivity. Extremely passionate and emotional it’s the kind of track that fills you with hope, puts a smile on your face and brightens your day. ‘All I Wanna Do Is Fly’ is a little darker to start with deep vocals and a shadowy undertone. The vocal harmonies add a chilling coolness to the western like pistols at dawn vibe. It’s a little bit eerie and cold with only the haunting guitar twangs to brighten the track.  ‘You & My Guitar’ returns us to the jingly bright bluesy soaked Americana. It’s gentle sway-like tempo and light guitar twinkles evokes images of a sunset and relaxation. With touching vocals and warm tones it’s a blissful cosy blanket to snuggle into. ‘Tomorrow & The Next Day’ again twangs with country warmth. The thing that becomes apparent with this EP is how detailed and moving a guitar feature can be. The guitar twangs really add depth and vibrancy to the track and lift it into a melancholic sense of playfulness and it’s quite beautiful. ‘Need You Here (unplugged)’ brings us to the end of the EP it’s here you feel the true impact and depth of Katsis’ soulful vocals. It’s quite the calming exquisite way to end a beautiful EP.

‘As The River Runs’ is a warm soothing EP brimming with passionate graceful tracks that warm the cockles of your heart. It pure and honest and charming. Each track flows smoothly into the next while displaying subtle variety’s in Katsis’ musicianship and depth. So rich and moving its immensely satisfying and a soul fulfilling adventure.

 

When asked about the track Katsis said “This EP as a whole pushed me further as a songwriter and led me to cross new territory, using a wider use of instrumentation and taking a closer look into song arrangement.”

You can catch Matt Katsis live at

23rd Sept – Albany, WA

24th Sept – Margaret River, WA

6th Oct – Canberra, ACT

14th Oct – Bendigo, VIC

20th Oct – Mildura, VIC

29th Oct – Adelaide, SA

1st Nov – Melbourne, VIC

23rd Nov – Brisbane, QLD

Stream ‘As The River Runs’ below

 


Atlanta House ‘Home’ EP

Leeds five-piece Indie Rock band Atlanta House have released their debut EP entitled ‘Home’. Which was produced by Roni Szpakowski of Peak Studios. The band have supported Circa Waves, Marsicans King No-One and Space, as well as performed at Tramlines and the inaugural Kazoopa Festival in November 2016. ’Home’ splashes out Atlanta Houses’ infectious blend of indie rock in all its blazing glory. ‘House’ kicks off the EP with mystery smothered in darkness. Spoken vocals narrate the harrowing lyrics to a simple accompaniment and steady beat. The track explodes into a mighty almost punk/grunge-esque shouting with screeching, crashing and fierce punch on drums. Just over a minute and a half it wakes you up and grabs your attention for the rest of the EP. The slick, polished snappy ‘Last Card’ follows. Sharp guitars stride and soar over the catchy melody piercing through the punchy drums and rumble on bass. Smooth vocals exude passion and become the softener throughout the breezy aerial track. ‘Casa (En Llamas)’ ah the gentle slow burner, sweet and delicate with a melty dreamy melody that could have fallen from heaven. Passionate and expressive the track builds becoming a little more powerful for the chorus without ruining the tender beautiful sway-like tempo. It’s the slow dance of the EP and it’s not half arsed either these lads pack a lot of emotion in this track. This little sweetheart is tender and affectionate and quite enchanting, a bit of a tear jerker. ‘Cold Love’ which we recently featured on Indie Buddie follows easing us out of the feathery lightness of its predecessor. It’s darker though, with an elastic bass and sliding guitars adding a blustery gust to the pop sprinkled track. ‘Home’ brings the EP to a blistering end. Rumbling drums bubble and boil while dark toned vocals add a chilling mystery and danger for the verses. The chorus explodes into an anthemic youthful burst of crashing guitars and punchy drums. Sharp stings on guitar flicker in and out of the verses creating flashes of bright scintillation through the thick murky atmosphere.

Atlanta House ‘Home’ is a fine debut EP. The hooks are plentiful, the energy is explosive and the melodies are sublime, sure some tracks are a bit Catfish and The Bottlemen- esque, but they do it their way. This five-piece have packed a lot of diversity into this EP and show a strong competence, refinement and understanding of what sounds good. Each track hits the spot and is exuberant and glowing with life and energy. The tunes are slick and bound to be epic live.

Stream ‘Home’ EP here


Hammy & The Pilgrim ‘Nothing To See Here’ EP

Hammy & The Pilgrim is a four-piece alternative rock band from Limerick. The band honed their skills by appearing informally in the vibrant local music scene, playing acoustic and electric sets. Now playing gigs all over the country the band have begun to draw large crowds as support for nationally recognised acts such as Le Gallaxie & Hermitage Green. As a result of their ‘Put It On Ice’ single launch in July they were selected to play this year’s Electric Picnic. Most recently, Hammy & The Pilgrim have released their second EP ‘Nothing To See Here’ to a sold out launch show at the Kasbah Social Club, Dolan’s, Limerick.

‘Nothing To See Here’ displays how Hammy & The Pilgrim have developed their own blend of melodic bluesy tinged alternative rock. ‘Riding High’ adds a snappy nostalgic start to the EP. Elastic bass lines teamed with bouncy drums creates a flexible peppy foundation while the honey smooth melody coats the track in nostalgia and mellow tones. It’s catchy and subtly anthemic. There are some pretty sweet guitar moments in the EP which really shine and add a vibrant lift to each of the tracks. ‘Bow your Head’ is laced in a dreamy lush melody and punchy percussion with the perfect air guitar worthy shredding solo as the icing on the cake. ‘Put It On Ice’ adds a speckle of reggae infused bounce and a dash of vitality to the EP. Hammy & The Pilgrim have created a collection of smooth dreamy tracks richly layered in hazy golden guitar lines and luscious melodies. It’s mellow and melodic with just enough vivacity and buoyancy to have you bopping and grooving. ‘Nothing To See Here’ is a tight polished EP that shows real promise from Hammy & The Pilgrim.

Stream ‘Nothing To See Here’ below


Dear Thieves ‘P.Y.M.’ EP

Melbourne alternative rock two piece Dear Thieves are set to release their Sophomore EP ‘P.Y.M.’ on October 13th. Since their debut EP ‘Bad Habits’ was released late March of this year the pair went straight back to the studio, honing their unique brand of hard hitting alternative rock, resulting in their most refined and honest release to date. Hitting the Melbourne music scene early 2013 Dear Thieves have been prolifically writing music and making a name for themselves by gigging persistently throughout the city. The duo have embarked on multiple east coast tours in support of their debut single ‘My Street’ and the ‘Bad Habits’ EP, and have graced the stage with the likes of Sydney’s Strangers and fellow Two-piece heavy hitters King Of The North.

‘P.Y.M’ or Punch Your Mates (if you’re into that kind of thing) is 5 tracks of gritty, versatile unapologetic rock music that is catchy as hell. ‘Bruce Willis’ kicks of the EP, slick moody and attitude soaked with punchy drums adding a relentless rebound effect while crashing guitars and swagger soaked almost eerie raspy vocals add a gritty brawn to the track. Instantly catchy and wrapped in heavy mosh ready instrumentation it’s a pretty slick vigorous start to the EP. The EP continues to travel at a constant high energy and bulky pace. ‘Used To Be Dead’ brings a creepy darkness into the mixture of pounding rock. Once again rich flickering rhythm gives a sensual flexibility as the track teases and builds tension for the massive frenzy causing headbanging crescendo. ‘Kids’ takes the persona of the dark smoky sultry track. Doused in hair raising chilling tones teamed with powerful vocals and mighty robust drums it seeps and weeps danger and haunting vibes. Razor sharp bass strikes and slaps with lusty dynamism creating a thrilling experience. Title track ‘P.Y.M’ is a hardy raw track oozing aggression and demanding attention. It’s sleek yet booming with rugged drums and boisterous guitars. Swagger soaked and catchy this track is a severe bashing to the skull with intense energy and passion. ‘Alone’ closes the EP as mighty and fierce as its predecessors. Dear Thieves finish the album on a high dose of battering piercing rock.

‘P.Y.M’ displays Dear Thieves knack for bloodthirsty bruising rock. Rich intricate grooving rhythms and catchy hooks blend together to create a infectious barbed selection of tracks smothered in dark tones and chilling eerie atmospheres. Well-crafted and layered it’s a dynamic EP well worth putting on repeat blasting it out as loud as you can and rocking out to.

Dear Thieves are set to launch their sophomore EP on the 13th of October At Melbourne’s iconic Cherry Bar and follow it with a string of shows through Victoria and up the East Coast.

Listen to the ‘P.Y.M’ single on YouTube here


Ali Tommis ‘Leave It All Behind’ EP

Singer-songwriter Ali Tommis has announced the release of his debut 5-track EP ‘Leave It All Behind’, a piano driven rock EP which is set to be available from 22nd September 2017. Being born into a family of musicians, Tommis was surrounded by music from a young age and began playing piano at the age of three which then lead to his passion for writing music at the age of 17. Eight years on, his songwriting ability has matured and developed into his own unique sound which is well represented through ‘Leave It All Behind’. The EP, written by Tommis himself, follows a theme of finding the strength to follow your dreams rather than settle with being the person you’re expected to be in order to please others. As described by Tommis, “[The EP] describes the fears, frustrations and insecurities that come with doing that, and also the joy, happiness and satisfaction that you get from doing it.” Taking his inspiration from an eclectic range of musicians such as John Mayer, OneRepublic and Led Zepplin, the EP has a distinctive sound yet every track is different and fresh.

Lead single ‘Leave It All Behind’ kicks of the EP, energetic and bouncy it’s an infectious springing ball oozing oodles of passion. Sprightly guitar riffs rebound and smack off the dynamic melody while punchy drums rumble and bubble throughout. With an anthemic powerful chorus bellowed out passionately by Tommis it’s quite the force to be reckoned with. ‘Everything’ is once again immensely passionate and dynamic. It glides elegantly with a sweet piano feature floating with graceful grandeur while jittery flickering soundscapes dart in and out of the delicate piano melody. Powerful choruses seem to be a large part of Tommis’ music style as each chorus explodes with the most intense eruptive fist pump energy possible. ‘Home Again’ cools the fiery tone of its predecessors a little. Sweet guitar twangs while smooth velvety vocals whisper for the verse and croon sweetly for the chorus. It’s melancholic and tender building in intensity as the track progresses. The piano feature in this track is so beautiful and sublime adding a heavenly escape before the celestial mighty track finale. ‘Passing By Me’ holds an air of danger and mystery with sharp stings on guitar between wandering piano and blustery percussion. ‘The Fear’ ends the EP with an intricate piano feature weaving between guitar strides and punchy drums. It’s dramatic and powerful with a spine chilling almost creepy atmosphere bringing us to a massive almost theatrical end to the EP.

‘Leave It All Behind’ displays Ali Tommis’ expressive passionate musicianship with powerful anthemic  (at times dramatic) choruses and intricate melody compositions, he hasn’t held back. It feels like he has put everything, body and soul into this EP.

The lead single ‘Leave It All Behind’ is accompanied by a music video, a humorous narration of Tommis’ passion to follow his own dreams instead of living his life to please others. Shot in Portmeirion, home to Festival No 6 and the same place Supergrass filmed the video for hit ‘Alright’, the video follows him on his journey to ‘leave it all behind’.

Leave It All Behind will be available worldwide via all major media platforms from 22nd September 2017 and is a sign of what’s to come from Ali Tommis. More information about Ali, future releases and any upcoming live dates can be found on his social media pages here https://www.facebook.com/AliTommis/

Watch the video for ‘Leave It All Behind’ below