A Chat With : Lucy Gaffney

I caught up with Lucy Gaffney. We talked about how she became comfortable as a solo artist, her inspirations and how she wrote and recorded her new single ‘Send Me Away’.

Hailing from Belfast, the now Liverpool based, Irish songwriter has released her new single ‘Send Me Away’, via Frictionless Music.The track was produced by The Coral’s James Skelly, positioning her as a rising artist in the fertile Northern English indie scene. Featuring on the track alongside Lucy is Thom Southern (Electric Guitar, Bass) and Jim Sharrock(Drums).

“The reaction has been amazing, the radio play as well there’s been so much support from radio stations.I only released my first single, back a couple of months ago, and I’m obviously a brand new artist. So coming out with the second single, I wasn’t sure how it was going to play out because for me it’s more of a lo fi track, but everyone seems to be loving it and there’s RTE behind it and Steve Lamacq on BBC Radio 6 played it the other day so I’m so chuffed about that as well. So yeah, it’s great.”

The track has a heavier sound with fuzzy guitar, psychedelic soundscapes and dream-pop melodies which is quite different to the sound of Lucy’s other projects Southern and MMODE.

“Well what happened was I was coming out of, one of the previous bands, and I was on tour with The Coral at the time. James Skelly produces a lot of bands and he was just watching us live, you know every night and he said ‘you guys are great, would you ever want to get into the recording studio’. So it was just kind of a natural thing and we didn’t really have any expectations. It just felt right for me to be doing my songs that I’ve had on the shelf for ages and he was really into the vibe that we were getting, it was kind of like Krautrock, kind of shoegaze. Thom, who was in the previous band with me, my brother he creates a lot of guitar sounds and I would write a lot of my melodies on top of that, probably, almost the same way like The Stone Roses would work. It’s very melody orientated with elements of deadpan vocals and a lot of reverb and things. So that’s really what I’m into, and the sound really just developed after doing those two tracks in Parr Street with James so I’ve had them ready to go since last summer.”

“I was just taking the time to do gigs, I went on tour with Bill Ryder-Jones and that was a great learning experience for me because it was the first time I was solo performer, without a band or anything so working with him as well on that tour, gave me that kind of, I don’t know full roundedness that I have in my vision for the music that I do. So yeah, the songs are coming across really well and it’s just a shame I can’t gig them. “

Doing shows on your own can be difficult when you are used to having a band with you. I wondered if the solo transition was daunting.

“Definitely, yeah for sure because it was my first, I had done gigs just kind of one off gigs. My first gig was actually supporting the DMA’s in Belfast which was an amazing first gig and yeah I was super nervous. It’s more the build up to it that you’re nervous about and then when you’re on stage it just comes so naturally, because that’s what you’re good at, and on tour with Bill (Ryder- Jones) was more about learning how to engage the audience and finding your place on stage in terms of, do you want to give a lot of yourself away to the audience, because Bill in particular, he is almost like a comedian on stage. In between the songs he’s telling tales and I’m not really like that you know naturally I’m probably a little bit more of an introvert and I wouldn’t want to give too much of myself away but yeah, so just finding that balance.”

“It was definitely daunting to begin with but it’s like anything, you know, practice makes perfect. Since being in lockdown it’s weird because doing the live gigs online has been really beneficial for me, because I think it’s more daunting to play a gig online for people than it is in real life. I mean it’s like doing faceTime with someone and the camera you have to get your camera angles right and you know there’s all that flack and you’re always worrying is the signal gonna go mid set, whereas live, the freedom that you have to play live is just amazing there’s nothing like it. So yeah, I’m definitely missing that but I’m hoping next year we’ll have some socially distant gigs.”

In her solo career so far, Lucy has already had acclaim from Liam Gallagher (who called her music ‘celestial’), a collaboration with DMA’s and tours with Bill Ryder Jones and She Drew The Gun with support on Radio from BBC Radio 1, as well as BBC Introducing Merseyside and BBC Introducing Ulster. 

“ I’m just launching literally and if anyone tells me they like my song I’m glowing after it. Whatever you get in response to your track it’s just nice for it to resonate with people. I put out the cover of Oasis and I don’t normally do covers but I happen to really like the song ‘Songbird’, by Oasis and obviously, Liam Gallagher is very influenced by John Lennon, and the Beatles and I’ve always been really influenced by, The Beatles and their songwriting and John Lennon in particular, so that’s obviously why I like that song, but I put it up on Twitter and in the few hours it had gone viral and Liam Gallagher caught wind of it and commented on it. So yeah, it’s just amazing, it is mad how the internet works.”

The music industry has changed a lot with streaming and social media and Lucy has managed to keep on top of her social media by putting out a lot of content during lockdown to keep her fans engaged. This is a task artists can find difficult with pressure of finding visually appealing settings etc.

“Yeah definitely, it’s a job in any sense having to do that kind of thing and it’s been a learning curve for a lot of musicians, trying to come to terms with the fact that the only way we can promote ourselves is online. I am a bit of a technophobe, apart from posting photos and stuff and tweets, I would never have been going live on my phone. But you do get the hang of it and it is really nice you know when people tune in and people are lovely. I’ve never had anyone say anything bad, I’ve always had really nice feedback during the gigs and everyone was being really supportive and people love it. In fact the only thing for me that I don’t have at the minute is any merch and a lot of people say to me, do you have any vinyl things since the songs have come out but obviously it’s early days for me so I’ve not had them made”

“The whole experience I think has been really beneficial for me, in particular, as an artist. I think for bands that were touring a lot before the lockdown happened it’s been hard for them. It’s funny and it’s something I have talked to, my friends who are musicians. It’s almost put the power back into the artists hand, and it’s taken a bit of the, I don’t know, control maybe away from the record labels, I mean social media was doing that anyway.  Even my friend who plays drums for me, he is promoting himself online and he gets such a great reaction, people love it. It’s so interesting, even for me, to be able to watch someone online who I admire. I was able to see Beck, who is a bit of a recluse, you know he was never really sitting online chatting and I’ve looked up interviews of him from the 90s and things and there’s so few and to watch him sitting in his living room playing live has been such a novelty. So yeah, it has definitely been a game changer for musicians, I think. “

Lucy’s voice is beautifully sweet over the bubbling instrumentation in ‘Send Me Away’, it creates a lulling sense of calm. I wondered was she always a confident singer

“I definitely wasn’t, just because of my background. As a kid, I sang in the school choir and I was really into female singer songwriters. Like any young girl when I was seven or eight Avril Lavigne was my inspiration and so it was always in my mind to be a songwriter and sing. But because the way I started was in a duo, I started busking with my brother and we were really based around harmonies, so I sang alongside someone else for years, so it does take mental strength to work up the ability to do it completely alone. It’s always a learning experience throughout your musical career to do anything, for example I play a lot of piano, but I’ve never played it live so imagine if I was to have to do it I’d probably be nervous because it’s not something I’ve tried before. But I think now I’m definitely a confident singer, I could sing to anybody on the street I don’t mind.”

“I think it always depends on each song really but my influences in the last few years were bands like the Cocteau Twins and Mazzy Star, so, I was always into that kind of soft, you know, sultry vocal and I love a deadpan vocal. I love Grian Chatten’s voice in Fontaine’s DC. I love how he sings, I love that kind of laziness to it, and even in the last few months I’ve really been listening to a lot more of Courtney Barnett, Kurt Vile and that. That is just my kind of vibe, so I think towards next year the songs are going to be maybe less shoegaze, and more, I don’t know, you’ll hear more of my voice, to an extent. Yeah and I’ve definitely got a lot more new material since the lockdown happened. I’m actually working with a couple of producers at the minute for next year. I can’t really say who but the new songs for me are miles ahead of what I’ve done before. It’s gonna be really exciting to put them out, so I’m really looking forward to next year, to be honest.”

So what advice would Lucy have for anyone who wants to start a career in music or as a songwriter.

“ My advice, just from my experiences…You can only ever be yourself in your songwriting. I never liked it when I see someone who’s just regurgitating other artists. I can understand having an influence but I think it’s never good to just rip other artists off, and I think it doesn’t necessarily have longevity. So I think always working at your craft and always having a passion for it, it’s probably the same with any art form. But definitely being honest and making sure you actually like the songs you’re putting out because, I mean, I have spent years putting out things because I think it would fit, it would be something that people would want to hear rather than if it was something that I’d want to hear myself. And I think I’m at a position now after a couple of years of working my craft to know that if I love my song, that’s all I care about.”

Lucy has some exciting plans for the coming months and next year with lots of amazing tunes for us to indulge in

“ So I’m promoting ‘Send Me Away’ at the minute but hopefully I’ll be in a recording studio over in England in a couple of weeks, doing the third and fourth singles and they should maybe out by December or next year. I also have way more recordings and I’m booking in gigs and stuff at the minute for Ireland next year so if everything goes ahead hopefully, you know, lots of tours and lots more music.”

Lucy Gaffney is a compelling artist and talented songwriter, showing strong personal musical growth from her days in Southern and MMode. ‘Send Me Away’ is just a glimpse into her musical prowess and songwriting capabilities. It’s an immersing track laced in rich textures and lush instrumentation which hooks the listener from the start. I’m looking forward to hearing more from Lucy Gaffney in the future.

Stream ‘Send Me Away’ below

Author : Danu