Tag Archives: Live Music Review

Live Music Review : Ross Breen and Lisa Loughrey

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McEvoy’s The Hatch, pub in Celbridge were hosting an event on Friday night which promised to supply us with “Original music from original songsters, choice covers, pints, bantz”. Uncertain whether this was our kind of “scene” or not we headed there anyway to check it out. After a lengthy drive we found ourselves twisting and turning through some winding roads to find a small little house- like pub that does look like it is in the back of beyonds but it was bursting with people. This charming little pub was McEvoy’s, Its cosy home like interior settles you in almost straight away and with friendly staff and punters its a great start to the night.
The night of music begins with some well known and original tracks from Ross Breen and Lisa Loughrey (The Mariannes) accompanied by Nathan Maher (The Mariannes). I’ll admit country and traditional music wouldn’t usually be my favourite style but good music is good music and when these guys played it didn’t matter the genre. The enthusiasm and passion exuded from Breen and Loughrey as they showcased their multi instrumental skills and performed with such confidence and swagger that kept the crowd engaged. With cool smooth and at times husky vocals from Breen he effortlessly slid from country to rock and roll and charmed the crowd to sing along, while Loughrey’s  sweet lull and country rasp vocals portrayed her beautifully written original songs with passion and affection. However this sweet voice has power and volume and can take on some big songs as we discovered as the night progressed.
Breen and Loughrey commanded our attention with their energetic performances and friendly attitude and of course crowd pleasing songs and encouraged everyone to sing along. It became a jam session as they played songs they hadn’t rehearsed and a bassist from the crowd decided to pick up a bass and join in. The room was bursting with talent as these fantastic musicians came together and played as if they had been playing together all their lives. Maher showed off some slick guitar solos and talent as he played everything they threw at him with such ease and confidence. This night of entertainment went on until the early hours of the morning with everyone dancing and enjoying themselves and requesting song after song.
Its a night like this that proves Ireland is full of musical talent and whether it is your style of music or not, if the artists are as engaging, energetic and skilled as in McEvoy’s Friday night you will enjoy yourself.

 

Live Music Review of The Last Shadow Puppets and support act Blossoms

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Fashion seems to be a big part of The Last Shadow Puppets act as Miles Kane and Alex Turner always show up in the most smart brightly coloured silk outfits when possible. This was true for this Thursdays show in the Olympia, Dublin. Blossoms however keep things cool and simple with their stage attire. They choose dark colours usually black with some white thrown in to contrast which adds to their appeal.
Blossoms opened their set to the eager crowd all muttering what they think Alex or Miles will do, where they will stand what tracks they will play ect. Blossoms begin with ‘At Most A Kiss’ a synth infused indie rock track. With it’s strong bass, slick guitars and rapid20160526_200932 punchy drums it’s a fantastic start to their set. Blossoms are a band that you absolutely have to see live to really appreciate their talent as we see from this instrumentally energetic track. They give you a full bursting sound that you don’t here in the recordings. They follow with their new single ‘Getaway’ which as we hoped in our review of this track earlier this year was amazing live, once again they gave us a new more voluminous sound and dimension to this smooth indie pop track giving it a edge and bite. Blossoms fly straight into ‘Across The Moor’ as the crowd enjoy it’s sleek seductive style with bouncy funky beats and flirtatious bass. It’s 20160526_200928_001irresistible keyboard melody has everyone bouncing and swaying. They slow things down with ‘My Favourite Room’ before they blast into ‘Blown Rose’ followed by the crowd favourite ‘Charlemagne’, with very little speech between tracks. Blossoms let their music do the talking, while their cool, calm persona radiates and gives them that attractive feature that draws the crowd in and makes them listen attentively. They conclude their set with the dynamic ‘Blow’ this song is full of swagger with enticing psychedelic guitars and strong alluring bass. This song performed live commands your body to dance and leaves the crowd wanting more. An excellent warm up and a strong act for The Last Shadow Puppets to follow.
The Last Shadow Puppets strut onto the stage Alex in a smart blue suit that only he can pull off and Miles in a golden yellow silk shirt that glows and shimmers with every movement. They begin with the melodic ‘Miracle Aligner’ as their adoring fans serenade them with their own lyrics. Turner struts about the stage with a 50s/ 60s style 20160526_210618 of stage performance. We see a fresh more playful side to Turner as he interacts with the crowd and his partner in crime Miles Kane. They perform some beloved songs from their first album which obviously are a big hit with the crowd as they watch Kane and Turner perform in a theatrical manner full of hip thrusts and guitar poses. Both are pros at performing and command the stage and captivate their audience as they perform. Nothing can put them off their stride not a lead coming out of a guitar while playing or a mic falling off its stand while Turner is singing. Turner simply carries on with or without them. The show is full of dynamic playful energy. They surprise us with ‘Is This What You Wanted’ a 20160526_212038Leonard Cohen cover in which Turner sings the verse while Kane’s strong vocals take on the chorus. They return for an encore of ‘Meeting Place’ ,’The Dream Synopsis’ and of course ‘I Want You (She’s So Heavy)’ The Beatles cover which gives the crowd an explosive ending as we are presented with a full heavy instrumental end of pounding drums screeching guitars and insane synth sounds. It’s definitely a show I’m glad we didn’t miss as it was a refreshing change to see such a fun light hearted show that was bursting with fantastic music from the much loved duo.

Live Music Review of Anna-Liese supported by Beautiful Corruption

 

We headed down to Brewery Corner Kilkenny, a lovely vintage style pub in Parliament Street, Kilkenny. The outside of this little blue building will be forever imprinted in my mind as we spent a good half hour going round and round passing the venue each time, trying to find parking as its a little scarce when its raining. Once inside this charming pub we found lovely helpful staff amazing pizza and fantastic music! Also they have the best range of craft beers and ciders on draught in Ireland, as well as a huge selection of international craft beers and whiskeys, and specially selected wines, or so I’m told. But that is not why we are here, its Anna – Liese’s  EP launch.
Support came from Beautiful Corruption which is a band Indie Buddie is no stranger to. We have written features on their live shows before and this one didn’t disappoint. Even though the boys had done a show the previous night they were a bit tired but still bursting with energy. Showcasing their signature style of infectious riffs and mosh worthy tracks. They gave us a sneak peak of some new tracks which were amazing live. Finishing with ‘Snakes and Ladders’ as frontman Oisín Wolfe descends into the crowd for the 20160521_224651massive final track. As usual a strong performance from Beautiful Corruption.
After a short intermission filled with tuning and setting up while the crowd topped up their drinks Anna- Liese take the stage. Beginning with the massive fast tempo ‘Break The Chain’ with its heavy guitar riff it gets the crowd moving, followed by ‘Pyscho Mask’ an upbeat funky beat that is infectious and sounds amazing and fresh live. Watching these guys play you really get a sense of their musical talent, all members of the band have a strong understanding of their instruments and a tight relationship on stage. They take us through some melodic tunes which have the crowd swaying along to  tracks like ‘Storm’ with its smooth airy drive time vibe. Finishing with two dynamic rock tracks.’Green’ which is a crowd favourite, its a proper mosh pit tune20160521_232111 with slick guitars and pounding drums followed finally by ‘Chasing and Fading’ the EP’s title track which is a riff based track that is infectious and trance like. They build to a heavy end with a strong final note, that leaves the crowd wanting more. After a little persuasion Anna – Liese play two more songs before finishing as the crowd begin a frenzy of dancing moshing and pushing. A strong way to end a brilliant gig.

Live Music Review of Catfish and The Bottlemen and The Crookes

 

We headed out to the Olympia early to get a feel of the atmosphere and see what the fans of Catfish and The Bottlemen  were thinking and expecting after the year long wait for the Indie bands return. One obvious change was of course that the show last year was 18s and over and this year I found myself walking along a queue of fresh young faces (most of those I asked told me they were 16 and 17 years old) all eager and excited, some of them had been sitting there since 6 am! just to see a glimpse of the band. When finally they do see them the screams and frenzy caused by their arrival was immense. The band entered the venue in twos separated by about an hour or so. Van, being the last to enter the venue stopped to take pictures with his adoring fans. When finally that was over everyone resumed their positions in the queue to reflect and to my surprise cry with joy.

The support act came from The Crookes who gave an amazing energetic performance that loosened up the stiff hips from the long wait in the queue and impressed the crowd for their first gig in Ireland. With bouncing tunes and the bright lustrous guitars in ‘After20160517_134140 Glow’ and the infectious upbeat ‘The World Is Waiting’ that had everyone bopping along as frontman George Waite performed with an Elvis Costello swagger and energy. Every song followed smoothly and went down a treat with the audience.  They swayed and danced perfectly contented with the beaming radiant tunes as they joined  in with the “crowd friendly” clapping bridge of ‘Backstreet Lovers’. Their new track ‘Real Life’ went down particularly well with the crowd. The girl beside me turned to her friend and yelled “Oh my god I love these guys!” I wouldn’t be surprised if they have a strong Irish following after Monday nights performance.
After a brief intermission Catfish and The Bottlemen explode onto the stage with flashing lights and full of energy as adoring fans scream. While they blast into ‘Rango’ frontman  Van McCann shows of his confidence and swagger with every guitar pose and strut. Everyone is in awe of this larger than life character. Not even a trip over a guitar lead can take him off his stride. The performance is well rehearsed with dramatic strobe lighting that excites the crowd and draws them into every beat and strum. They hold everyone’s attention from the energetic’Homesick’ and frantic ’26’ to the acoustic ‘Hourglass’ and with one command get everyone in the balcony up jumping and dancing. The fans bellow out the lyrics as McCann stands back to hear his fans serenade him. To which he humbly thanks them, reminding us of the down to earth sweet guys we met last year. They blast back into some huge tunes and give us a sneak peak at tracks on their  forthcoming album, before finishing as they did last year with the fiery ‘Tyrants’ that ends the show on an explosive note leaving everyone wanting more.
Catfish and The Bottlemen have evolved immensely since we saw them last year at the Academy. The gig at the Academy was savage, it had a raw, fresh atmosphere. You could tell Catfish and the Bottlemen were  “diamonds in the rough” as they brought something different and exciting to the indie scene. One year on we see them more polished and rehearsed but still energetic and arena worthy. McCann has developed a frontman swagger that captivates the crowd. This it definitely a band that will stand the test of time.

 

 

Gig Review of Beautiful Corruption and Brand New Dead Things

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When Entering the quiet little pub of Eddie Murphys in Thomastown you expect, by its cosy old fashioned make up, that you would be settling down for a nice quiet drink, but Eddie Murphys had other plans. If you pass through the charming room and head outside to the back, passed “Le Bog Pour Les Femmes”you find a building with a good fashioned rock and roll vibe with wooden benches and tables where bands can make as much noise as they want and this is where we found our Alternative Rock band Beautiful Corruption and their support act Brand New Dead Things.

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Dublin’s Brand New Dead Things kicked things off with melodic groovy sounds and strong riff based tunes. Maurice Ramsbottom (Guitars/Vocals), Dec Clarke (Drums) and Aaron Grimes (Bass/Vocals) gave us a diverse energetic set with polished sleek base riffs, robust drums and zealous guitar.Their array of tracks showed off Ramsbottom’s strong vocals as he slid into falsetto effortlessly. There was no shortage of humour either from these guys which kept the crowd entertained while they were tuning and blowing their nose. Brand New Dead things are a fun energetic band with serious skill. Looking forward to their new tracks to come
Beautiful Corruption waisted no time in following. From the first song they exuded energy. The Kilkenny band Oisín Wolfe (Lead Vocals/Rhythm Guitar) , James Brown (Lead Guitar/Backing Vocals), Rory Cooper (Bass) and Simon Cooke (Drums) started with ‘Leather’ a solid riff based song to get everyone pumped, followed by an impeccably rehearsed set that was still a fresh performance from the boys. Half way through the set they do a crowd pleasing cover of wolf Alice’ Moaning Lisa smile’ The second half of the set explodes into frantic head banging tracks with slick nimble guitar as Wolfe coaxes the crowd to their feet to dance and mosh (even a guy on crutches gets up to join in) The set comes to an end with the band giving a final burst of energy on their final song of the night.