Etaoin has released her new EP ‘Bedroom Walls’. This beautiful and heartfelt collection of tracks surges with earnest songwriting and soft instrumentation. Etaoin is a talented artist and this bittersweet EP is a must listen.

I caught up with Etaoin to have a chat about her new EP ‘Bedroom Walls’. We discuss how she crafted the tracks, finding her voice and expressing herself through her music

“I always get nervous before releasing music because it’s that thing like oh my god I just hope people like it because you really never know. You hope, but, you never know, and it’s all so personal. Everything that I’ve written on the EP is really close to my heart. I’m excited though”

Lyrically the songs on ‘Bedroom Walls’ are extremely honest. I wondered if Etaoin finds it more nerve-racking waiting to hear what friends and family think of her music as they potentially know what she is singing about or is it more daunting hearing what fans and strangers think.

“That’s a good one, because with your friends, they’re gonna bring it up… you could be at the pub and they would be like, What did you mean by this? and you’d be like, oh god! run from the conversation. But strangers too, I guess, in general, it all kind of blends into one when you release a song. I guess both. It would be hard to choose. “

“The song ‘For Her’ is a song about my old self. The idea of waiting for your old self to come back. When you go through a heartbreak. It’s not just, oh, when will I talk to this person again, it’s also like, am I actually going to get my spark back, when am I going to feel better, but I played it before, and people, especially guys would have related the song to their exes, waiting for her to come back. So it’s funny how when you release a song, it suddenly has all these different meanings to different people.”

The EP is composed of four emotionally charged songs filled with soft yet effective instrumentation and generally backed by guitar. This allows the earnest lyrics to take the main focus.

“I hate overproduction [on] songs and I like the idea of a song being able to stand on its own two feet. Sometimes production can be distracting. When I listen to ‘Someone Like You’ by Adele, it’s just her on the piano and I’ve always felt if the song is stripped back, it really allows no distraction, and also I suppose in the way I wrote the songs it was just me with my guitar, and it felt like a pretty natural thing. I didn’t want to overcrowd them, because the songs are focused on just feelings and lyrics.”

“When I think about all the music I love, a lot of it’s really stripped back. I love the idea of just keeping it bare and letting the song speak for itself, rather than relying on a trend or making it sound cool or whatever. I’d rather it just connected with people.”

Etaoin has a wonderful ability to create catchy and uplifting melodies,‘I Dare You’ has that powerful bittersweet melody that is so infectious while ‘For Her’ blends pop melodies with indie and even folk-esque tones. I wondered if these catchy melodies are a moment of inspiration or something she spends time perfecting.

“I’d say, often my best stuff would come pretty quickly. it isn’t like every time you sit down something decent comes. You sit down and you write 10 times in 10 days, you might get rubbish melodies, all those 10 days, and then on the 11th day when you’re like, oh my god this is going nowhere, something would come at an unexpected time, I’ve always been really passionate about melodies, I love hearing a melody and clicking with it. I’m obsessed with melodies, really. So that is the nicest thing in the world for you to say, that you find it catchy. But yeah it’s often quick as in when you actually write it, it’s quick, but the build up to it is like weeks of nothing.“

One striking aspect of Etaoin’s music is the raw honesty within her lyrics especially within ‘Pale Damp Cheeks’.

“Often when I write a song. I don’t even think about it. I just need to get it out.  It doesn’t really even cross my mind when I’m writing it, it’s just more of a therapeutic thing rather than, Oh, I want this to be this, because they’re all about people, they’re all about situations, they’re all about things that happened to me and things I’ve experienced in my life, but it is scary because when you’re being that honest and then people ask you about it, and you’re like, Please don’t ask me that question ever, leave me alone.”

“Writing has become a bit of a coping mechanism for me and I think song writing is a journey as well. Sometimes there are going to be topics which are hard to cover and scary to cover, and you think do I want people to ask me about this, do I want this to be out in the wide world or whatever. It’s just something that is so key to writing songs, just speaking about you and what you actually feel, and not just trying to write a good song or write a pop song.”

Since Etaoin’s first release ‘Bedroom Walls’ at the beginning of the year, she has raked in over half a million streams. In the uncertain times we are in with Covid 19, that is an impressive and promising achievement. 

“Yeah it’s crazy I’ve been writing songs since I was about 11 or 12 years old and I went and studied science in University. So music for me was always that thing. It was a thing that I would love to do but never gonna happen. It’s an unusual thing to happen so it’s a huge deal. I had no idea what to expect, especially with lockdown especially with everything like that. There’s no way to know how something’s gonna go. I’m feeling really lucky and I feel like I’m actually able to be myself more now, even around my friends. I was always kind of the woo girl, yeah I was ‘The Woo Girl’ . And often I was scared to show if I cared about something, but I’m able to be myself more since releasing music shows different layers [of] myself whereas before I was always a bit nervous to do that.”

Etaoin has a live show booked for Whelan’s in Dublin on November 24th. The prospect of seeing people react to her songs again in a live setting is something the singer songwriter is looking forward to

“I’m so excited. it’s been so weird because before lockdown I was gigging around London and I’d go home to Waterford and I’d be around the pubs and stuff, and so it’s been really weird not having that and not having that connection when playing a song. When you’re playing a song and you’re singing a really emotional line and can see someone’s really listening to what you’re saying and you make eye contact, just like we’re buzzing. It’s been really weird not having it but I’m so excited to get back out there. It’s crazy, I feel like COVID started out as something that was like, oh yeah COVID I heard there is a really bad bug, this is going to be over a week, and then it’s like the whole world just exploded into national pandemic.“

‘Bedroom Walls’ is about growth and renewal and it’s an extremely personal EP to Etaoin. I wondered if there was a song on the EP she was most attached to or proud of.

“I’m proud of all the songs for different reasons, melody-wise, I’m probably most proud of ‘I Dare You’ because it’s kind of an underdog song, but then I love all the songs for different reasons. ‘Bedroom Walls’ was pretty honest and explored some topics that I haven’t really explored on other songs before. like female body image, that kind of stuff. ‘Pale Damp Cheeks’,  first heartbreak, so I’ve always got that connection, you never get over it. So I like all the songs. I feel proud of all the songs for different reasons.”

I wondered if Etaoin has any advice for budding singer songwriters

“ Write loads and loads of songs because the thing that stands people apart really is the songs. Practice singing and if you can teach yourself an instrument that’s great but I feel something that really sets people apart is their song, and be honest in the songs. I feel some people as I said, focus on, I just want to write a hit. That isn’t ever going to be honest and, if you’re not connecting with yourself on a different level, you’re not going to connect with other people.”

Etaoin has a warm and mature voice, there is a smoky rasp and charm to her vocals that is instantly recognisable.

“ People have always said that since I was little. I used to do Trad singing and stuff like that, and when I was 12 somebody said you sound like a grown woman. But it’s just always been like that, it’s stronger and also because I play the flute. So I guess wind control and lung control. So when you sing if you have more breathing control [there’s] probably a bit more power behind it.”

Etaoin has some exciting plans in the pipeline, we discussed what is to come in the next year and what she is looking forward to most.

“I’m recording at the moment, on the second EP to release later this year. I’m really excited to work with people I’ve really wanted to work with for quite a while. Geez, gigs later this year. So excited. and yeah hopefully getting out some video content later in the year as well. I guess we’ll see where it goes. You know I think the question, what’s next, often depends on the listener and how people respond to it, so fingers crossed people like it and good things are coming. Fingers crossed, toes crossed. My mom is already saying the Rosary for it at the moment. Not even kidding. Yeah, every time we release a song she says a week long Rosary every night. Yeah, I’m not even joking. I’m convinced that’s the only reason that it’s gone decently. I called her yesterday. I was like have you started the Rosary?. “

Etaoin is a diamond in the rough who crafts her songs meticulously to create emotion inducing goosebumps with each tune she releases and ‘Bedroom Walls’ is an exquisite example of this. Etaoin is an artist to keep an eye on.

Etaoin has announced a show in Whelan’s on November 24th.Tickets are available here https://www.ticketmaster.ie/etaoin-dublin-24-11-2021/event/18005A9DC5BD1E62

Stream ‘Bedroom Walls’ below 

Author : Danu