NTHN is set to release his debut album ‘Delta’ on September 14th. Artist and producer from the North West, England, NTHN draws from hip hop and emo rap. Composing and sampling dark and ambient atmospheric sounds inspired by metal and emo genres, NTHN is inspired by his immediate surroundings and is using his music to break down the stigma surrounding men’s mental health and displays of vulnerability. A self-taught producer, he started out as purely instrumental but has begun to bring in his own vocals as he becomes more confident in his sound.
Using atmospheric soundscapes, emotive lyrics and a skillful blend of genres, ‘Delta’ displays NTHN’s intricate and emotive songwriting. The album is a candid and therapeutic exploration into the artist’s own journey with mental health expressed through swirling electronics, heavy beats and cinematic soundscapes. Strong synths create a seamless pulsing current between each track, this is most evident between the icy ‘Alone’ and ethereal ‘Enough’.
NTHN ventures from auto tune to smooth vocal lines with sombre-toned melodies throughout. ‘Conflicted’ is the most heavy and R&B focused track on the album with pining stings haunting the background of this dark, smothered, claustrophobic track while the R&B embellished ‘Sustained’ takes the role of the most pop track on the album.
NTHN’s tender songwriting and ability to compose smooth melodies blended with airy electronics and ethereal soundscapes creates a well crafted, engaging listening experience.
Written, recorded and produced by himself, NTHN explains the process as cathartic, allowing him to accept the many facets of his identity. Wanting to break the stigma surrounding mental health, particularly men’s mental health, ‘Delta’ is structured in three distinct phases; awareness, acceptance and action. The album varies in genre, with each track addressing a different aspect of his struggle with mental health. ‘Delta’ is a sublime, expressive album from NTHN and an intriguing display of musical prowess.
Wild Youth have released their new single ‘Next to You’.Already making a major impact across streaming services with pop gems like “Can’t Move On” and “Making Me Dance” racking up millions of plays, the band’s blood-pounding choruses, heart-stompingly gorgeous melodies, and deft lyricism have seen them share the stage with the likes of Mumford and Sons, Niall Horan, The Script, Kodaline and Zara Larsson on arena-sized shows.The Irish quartet is comprised of lead vocalist David Whelan, songwriter and multi-instrumentalist Conor O’Donohoe, lead guitarist Ed Porter and drummer Callum McAdam.
Steeped in funky indie pop and an 80’s pop sheen ‘Next to You’ is the glitzy new addition to Wild Youth’s charming repertoire. With a dreamy euphoric melody drifting over a bubbling backdrop the band create another foot-tapping, get up and strut delight. Shimmering guitar hooks entwine a glitter-ball soundscape of scintillating pop as this chic smooth number oozes the panache and passion Wild Youth have become known for. It’s easy to get lost in the lush intricacies of ‘Next to You’ as the track builds into a sing along delight. The band embellish and craft this track beautifully creating a light indie pop number boasting an irresistible funky bass line which will entice you to the dance floor. Wild Youth have knocked it out of the park once again.
Speaking on the track, Wild Youth shared: “Next to You’ is about an immediate connection with somebody; that overwhelming feeling of meeting “the one”, and wanting to spend every single minute by their side. Regardless of whatever that involves, you’ll literally do anything.”
Cork band The Burma have recently recorded and filmed a live 15 minute set in Windmill Lane Studios.Since the release of their first single, ‘Quicksand’, the band has gained extensive national airplay and have received over thirty thousand plays across streaming platforms. The Burma have landed support slots for acts such as The Academic , The Strypes and Delorentos and have performed at festivals such as Vantastival , Doolin Folk Fest and Whelan’s Ones to Watch.
The Live at Windmill Lane Recording Studios, Dublin set is a collection of the bands infectious well crafted tracks as they showcase their live vigor along with some slick and wonderfully melodious tunes. The lush textures within their tracks are heightened by psychedelic moments meticulously blended with sharp guitars and pummeling drums which creates a full bodied sound. The melodies these guys produce hook you from the start and of course they pack this 15 minute set with their most delicious melodies so far. ‘Phoney Personality’ and ‘Buried Alive’ would be the pinnacle moments for me however this set has something for everyone: jaunty guitars, rich rhythms and oodles of passion and energy. The Burma are an impressive live act and a band well worth checking out and adding to your playlists.
Watch the The Live at Windmill Lane Recording Studios, Dublin set below
Dublin four piece Bullet Girl have released their new single ‘Concrete Bed’.Bullet Girl are guitarist Dylan Keenan, singer Aaron Doyle, bassist Tony Keyes and drummer Noel Dempsey. Their recent shows, including a standout set at TiLT in the Button Factory for 98fm’s Totally Irish, have elevated their standing in the Dublin live scene and earned them an invitation from Aiken Promotions to support hotly tipped The Mystrines of Liverpool for their performance at Eastbound Dublin.
‘Concrete Bed’ is a thrilling taste of the raw post punk Bullet Girl do so well. With scraping sharp guitars shrilling over an abrasive bass the band create an intoxicating wall of sound which accelerates from ominous tension to frantic chaos. This fantastic build and progression is why Bullet Girl’s musical prowess is mesmerising. They mix coarse piercing soundscapes with lighter guitar shrills and ferment this concoction until it’s simmering with unadulterated red hot fury. The pounding drums bash the tracks foundation with bloodthirsty mania while the frantic vocals scream and shout over the explosive anarchy. It’s anger, aggression and disdain all set to exhilarating musicianship, to create a mosh worthy onslaught for the listener to indulge in. Lyrically the track paints a vivid image of drug culture, homelessness and modern despair in Dublin City and the band reinforce this with dizzying soundscapes and the honest, bruising yet beautiful sound that is Bullet Girl.
About the track the band says: “Musically we wanted to create a spiralling soundscape to emphasise this endless cycle. We purposely wanted to write a song that went out of its way to strip away the romanticism of Dublin. As a city, Dublin and Dubliners have a lot to celebrate but while sleeping bags lay parked outside government buildings, it’s hard for us not to feel anger for the current state of our city. We don’t pretend to offer the solution to these issues, we only want to shine a light on it by presenting it in the most unfiltered manner possible.”
Dublin-based singer/songwriter Kevin Casey has released his new Indie Rock Anthem entitled ‘Sing My Soul To Sleep’. Long standing regular in the Irish music scene, Kevin Casey has released several singles, two EPs, and a full length album since 2014. He has done two European tours and gigged extensively across the country as well as in Germany, the U.K and the USA, including two consecutive years at Electric Picnic. He is known for his raw vocals, versatile songwriting, and for keeping Irish rock and roll alive and well. The Kevin Casey band is: Paul Casey (Guitar, Piano), Neil Casey (Bass) and Ger Gallagher (Drums). “Sing My Soul To Sleep” was mixed by Gavin McCormick and mastered by Billy Farrell.
‘Sing My Soul To Sleep’ is a jaunty indie rock track boasting a chugging rhythmic bounce, sharp guitars and the dynamic songwriting of Kevin Casey. The brisk pace of the song exudes adrenaline-inducing energy while the foot tapping drums and percussion ensure the track won’t leave your head easily. This song is a full bodied vibrant track, a jazz infused piano adds retro charm while the sprightly guitars provide a raw edge and indie rock bravado. The song travels along with infectious power on a 50’s rock n’ roll wall of sound while Casey’s charismatic vocals glide effortlessly over the catchy melody and clever lyrics which point out that although the world isn’t as we knew it this time last year, we still have some of the most important elements of life still with us – Music and Fun. ‘Sing My Soul To Sleep’ is an infectious anthem that is sure to get you up and bopping.
27 year old Dubliner, Nathan Mac has released his second single ‘Carolina’.‘Carolina’ is the latest link in the chain of the ‘Start of Something Blue’ project. As the second major release, the bar has been set by the success of his first single ‘Better Off Without You’. This song hit 70,000 streams on Spotify in the first two months alone and has received acclaim internationally from the likes of ‘Buzz music LA’, and ‘The Music Nerd’.
With emotive songwriting laced in pristine ethereal synths and moving melodies, ‘Carolina’ showcases the mature, earnest and poignant musicianship of Nathan Mac. With coiling sticky beats twisting between twinkling synths ‘Carolina’ oozes a dark undertone. The song has a push and pull effect as it flows through darker elements and glimmers of bright scintillation which provide innocent moments of hope. Nathan’s smooth emotive vocals coo and tenderly whisper through the bottomless flickering soundscapes adding a contrasting sweet, velvety tone the the tracks more icy elements. The heavier beats slowly venture into EDM pop without fully committing to the genre as Nathan surges his alternative pop with emotion and passion. With reverb vocals and clean production this wistful gem is a relatable earworm ready for repeat listens. An exceptionally rich and lyrically deep second single from this promising artist.
‘Carolina’ is a song of second chances. Once again this track is an outstretched hand to anyone struggling with self-worth. Through his lyrics, Nathan explores the power of being seen by a stranger (and artist) by the name of Carolina. They met online when Nathan commissioned a portrait of his little sister. “Back then I was so low that any interaction with a stranger would add to my self-worth. The people who liked my songs or just wanted to say ‘hi’ made me feel like I had value.” Using the metaphor of an artist drawing him back into existence, Nathan set about writing this song as a thank you to Carolina, not just for the wonderful portrait, but for giving him a new sense of self.
Soda Blonde have announced their newest single ‘Love Me World’ will be released across streaming platforms on September 24th alongside the band’s first live-streamed launch show. In celebration of the single release, the band will perform an exclusive launch show to be streamed from a secret location in Ireland’s capital on September 23rd.Tickets for the show are available now through this link https://sodablonde.veeps.com/stream/events/a517ce36fc67?ffm=FFM_4e10739c3f6fff7dafe6a81f48e253d2.
The single follows the band’s second EP ‘isolation content’ released in May this year. The EP saw support from BBC Radio One’s Huw Stephens, Janice Long of BBC Radio Wales and Ireland’s biggest stations RTÉ Radio 1, Today FM and 2FM.Soda Blonde emerged from the ashes of internationally acclaimed band Little Green Cars; whose debut album saw them sky rocket to number one in the Irish album charts. The band is fronted by singer-songstress Faye O’Rourke with Adam O’Regan on keys and guitar, Donagh Seaver O’Leary on bass and Dylan Lynch on drums.
‘Love Me World’ is an enticing example of the brooding sultry musicianship of Soda Blonde. The bubbly beat coils and simmers beneath wispy synths and sumptuous funky bass grooves while luring electronics unfold into a dark, slow jam that intoxicates and intensifies with each progression. Faye O’Rourke’s luring vocals coo over the velvet-textured soundscape with passionate longing while the rippling electronics exude an eerie, sinister tone. There is a glimmer of innocence expressed by twinkling keys and lush harmonies which creates brief sweet moments within this smouldering gem. This silky chic alternative pop number is another reason to love the musical prowess of Soda Blonde.
About the track Faye O’Rourke said “Love Me World’ is a song about acknowledging the darker moments of wanting to be loved by everyone. The idea of bending to fit the zeitgeist in the pursuit of acceptance and love.'”
Bio : Together Animals are a rock band from Dublin who have recently released their second single ‘Kings and Queens’
Track: Kings and Queens
Why We Like It: It’s a passionate rock track that hits hard and stirs the soul. This band pour everything they have into this 90’s rock-splashed melancholic gem. Warm rasped vocals drift over a lamenting melody while the ethereal breezy soundscape soothes the background. The band have crafted this song superbly to create a track that is catchy, mosh worthy and hair-raising all at once.
Bio : MONOWHALES is a three-piece, alt-rock band from Toronto, Ontario, Canada
Track: All or Nothing
Why We Like It: It’s a ballsy alt pop power anthem saturated in beefy drums, shredding guitars and a dynamic stadium worthy chorus. These guys present an invigorating wall of sound ready to knock your socks off as kinetic soundscapes and gritty guitar riffs pound behind Sally Shaar’s striking authoritative rock-infused vocals. This robust belter is that attitude soaked, energizing boost we all need sometimes.
Bio : Blue Skies is the brand new single from Manchester based Singer-Songwriter Andrew Farrell
Track: Blue Skies
Why We Like It: This beautiful track exudes Farrell’s warm and soothing songwriting. With delicate guitar twinkling between light piano and soft strings the song creates a cosy heartwarming fluttery feeling. His velvety, rasped vocals ooze calming tones for the listener to indulge in as the luxurious acoustic soundscapes wisp and flow with rich sonic flourishes around the sweet uplifting melody. A joy to listen to.
Bio : After a breakthrough year in 2019 with live appearances at Eurosonic, Iceland Airwaves, Reading & Leeds and Electric Picnic, Æ MAK was deservedly named one of NPR Music’s International Breakthrough Artists for 2020. ‘Forevermorereplay’ is taken from her forthcoming ‘how to: make a kitsch pop song to show the world’ EP which will be released on 18/09/20 with one track a week being released in advance. The EP was fully written, recorded and produced by Aoife during lockdown.
Track: forevermorereplay
Why We Like It: It’s an intricately layered pop number which oozes rich rhythms and colourful soundscapes over a bubbling backdrop. This expressive number is layered with subtle percussion, tropical and intriguing sounds along with a catchy whistle refrain. The pristine retro vocals surge character into the song while the dreamy melody, lush backing vocals and inventive musicianship makes Æ MAK an artist to get excited about. Her outside the box approach and unique indie pop is utterly charming and a joy to the ears.
Bio : Nashville-based band, Nightly, have released their single, ‘summer’, with the band’s debut album, ‘Night, Love You’, set for release on October 16th via BMG Recordings. The album, comprised of 14 tracks mostly written during quarantine, will also feature tracks like ‘The Movies’ and ‘Not Like You’ as well as the break-up anthem, ‘You Should Probably Just Hang Up’.Nightly was originally formed by cousins, Jonathan Capeci and Joey Beretta, and drummer Nick Sainato. In 2010, they released their first EP, Honest, and their song “XO” earned over 10 million streams.
Track: summer
Why We Like It: It’s a sweet nostalgic alternative pop tune doused in effervescent electronics, warm guitars and sticky beats. The swirling synths create a chilled ethereal atmosphere while the bubbling and well blended elements of synth pop and indie rock create quite the consuming listening experience. With a bittersweet hazy melody caressed by velvety vocals the track captures a sense of youthful innocence and yearning while Nightly spreads lush instrumentation onto a sunkissed airy backdrop to create a glistening summer bop. ‘summer’ is a catchy gem sure to brighten anyone’s day.
Bio : Liverpool indie rock band Circa Waves have released a new single ‘Lemonade’ with Alfie Templeman.The song comes after the band released their latest album Sad Happy in March.
Track: Lemonade
Why We Like It: It’s a light indie delight as the band drizzle zesty guitar lines over a buoyant beat and warm bass groove to create a hazy summers day ditty. Kieran Shuddall and Alfie Templeman’s vocals blend smoothly as the laid back track strolls with an effortless charm and infectious melody. The vocals have a nonchalant tone as the band sing “and we’re all drinking lemonade, we thought we’d be doing something great by now”. The track builds into a charming infectious number with choir backing vocals singing lush harmonies. The sheer mellowness and honeyed tone mixed with the theme of not knowing where you want to be in life makes ‘Lemonade’ a bittersweet delight.
I caught up with Dublin singer songwriter Isaac Butler to talk about his new single ‘Change The Past’, how he brought the track which was originally written on piano to the cinematic single we hear today, his experience working with producer Philip Magee and what he has been up to during the last few months as well as his upcoming show in The Sound House.
Butler is one of the most pleasant artists to chat to; his cheery and positive outlook is infectious. We banter about past interviews I have had with him as well as living in a full house with our families over lockdown. Last time we spoke Butler told me he had many songs ready to go and he was deciding which track he was going to pick for his next release, ‘Change The Past’ came up trumps.
“ I kind of thought it was smart if I say so myself in terms of, I wish we could change the past in terms of all this kind of stuff (covid- 19) and prevent all that kind of thing.I just thought even sonically it’s moving towards where I eventually want to end up. It’s like that big anthemic band sound and I kind of touched on it with ‘Young Forever’ and with ‘Paranoid’. I took a bit of a detour which is fine, I mean, I love that song and I think it’s great and it’s opened a lot of doors…‘Change The Past’ I feel it’s just like the most kind of Isaac Butler song to date.“
Once again Butler is discussing a relatable theme in his new release. He is looking back on a relationship and thinking ‘what if I had done this differently’ and the nostalgic melody and cinematic soundscape reflect this beautifully. This sonically lush track has elements of synths and a full anthemic sound however it began much simpler
“I wrote the song on piano, so obviously there’s a bit of piano in there but the piano only features in the first verse. We’ve talked about this before, I try to write a song around a hook that people can sing. First and foremost, I write a song about something that’s important to me, but I just love the feeling in a room where you can teach something to somebody if they haven’t heard it before, and they can sing it back straight away. I’ve done it in every song pretty much to date like ‘Young Forever’ we had the chant, ‘Paranoid’ you have that funny kind of hook noise, and here again we have this big anthemic chant, and even the chorus it’s a two line chorus “I wish I could change the past. I thought we were gonna last” and in between that we have that big hook. So, I suppose, I wrote the song as a small acoustic song on a piano but the second I came up with a chorus I knew this was going to be a big sounding full band, kind of unifying people, singing along and I think it’s so relatable. I think it ties in nicely to that hook where people can sing along because people have all experienced in some way, shape or form wanting to change something in their past.”
The release comes hot on the heels of recent radio hit ‘Paranoid’ which has racked up 4.86M impressions to date and broke into the Top 50 of the Overall Airplay Chart – at the time the only self released single in not only the Top 50 but the only self release in the Top 100 – as well as climbing to 13 in the Top 20 of the Irish Airplay Charts.’
If that isn’t impressive enough, Paranoid was also chosen as ‘Song of the Week’ on 2FM’s Breakfast with Doireann and Eoghan and as the Select Irish ‘Track of the Month’ for June. Last time I spoke with Butler, he had just released ‘Paranoid’ and he was wondering how well the song would do and how long it would be before it would take off but it was pretty quick to get recognition. I wondered did that give him comfort with the release of ‘Change The Past’ or did he feel just as nervous.
“ For sure, yeah. It’s funny because it should really bring comfort but I mean they are so different and obviously for me it’s all about the stories I tell because they’re all personal stories and the vocal, so it’s always going to be a consistent Isaac Butler sound because of the vocal and because of those themes that I write about. Production wise we went on a completely different direction, so it was like okay, ‘Paranoid’ has open loads of doors, but do we release another song that is similar to that or do we go with a more authentic-y pop rock sound?’
I just had to go with my gut really I mean this is the music that I love and it’s the music that I want to make more of, so yeah that’s really how picked it. It was just my favorite one really of the bunch and I thought I had the ears of people after ‘Paranoid’ so I thought why not show them me”
Butler worked with producer Philip Magee (Kodaline, The Script, The Academic), for this release and he’s become quite the mentor to Butler. Philip Magee is such a diverse producer and seems to bring out the best in the artists he works with and Butler considers Magee’s input important vital to his music’s growth
“ Yeah, 100%. I had a lot of ideas myself, I was involved in the production as well.. for me it’s striking a balance of someone that can give ideas but also take what I want and how I am. Myself and Phil just click in terms of vision for songs because I’ve produced tracks with loads of different producers, and I’ve never clicked with someone in terms of vision so well. He’s just so open minded and he is always respectful, he always listens. It’s a team effort which I love. I mean I’ve experienced things where it hasn’t been a team effort and it just really takes the wind out of your sails and it takes away from it for sure when people put their own stamp on it. Phil puts his own stamp on it but he makes sure the artist comes through and I’m forever grateful for that.”
“Yeah I think the right producer is just super important.You can literally make an acoustic song sound like anything now, it’s just finding out what production is best for me as an artist but also what compliments the song as much as possible. I think we really hit a sweet spot here, there’s a lot of real elements, there’s lots of electric guitars and real drums and all that and obviously it’s very vocal heavy, which I love. I mean, all the music I listened to growing up is all like that, acts like The Killers, Sam Fenders they do a great job at bringing those real sounds back, The Academic as well, all real sounds.. doing an amazing job and just paving the way again for that authentic sound to come through again. I think, with this, we’ve gotten the perfect mix in terms of those nice electronic sounds, but also the real elements, because I’m a live act, I’m an artist that flourishes live. I think that’s just so important and yeah I’m really happy with how it came out”
Again live shows come up in our conversation or the lack thereof and although Butler was gutted when he heard he couldn’t do any shows for a while he is beginning to enjoy life outside of the live circuit.
“ It was super tough to take at the start. I had worked so hard for a good couple years, and for the first time, I had numerous festivals signed on for them and I had a Kodaline support slot in The Olympia, with my headline coming up in October, so it was a really nice moving summer and then for that to be kind of taken away was obviously really not great, but, it really is about just finding the silver linings. I’ve been traveling a lot across Ireland the last few months with my girlfriend and doing things that I wouldn’t have done had Covid not happened. As terrible as Covid is and as terrible as it has been for lots of people it really has allowed me to focus on other areas that I neglected a little bit and it’s allowed me to grow in a sense as well.”
“Everything was moving quite fast and it allowed me to stop and say ‘oh well this is what you’ve done and this is how you can make it better’. I’ve finally come to terms with it, and it’s taken obviously a long time but, yeah, it’s just trying to be as positive as I can really and I’m the eldest of five kids and there was seven of us in our house, it was challenging for sure but we had such a nice time you know. We spent so much time together.”
Butler did an impressive music video for ‘Paranoid’. Mustering his creative genius during the Covid-19 lockdown, he sprang into action and filmed the video completely in isolation. I wondered what he had in mind for the video for ‘Change The Past’
“So, yeah, well, I want to give this song, video wise, as much justice as I can. So for the moment, I posted a lyric video the day it came out. I have a really nice acoustic video that I shot a couple of weeks ago, just in my garden. So I’m using those two at the minute but I’m going to give the track time to breathe. It takes time to get picked up by numerous people so I’m hoping that happens and then I’m hoping in a couple of weeks to bring out a video but I’m thinking kind of like my previous music videos but just a bit more cinematic..it’s gonna be cool though.”
Butler has been busy with his social media content – with the lockdown and covid we have discussed before about how social media has been helpful with connecting with artists and with keeping people sane and connected, but before this, social media was sometimes considered a source of anxiety for people and Butler did feel that pressure to keep visible and to keep content out there for a while.
“I certainly did. I definitely did at the start, and I would find myself almost not posting for the sake of that. I think that’s where anxiety stems from…there’s not a huge amount going on, there’s only so much acoustic videos you can post and only so much live streaming you can do and all that. I suppose in recent weeks I’ve kind of taken, not a break, I’ve definitely taken my foot off the pedal in terms of social media. Honestly that’s just to give me a break really, and yeah you’re right I mean when there’s not much going on in terms of getting out and doing things live and stuff like that, I think that’s just where the pressure starts when you think ‘oh God I need to post I need to post’ but you really don’t. At the end of the day, I’m a musician and I like promoting and I like interacting but it’s not the main focus for me at all. You know what I mean?, I do love the interaction and I reply to messages all the time. I’ve never not replied to a message and I love doing it and I love the comments and all that kind of stuff, positive or negative, by the way. I think you’re right, you’d just be kind of clutching at straws in terms of what to post.”
Butler’s show in The Sound House is now rescheduled to the 11th of March next year. Our conversation moved on to whether or not he felt this was going to go ahead.
“It’s crazy to say but yeah..there is obviously always a little niggle in your head to say ‘oh, that it won’t be on’ but I’m preparing for it to be on the 11th of March. It’s all I’m really preparing for at the moment so I have the setlist. I’m just gonna basically make that show the best that it could possibly be. I’ve got, probably a half a new set as well which is great.”
Butler has plenty of songs ready to go and singles he is really proud of. Hopefully we get to hear them later in the year.
“Yeah, so I have a lot of songs that are literally ready to go. I’m in two minds about an EP or singles, but I think again just singles. I have so many songs so I just want them all to see the light of day. I’m thinking if I go the singles root, there’s just no way all of them will be released, you know, but then I’m just battling with should I release an EP and then do some of them get lost? It’s a good problem to have a lot of songs. I just have to decide how I’m going to approach releasing them but the focus now is on ‘Change The Past’ so I’m going to give that the best go and then I’ll decide what the next move is after that.”
Isaac Butler is constantly building and crafting his songwriting skills and tunes to create a sound that reflects his versatility and ambition as an artist. Each track he releases shows a different and intriguing side to his passionate musicianship while also giving us a catchy hook and sweet earworm melody soaked in emotion to indulge in. His songs are already set for arenas and mass sing-alongs and this artist is only getting started. It is fantastic news to hear Isaac Butler has more music ready to go. I’m looking forward to his future releases.
Darkroom Data have released their new single ‘Hydrogen’. Darkroom Data is the retro synthpop science project of Irish vocalist Gillian NoVa and Brazilian composer Márcio Paz. The duo have been writing and recording together for two years, developing a synth heavy sound that is lofi, synthpop at the core.
‘Hydrogen’ is a retro synth pop number generously dipped in the rhythmic and atmospheric musicianship of Darkroom Data. With pulsing beats puncturing the sugary rush on synths the duo create a chilled airy atmosphere while the sultry lull on vocals, coo and caress the ear worm melody. The song builds becoming more effervescent and heavy allowing the electronics to fuzz, creating darker undertones to this 80’s – esque tune. Darkroom Data have a tight and cohesive sound that is well crafted and layered to create a fluid, groovy listening experience. The track exudes moments of dynamic synth explosions which will coax you up to dance. ‘Hydrogen’ is a modern love story set to retro beats, ethereal synths and lush pop melodies and is a fine example of the compelling sound of Darkroom Data.
Stream ‘Hydrogen’ below
Author ; Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
