Tag Archives: psychedelic

Flashes ‘The Upset’

Hailing from the deepest darkest Cornwall, UK band Flashes have released their new single ‘The Upset’. Consisting of members Jim (vocals/guitar), Peasy (guitar/laptop), Dan (guitar) and Graham (bass), Flashes have released 2 albums (Latency and Flashes) and a handful of one-off singles, receiving coverage from Consequence of Sound, Thought Catalog, Amazing Radio and BBC Radio 1.
New single ‘The Upset’ is a hypnotic psyched-out tale of perceived reality recorded in a run-down 19th century chapel where some of the band live. Its woozy dark pop at its best with a thick sticky beat the track oozes and glops surrounded by hazy dizzy psychedelia. Saturated in eerie shadowy tones teamed with haunting whispered vocals the track lures you into a wispy swirling dark abyss. The elastic luring bass adds a sensual quality to the trippy opaque track. The guitar glistens with sharp sparkles through the murky exterior of the track as it churns and sways around revealing light little melodic guitar glimmers. ‘The Upset’ is spine chilling and hair raisingly superb, a must listen.
Stream ‘The Upset’ below

https://soundcloud.com/flashesband/the-upset

The Good Water ‘Mansaid’

Birmingham-based garage-psych-rockers The Good Water have released their new single ‘Mansaid’. The track comes hot on the heels of their previous single ‘See Your Light’ which received airplay with Steve Lamacq, Mary-Anne Hobbes and Shaun Keaveny at BBC 6Music as well as tastemakers at Amazing Radio and influential LA stations KROQ and Indie 1031). Since forming in early 2015, The Good Water have been busy. The boys quickly picked up loyal support from Brum Radio with their drone-rock debut single ‘Everything Is’,  They have gained new fans at raucous shows around the Midlands and blew away audiences supporting Mercury Rev, Super Furry Animals and Bill Ryder-Jones at Lunar Festival. The duo’s brand of psychedelic rock grooves, obscure lyrics and nimble riffs is streamlined into tight garage-pop frameworks and press has been quick to spot their talents, with rave reviews from Soundsphere Magazine, Ear To The Ground Music, Slap Magazine, Diamond Deposits, Born Music Online and Mytacism Music amongst many others.
‘Mansaid’ is red hot fiery garage rock smothered in a gritty fuzzed mind trip of psych-pop. Its a strutting frantic rush of effortless cool puzzlement that exudes swagger and blistering slick flamboyance. Blazing riffs give the track a scorching intensity while the psychedelic pop harmonies soothe and cool the track down before it kicks into the shredding frenzied mosh worthy chorus. With verses that glide in with liquid fluidity backed by feverish flaming guitar riffs and a driving punch on drums its insanely addictive. These guys are ones to watch.

Stream ‘Mansaid’ below

The 220 Project ‘Between Two Points of Light’

The 220 Project have recently announced the release of their futuristic nine track album ‘Between Two Points of Light’. This will be the electronic duo’s second release, after productions from their first EP, ‘The Lost Particles’, received critical acclaim from ‘Getintothis’. Hailing from Bristol and Dorset, the duo have been producing music together for a number of years. This particular album was inspired by the pairs interest in space travel and science fiction which can be heard in the futuristic and ambient sounds throughout the album.
‘Between Two Points of Light’ is nine tracks of galactic futuristic psychedelic vibes. Its calm placid spacey electronics place you in a state of daze and gentle dizzy bewilderment. Deep warm basslines add texture and grounding to the hypnotic album while soft rapid beats flash like delicate laser lights giving you a blurry narcotic trip. Using a mix of analogue and digital hardware to create a bass heavy mix of psychedelic ambient techno dub featuring 303 squelches and layered synths backed up by thudding kick drums The 220 Project take you on a journey of mind boggling science fiction.
Influenced by groups such as Leftfield and System 7, the duo describe how they developed their sound,

“We’ve developed our sound, being inspired by different artists and styles of music and making something that we wanted to listen to that combined trance, acid and dub elements.”
The album ‘Between Two Points of Light’ is set to be released on 10th March 2017 and will be available via all major media providers. More information on the group can be found on their social media pages or on their official website here

Facebook https://www.facebook.com/the220project/?hc_ref=SEARCH&fref=nf

Soudcloud https://soundcloud.com/the220project

Website https://www.220project.com/

 

Eugene Twist ‘Stuntman’

Scottish artist, Eugene Twist is back with his newest single ‘Stuntman’ from his highly-anticipated album of the same name. With a lyrical arena that boasts whistleblowers, extraterrestrials and self-consuming psychonauts, Scotland’s Eugene Twist is not your everyday songwriter. After two years in the musical wilderness, his second album ‘The Stuntman’ has arrived on the back of one mission, to let the storyteller run riot inside the song. Taking time to build a makeshift studio and learning how to record and mix allowed Eugene time to breathe with his arrangements.
‘Stuntman’ is a trippy funky flex of cool swagger teamed with dark bewilderment. With a slippery sway of greasy fluidity this track exudes panache with a hit of sleazy thrown in. The charming spoken vocals add a punk vibe to the verse as they flicker with shards of detest while they become velvety smooth for the chorus adding a luring melty quality. The slick shredding guitar adds a glossy enticing allurement before it builds into a distortion of psychedelic wobbly opiate perplexity. The deep elastic bass adds a tone of seduction and bewitchment that gives the track a fluid abstruse structure. ‘Stuntman’ is a shimmy and a sway of fun cloaked in darkened eerie danger that creeps with chilling mystery.
Watch the video for ‘Stuntman’ below

Val Cale ‘Docile’

Val Cale are a four piece psyche-blues band from Leeds. The band has quickly made progress through the Leeds city gig scene, and are gaining a reputation for enthralling, atmospheric and groovy live performances. Band members Tom Lister (Lead Vocals / Lead Guitar), Henry Smith (Rhythm Guitar / Backing Vocals), Shafiq Dufrene (Bass Guitar / Keys / Backing Vocals) and Sam Hamer ( Drums / Backing Vocals) have released their new track ‘Docile’ the fifth track from their upcoming EP ‘Black Stuff’ which will be released on the 1st February. ‘Docile’ is a dark eerie swirling mixture of thick sticky tar that lures you into its grip until you are stuck tight in its grasp. Raspy vocals coax with soft velvety textures while the seductive guitar licks entice like bait guiding you gently into the intoxicating psychedelic sound. Deep rooted bass slaps with a sensual slick quality adding a dark mysterious vibe to the track that is goosebump evoking.
You can download the EP ‘Black Stuff’ from 1st February at http://valcale.bandcamp.com/
Stream ‘Docile’ below

The Fin.’Through The Deep’ Remix EP

Japanese masters of shimmering ethereal pop, The Fin. have announced an exclusive remix EP, featuring versions remixed by The Field, Ten Fé and All We Are. The ‘Through The Deep’ remix EP features four adventurous reworkings of tracks from their ocean-inspired dream-pop nugget ‘Through The Deep’ which was released in the summer. The remix EP will also serve as a key component of the launch of Spotify in Japan. Hailing from the vibrant Japanese port city of Kobe, The Fin. elected to temporarily relocate to England’s equally bustling capital in autumn 2016 to explore the impact that life in London might bring to bear on their new material. Having signed to Lost In The Manor Records the previous year, the band’s growing renown on these shores has led to a surge of media interest and prime headline slots such as this year’s Great Escape Festival. The Fin. have performed before thousands of rapturous fans at major Japanese festivals including Fuji Rock, Rising Sun and Viva La Rock. Not content with such acclaim in one country alone, Yuto Uchino (vocals and synths), Ryosuke Odagaki (guitar), Takayasu Taguchi (bass) and Kaoru Nakazawa (drums) set their sights worldwide and in 2015 embarked on a major tour of the US, which included a performance at SXSW, before signing to Lost In The Manor and releasing their debut UK EP, ‘Night Time’.
All We Are step up to the plate first with their exceptional rework of ‘Anchorless Ship’. Guro and Luis convert the sparse funk of the original into a haunting cut of anthemic techno, upping the tempo, bottoming out the bass end and decorating the track with dissonant acid stabs. True to All We Are’s psych-disco leanings, their ‘Anchorless Ship’ evolves into a second act with a ferocious tribal edge, and psychedelic stinging acid trip that livens up the original dream pop and introduces an invitation to dance that can’t be refused.
London’s blissful electro-indie pairing Ten Fé follow next artfully crafting their mix around the melodic synth washes of The Fin.’s 60-second ‘Heat’, originally the track shimmers with a chillwave and beautiful ocean lit glittering synths. Ten Fé expand the groove via a punchy bassline set to a motorik pulse, adding a kick and edge to the track. Phasing the original sine-wave oscillations and warping frontman Yuto’s vocal into an alien drawl. This singular piece of extra-terrestrial kraut-funk builds to a euphoric climax, as horn stabs and sustained harmonics add colour to an irresistible clubland vibe.
Stockholm-born, Berlin-based ambient techno producer Axel Willner, aka The Field, transcends the rapturous dream-pop of the EP’s title track ‘Through The Deep ‘ with an extraordinary 12-minute canvas of electro-minimalism. A hypnotic raga for our time, ‘Through The Deep’ here becomes an unusual jewel of rich, breathy experimentalism, almost imperceptibly peaking and trudging along luring and drawing you onto its mesmerising sonic path.
Finally ‘White Breath’ a remix by The Fin.’s vocalist Yuto Uchino takes us to the end of our psychedelic trance with soft electronic waves weaving and swirling in a blissful mind-bending kaleidoscope. Removing the delicate vocals of the original and becoming completely consumed in thick electronic experimental psychedelia. Beautiful warm tones on guitar give us a strong melody to hold onto keeping us afloat from the pulling and swirling abyss of the track.
The ‘Through The Deep’ remix EP is a Pandora box delight, full of mesmerising waves of synths interweaving and washing with acid elements and sonic depths with reverb weighty guitars on top of blissful melodies. The guys did a fantastic job with the remixes however I will say check out the originals first, you will fall in love with them and will only then appreciate the true talent of The Fin. and the effort and craft that went into creating the remixes.

Stream both the original and the ‘Through The Deep’ remix EP below

Worth A Listen

Our Worth A Listen Track This Week Comes From Temples

Psychedelic indie rock band Temples have made their triumphant return with their new single ‘Certainty’. This is their first new music since 2014’s Sun Structures. The single was produced by frontman James Bagshaw and is taken from their much anticipated second album ‘Volcano’ which will be released on Friday 3rd March, 2017. ‘Certainty’ features a floaty “castles in the air” dreamlike vibe smothered in a playful feathery light harmonious melody. Sweet honeyed vocals soothe and coax you down a path of dancing toys and joyous shimmering synths. With darkened eerie and unsettling undertones, Temples give you that candy coated flighty euphoria with a darkened twist. Fuzzed guitar lines and thumping bass adds a bite and edge to this syrupy trip. The infectious melody and elevated sugar rush keeps you craving more and more of this fantastically composed track.
Watch the video for ‘Certainty’ below

The Grey Merchant ‘Spotless’

the-grey-merchant

The Grey Merchant are an alternative indie band from Cork. Their debut single ‘Spotless’ is set for release via Demeanour Records on November 8th. The Grey Merchant introduce us to their swirling concoction of psychedelic experimental rock that will blow your mind. Its a labyrinth of pulsating bass and distorted guitars swirling in an intoxicating brew of hallucinatory narcotic rock. This thick ecstasy of eye- popping exhilarating psychedelia resounds and winds around a vocal line sampled from Charlie Chaplin’s speech from ‘The Great Dictator’. With rapid punch and repetitive striking drums ‘Spotless’ lures you into a darkened  hair- raisingly thrilling atmosphere where there is no returning. Once you let yourself succumb to the crisp edgy sting and moody undertone you become swallowed and consumed in the tireless relentless onslaught of the meandering entwining coil of The Grey Merchant’s unique and fantastic masterpiece. These guys are ones to watch.
Stream ‘Spotless’ below

 

Worth A Listen

Our Worth A Listen Track This Week Comes From Hidden Charms

London band Hidden Charms have released their new single ‘I Just Wanna Be Left Alone’ ahead of their forthcoming EP ‘Harder From Here’, which is set for release on October 28th, the band consists of members Vincent Davies (singer, guitarist & bassist), Ranald Macdonald (co-singer, keyboardist, guitarist & bassist), Josh Lewis (guitarist & bassist) and Oscar Robertson (drummer). The four piece have scored support slots for the likes of Hanni El Khatib and Yak, a four-week NME Koko residency and radio airtime from Zane Lowe, Annie Mac and Huw Stephens. They have generated a mass of attention from successful slots at Kendal Calling, The Great Escape and the iconic Isle of Wight Festival. We previously featured their single ‘Cannonball’ on Indie Buddie and were extremely excited and eager to hear their new single.
‘I Just Wanna Be Left Alone’ is a hallucinatory rumble of spine chilling neurosis encased and composed in cool strutting swagger. Enduring smooth vocals repeat the chorus, engrossing and consuming you into a maze of intense claustrophobia. The rapid rumbling drums adds a thick gooey humid effect as the spin of psychedelic razor sharp guitar riffs give this track a sultry sensual luring quality while adding an eerie sting. The elastic slap bass gives that strutting prance, stride and groove keeping an upbeat charm and flaunt. Its an infectiously hypnotic and catchy track that creeps up behind and seeps into your brain replaying when you least expect it.
Stream ‘I Just Wanna Be Left Alone’ below

Worth A Listen

Our Worth A Listen This Week is Mini Mansions ‘Flashbacks’ 

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Los Angeles’ finest Mini Mansions have released a collection of unreleased/unheard B-Side tracks entitled ‘Flashbacks’. This follows their critically acclaimed second album ‘The Great Pretenders’ which was released in 2015. The trio , vocals and drummer Michael Shuman, vocals and keyboardist Tyler Parkford, bassist and multi instrumentalist Zachary Dawes have compiled a collection of nine ravishing tracks that smash all boundaries. We couldn’t choose just one track for our worth a listen but then, why would you choose one when their are nine spine tingling beauties.
‘Flashbacks’ kicks things off with ‘Drive’ a snappy quick step luscious track with Dawes’ fuzzed bass giving an ecstatic bounce. Parkford’s sweet delicate vocals introduces the nectarous melody with Shuman’s backing vocals adding a lush heavenly texture. The fluidity of this track makes it so easy on the ears and soothing with sugar coated sparkle. Building into heavier fuzzed rock instrumentation Mini Mansions introduce us to their gritty glam rock sprinkled with a smooth mouthwatering sweet 60s texture. With the sudden change to deep bass vocals by Shuman a warm mellow tone is added to the rich mix. ‘Drive’ knocks it out of the park and hooks you into the trio’s unique dreamy world of psychedelia and rock.‘Bored To Death’ coos and lulls into a gentle slow dance. With raspy vocals and tender lyrics teamed with elegant keys and dexterous chord progression creating a catchy soothing track that stops time, stilling everything around except for the beautiful melody. Lush harmony and gently sorrowful tones add purity and elegance. The track builds in intensity as a heartbroken tone takes over with heavy rhythm. The sweetened sting on guitar with soft piano and a light beat plays the track out with echoing gingerly soft repetitive vocals.
‘Ticket For One’ illuminates with a bright melody and multi-textures. The infectious slap whack beat combined with nimble keys and Dawes’ sharp elastic bass giving the track a rubber ball rebound effect. The call and response vocals between soft Parkford and deep Shuman as they interact with syrupy smooth melodies that will give you “stuck song syndrome”. Leading effortlessly and perfectly into ‘Ticket For Two’ a witty bouncy track with the catchy and almost “dollish” twinkle piano effect. Adding a catchy “clap clap” effect and steady striking bass ‘Ticket for two’ is a “tour de force” as it pulls similarities from ‘Ticket For One’ while developing a distinctive sound. Of course there is no great genius without a mixture of madness especially where Mini Mansions are concerned as they lead us into a frenzy of heavy manical moshing to end this fantastic track.
‘Fiona’ which we previously featured on Indie Buddie has a darkened dreamy tone and swoon-like atmosphere coated in hazy psychedelia. Once again Parkford and Shuman share vocals as they weave and intertwine melodies with warm seductive textures. The drums exude an oomph and panache to start and then seduce and coax when teamed with the smooth velvety vocals. They build into a sweep and bluster for the intense massive crescendo before the tone slows to a soft gentle echo finish.
‘Shape Recorder‘ has a spooky Halloween party track feeling to start with the peppy organ. The track maintains a sneaky eerie tone with psychedelic fuzz and heavy daunting instrumentation. Its a swirling confusion of blurry haunting fun and dangerous shady obscurity. The intensity of the track fades to a sweet soft vocal with lush harmonies before a final burst of instrumentation.
‘Valet’ is our taste of sensual reggae with Hendrix- esque guitar to start. This body grooving track is effortlessly cool and sleek and shows Mini Mansions in a new light. Its a sit back and bop to the music feel good tasteful track. Shuman’s warm deep vocals contrasting with Parkford’s candied falsetto towards the end adds a charming multi dimension. Exuding fiery strutting swagger with a captivating stride and flaunt this track is magnetic and tantalising.
‘Little Al Capone’ begins with a strong “digging” labour intensive beat and bass vocals adding grounding and depth. The track builds into a theatrical quick passed track with rapid beat and sprightly piano. Tight harmony on vocals and a vibrant dynamism and oomph instrumentation add passion and slappy elasticity. The track sounds like it could have been taken from a scene from a musical where the actors are hard at work, slogging through the daily grindstone.
‘Shadow’ completes our musical journey with the mysterious Mini Mansions in a sombre nostalgic tone. Its labyrinth of interweaving textures meandering through a delicate tender melody and heavenly sweet lavish vocals give this track opulent textures and diversity. The dreamy Utopian wistfulness and visionary fantasy set to swirling rapid beat and whine on guitars in a sway – like motion gives this track an abstracted feeling, like it was all a dream.
Mini Mansions are like a fine wine maturing and coming into their own. ‘Flashbacks’ could have been an album as each track opens your mind to their unique classy musicianship as they guide you into a journey of fantasy and rich textures unwinding your mind and unravelling your senses.

You can buy ‘Flashbacks’ and other Mini Mansions goodies here  http://www.pledgemusic.com/projects/mini-mansions/exclusives

Watch the video for Fiona below