Tag Archives: Lyra

A Chat With: LYRA

Irish pop-dance sensation LYRA has released her new single ‘Chess’, which is taken from her highly- anticipated upcoming album. I caught up with the singer-songwriter to discuss the new single, what we can expect from the album and what she has planned for her upcoming tour. 

“So this song is about the mind games I was going through at the very early stages of my career in the music industry trying to make it as a female artist. I wanted to write about it but I didn’t want to write about it in the way of like pointing the finger and being like, Oh, I can’t believe you all told me to lose weight. How dare you kind of finger wagging style. I wanted to do something that told the message, through my style, which I suppose in this song a bit darker, a bit poppier. My dad taught me how to play chess when I was younger, and I was like, Well, this is a perfect way to say what I want to say, but not have to do the whole finger-wagging thing. So I sat down on my sofa and put the two concepts together and started writing about my experience. The lyrics say exactly what I want to say so there’s no hiding there, so it’s all out there like, “Would it make a difference if I was the same sex” It’s unfortunate us poor women seem to be pitted against each other? I don’t know why because I would love if we all got the lime light, it would be fantastic. And actually another one; “I dont want the lime light I just want a fare fight”, you know, I just wanted my chance, my opportunity to show them what I could do. So that’s the main inspiration behind the whole song, just me wanting to get there.”

 Whether it’s energetic dance elements, bright pop soundscapes or moving ballads, LYRA’s music is filled with dynamic and passionate instrumental arrangements that express the tone of the track.  ‘Chess’ is a fine example of this. LYRA has wrapped the darker subject matter of the lyrics in pulsing beats, tense synths and ethereal soundscapes to create a track that is mesmerising and moving while balancing darker tones throughout.

“Yeah, I knew that I wanted to have dark elements in it, but I also didn’t want it to go too dark. Because obviously with the message being dark, you don’t want the instrumentation to completely go to the dark side because you just end up with a track that you know, it’s not very uplifting and I didn’t want it to be a woe is me kind of thing. I also wanted to have the uplifting side of it. So when I was going about producing this with Dan Priddy, who is a producer on it, I was very much expressing that to him. There are certain sounds that I knew would sound good in this track, like, the bass and clicks and stuff like that. So, I’m very, confident in myself to be able to express that when I am in the studio, in order to make my songs sound very much like me. I have had a massive input in it. When I’m writing songs and when I’m sitting at home on my iPad, when I was coming up with the lyrics and the melody, I can almost hear how the song should sound. So it’s very easy for me then to just portray that to a producer and be like, Okay, this is how this song needs to sound because that’s how it will get the story across the best.”

“ I’m not going to sugar coat it. It is telling a darker message. It is telling a message of, being a woman and, being kind of battled up against other women, which is something that I am not for. I am all for women supporting women and, you know, going through being told to lose weight to fit in this box that they wanted to put me in or you know, things like that and it was a struggle, so that’s why I did want to bring the production down the darker side of things because it is a dark side of the industry.”

The melody within ‘Chess’ is luscious and oozes emotion. It’s a powerful pop song that boasts a catchy refrain and striking melodic flow.

“With this song when I sat down at home, I knew what I wanted to write about and I had written down some words. Then I just started singing the words and the melody just came. I actually didn’t have the chorus for a while, which actually is the easiest part of the song because it just says “chess you want to play chess”. I don’t know how I didn’t come up with that at the start. But it was more about telling the story for me in this one than finding a melody and then hoping that the words fit. For me, this one was all about the lyrics. So I started with that. Then I just threw down a few chords on my iPad, and it just came about. They just all seemed to match together. It didn’t take me that long to write which is great when you have one of those. Not all of them are like that, but this one, I think I was so passionate about what I wanted to say that I was like, right? Here are the lyrics, lets find the melody for it and that was it. “

‘Chess’ is an exciting glimpse into what we can expect from LYRA’s upcoming album.

“Oh, that album. It’s gonna be so bloody juicy. It’s a nice little introduction to the album for sure. This is the start, it’s kind of like okay, we have a little flavor here. The flavour is gonna get more and more and more intense until your mind is blown.”

“I’m really excited for it. I actually had to stop myself from listening to them, like don’t listen to it now you’re gonna ruin it. You’re going to ruin it for yourself and I keep picking out things. I’m like, oh, that bass could have been higher. Oh, that beat or whatever and I’m like stop listening to it now. But I’m very excited for everyone else to listen to it. It’s definitely gonna tell a journey and it’s going to tell people a lot about me and my life. So people are going to get to know me and I can’t wait to tell them what every song means and why I wrote it and where I was in my life when that happened to me etc. All of them are personal journeys to me. It’s what I’ve been through the past couple years so I’m looking forward to sharing it with you in a musical way because it makes it not so scary when its a musical way”

UK producers Mark Crew and Dan Priddy who have also worked with Bastille, Rag ‘n’Bone Man and Freya Ridings, worked on the record with LYRA. We discussed what they brought to the songs and how they influenced her sound.

“Yeah, you know, in fairness credit to the boys. I started Chess at home on my ipad and it literally was just a melody, lyrics and chords. When I brought it into Dan he was like, this idea is amazing, lets go with it. I know the production I want and I’m very good at vocalising it but it was you know, trying to go through the libraries and catalogues of sounds and stuff like that. It’s fantastic to have him on board saying, okay, I get what you mean there, I think this sound is what you’re looking for. So to have that from them is really good. Sometimes I suppose, me being so close to the music, I need somebody on the other side to have a fresh set of eyes and ears. I really appreciate [them], they’ve worked on songs with Rag ‘n’Bone Man, Bastille the new Shania Twain stuff. I know they know what they’re doing. So it’s really nice to also ask their advice and pick their brains with things like, oh, how would you think this would sound bigger or wider or what reverb do you reckon we should use on my voice? I love things like that. That’s why I love collaborating and finding new people and it originally started with me and Dan creating Chess. Then when I went to reproduce it for the album, Mark Crew came in, so it was really nice to have another fresh take.  It’s nice knowing that they’re so well up in their game, and I feel very confident with the choices that we make together as a team, which I love.”

To celebrate the release of ‘Chess’,  LYRA will be heading out on a twenty-two-date Irish Tour this Spring including two dates at 3Olympia Theatre in Dublin. This is huge for the singer-songwriter and a wonderful opportunity for her fans to see her charismatic stage performance and mesmerising presence.

“Oh my god. I’ve actually started to do spin classes because my mom was like, you’re doing 22 shows and I suppose I didn’t really sit down and let that sink to my mind. I was like, oh my god, I’m doing 22 shows. I’m going to be found dead in the bush somewhere if I don’t get my cardio up because getting on stage in thigh high boots, heels, and belting out the songs is a lot. So I was like, right, I need to get myself in shape. So I actually started these spin classes. I hope they don’t mind me there in the back and any track that I know I’m like trying to sing along quietly to try and get my lungs working while I’m sweating myself on the thing. So it’s going to be a great tour. I think [the] tour is actually one of my favorite times because you get to sing your songs. You get to see the audience you get this initial reaction and communication with them and its such a life experience. I’m always bawling, crying when I come offstage. Everyone’s like, oh my god, you give her a minute. She’s bawling. But I’m never sad. I’m so overwhelmed with happiness just seeing people have your back. It’s a very lonely industry that we’re in. So to get on stage and see all these people who have come to support you, and love you is just mind bloody blowing, like the best ever. So it’s my favourite time. I’m going to really live up these 22 days.

LYRA is a passionate and compelling songwriter who pours all she has into her art. ‘Chess’ is a fine example of first-rate musicianship and is a delight to listen to. With this track as a tantalizing appetiser, it’s sure the album is going to be a triumph for her. LYRA is gaining momentum and has a lot more exciting things to come.

“When we’re selecting the album, we had so many tracks to choose from. So this is chapter one of LYRA. Then I’m just going to keep going and spend this whole year doing my album, it’s all about my album and it’s all about getting out there singing it for people, getting people to know it. Getting people to know me as an artist. This is what this year is about. It’s about everything LYRA and I’m so excited I finally get to do this. I’ve been waiting for so long. I feel like this is the time now. It’s so exciting. I just feel I’m living the dream.”

“Obviously, all this was supposed to happen the year that we were stuck inside and covid got us all locked down. I thought that maybe that was me done. I thought I’m never going to build up momentum again. Two years of lockdown. I’m not very great at social media. People are gonna forget about me and I couldn’t get into the studio and do my album. The bans got lifted. I had to go back out on the road just to get people re-familiar with me. So the album took another backseat. Now I’m finally happy to say that this year, we’ve spent so many months working on it and it’s actually coming out. It’s weird. It’s actually so surreal. Every time I post anything about it. I say to my sister, I feel sick. I can’t believe this is actually happening. Even yesterday when I posted the album cover for the first time I was like I feel sick. Eight months ago I was in a photo shoot and now with one click of a button everyone has seen it. It’s just weird, but it’s great. I’m really just going to enjoy it and live it up because you never know when it can be taken away from me again so I’m just going to go hell for leather girl.”

LYRA’s grandmother has been at the forefront of her mind and career since she started releasing music. Her first single ‘Emerald’ was about her grandmother and even today as we discuss her stunning album cover she feels her grandmother is watching over her and blessing her music endeavours.

“Thank you. I think it was like one of the first shots that we actually took and we all, well I didn’t because I couldn’t bloody see it. I was bloody blinded by that light that was in my face. But everyone in the crew just went, that is it. I was like surely not. We’ve literally just started, that can’t be it and they were like, that’s it. I looked at it and I was like yeah, that’s the one. I’m all about my nan being with me for this whole experience because I wrote Emerald about her which was my first song which started my career. So I feel like she’s been there and that happening, I was like yeah, for me, she’s making it happen.”

LYRA is a diverse and captivating artist who isn’t defined by a genre. ‘Chess’ showcases an emotional and powerful ballad aspect to her sound and teases an exciting glimpse into what is sure to be a brilliant album.

Stream ‘Chess’ below


Author: Danu

A Chat With: LYRA

Shane Codd has delivered a knockout anthem with his take on LYRA’s most recent single ‘Lose My Mind’. I caught up with LYRA to talk about how the infectious remix came about, the exciting return of live shows and what she has planned for the rest of the year.

“Originally when I wrote the song, I knew that it had that dance vibe naturally in it already. Then I decided why not go full dance on it and get a remix done and what better man than Shane Codd. He’s Irish, he’s amazingly talented. So we just kind of said, Hey, do you wanna do a remix? he was like yeah”

This remix is the perfect summer bop and is a fresh take on LYRA’s fantastic single. Shane Codd is an exciting artist who is on the rise. His previous hit single ‘Get Out My Head’ achieved a Top 10 smash on the Official UK Chart as well as a Top 10 hit in Ireland. Amassing over 125 million Global Streams and achieving 2 x platinum status in Ireland. I wondered if LYRA experienced a mix of intrigue and nerves when Codd agreed to remix the track and did she worry that she wouldn’t like it.

“I was, but Shane’s very good that way. He sent me a few mixes and I’d send back some notes about what I preferred and how I heard it going and he was like, okay, cool, I’ll change this bit, I’ll change that bit. He was just so good at letting me creatively be involved in it with him.”

The cover art for the remix is fierce and tasteful with an animated character of LYRA in the foreground. LYRA explained to me where the concept for the cover art came from.

“We decided we wanted to do an animation video. So that video is actually coming out like a lyric animation video. It was just something different, doing the remix was different so I just thought let’s have some fun with it and do an animation.”

“I was like, can I have that body? Please? That butt is so big I was like Yeah, I’ll have that”

‘Lose My Mind’ was released in 2021 and announced a more dance-infused tone to LYRA’s sound. This catchy bop reached # 16 on the Irish Airplay Chart, went No # 1 on Irish Homegrown Chart , reached # 4 Shazam Chart and # 2 on the Irish Artists Breakers Chart – a brilliant achievement for this talented artist.

“ It was nice to put something out because with covid and everything I just wanted something a bit more upbeat. I wanted to show people a different side to me as an artist, so it was nerve-racking to put it up but the reception was amazing”

At the time of our interview, LYRA was on a train down to Cork after attending the Indiependence launch last week in Dublin. We discussed how it felt now that shows have returned and she can finally book shows and plan for the year.

“Yeah, it’s amazing because like you said, you can plan. I’ve starting planning my outfits and setting, staging, lighting and stuff. Whereas last year I was planning half-heartedly, I was like oh, what if it won’t go ahead whereas now, it’s going ahead let’s get the costumes made, let’s get this, lets get that. We can just go for it.”

LYRA has a wonderful eye for fashion and every costume she wears on stage is well thought out and planned making her a vision on stage. We discussed the outfit she wore for her performance on New Year’s Eve in Dublin Castle where she performed her song ’ We are Beautiful’.

“Thank you. I made that myself at home in my mom’s kitchen nearly glued myself to the kitchen table a few times but yeah it was nice to make it. I was like why not I have the time”

LYRA has a talent for writing uplifting, dynamic tunes and her performance of  ‘We are Beautiful’ captured the tone and feeling of everyone at the time.This appears to be a running theme with the artist; she performed her song ‘New Day’ at the pilot festival in Kilmainham and that perfectly captured the tone of everyone at the time as well. So it was no surprise that her performance of ‘We are Beautiful’ was what everyone needed to end 2021 and kick start 2022. It’s an exciting year ahead for LYRA, filled with new releases and compelling performances in the coming months.

“More releases are coming which is great. I can’t wait for people to hear my new music because I just love it and doing a lot of festivals so you’ll probably see me popping up everywhere, which is great. Yeah, it’s gonna be bigger and better this year. Definitely.”

LYRA is a diverse and compelling musical artist who is always pushing her sound to the next level. She has a talent for creating exhilarating tunes for listeners to indulge in and the production wizardry of Shane Codd provides us with a fresh take on LYRA’s dazzling songwriting and immersive musicianship.   

Stream ‘Lose My Mind’ Shane Codd remix below 


Author: Danu

A Chat With: Lyra

Photo Credit:  Evan Doherty

Cork native Lyra has recently released her new single ‘Lose My Mind’ via Rubyworks label. I caught up with the singer-songwriter to chat about the new single, the haunting events in the spooky Loftus Hall where she filmed the video and what we can expect from her upcoming, as-yet-untitled new body of work. 

Lyra packages a song that is about losing all your inhibitions and being free in the most exhilarating manner. ‘Lose My Mind’ is a cinematic, dark pop dance tune that is sure to get people up to dance.

“I had an idea, a vague picture of sonically how I wanted the song to sound while I was writing it. This song came very simply because it is more of a stripped-back, I suppose, more pop song than I usually write, which is the bigger,  hard-hitting, anthemic, quite high choruses. So for this one, the sound was easier to come up with. I knew that I wanted to keep my drums which I always reference Riverdance for because I love that big Celtic feel. But in this one, I wanted to also put the electronic sounds in. So, a lot of drum samples I went through. I don’t know how many, oh my god ! if I heard another drum that day, I think I was gonna drum my own head off. I knew that I wanted to have this pulsing beat and I knew that I wanted to have that intro that, like you said, kind of grabs you. That’s why I decided to put the chorus at the start because then, it kind of gets locked in their minds before they realize that it is the chorus, but without giving it away too much. I said “you know, I think we need to pitch this down a bit and make it sound a bit weird” or I was like “kind of Kanye West vibes”. The producers were like are you referencing Kanye West?. I know it sounds strange coming out of my mouth, but I did I just dropped that bomb. So I always had that vision in my mind when the song was being created that these were the rules, the bass notes of the song was something cool, beating drum, a kind of a weird vocal effect and putting the chorus first. And that’s how I made my baby.”

The singer-songwriter has a knack with catchy melodies, and the chorus in ‘Lose My Mind’ is a glorious earworm that just keeps on giving.

“I actually wrote the verses first, because they’re quite conversational kind of talkie you know. It was after this night out that I had and it was very fresh in my mind and I wanted to relay the story as natural as I could for people when they listened to the song, that they really got a sense of what I was talking about. So I started with the, “ I can see you looking, From across the room, you want me”, and it is like I’m talking in a singing voice. So that actually came first and normally I like to, in my choruses go a lot higher than the verses so it’s a bit more impactful. Then I was like, you know what, actually this one, I’m gonna keep it simple and I just randomly started singing “I keep losing my mind”. I kept repeating it and I was like, is this too simple? to have this just repeating in the chorus and then I tried out other things and I just kept going back to it. The chorus just came very naturally after I had sung the verse.”

Lyra’s voice is a recognisable factor in her music. She has impressive control, expressive depth and power in her vocals. Lyra explained to me that finding her voice and being comfortable with it wasn’t easy initially.

“It definitely took a lot of time for me to be confident in my voice. I suppose because – I call it a Marmite voice. You either love it or you hate it kind of vibe. Which I always say is fine by me. I don’t expect to be loved by everyone. It’s not how life naturally goes. But I suppose when I was starting out I was told a lot that my voice was too loud or that it was too brash, or I was told my diction was shocking and you know, I just went through this a lot. Anytime I got my demos back I’d almost be scared pressing play – what’s this gonna sound like now? because they would have as they will call it, polished up my voice a lot or there will be, a lot of autotune on it, a lot of reverbs, a lot of delays. A lot of the diction would have been cut into place and stuff like that so I always felt my voice wasn’t good enough if they had to change it so much. It took me ages to be actually ‘eff this, this is how I sound. I can’t have a CD and then get up on stage and then sing naturally the way [ I ] naturally do. It just doesn’t work. So when I wrote ‘Emerald’ I was very true to myself because I did it very much by myself. I took that time out of the music institute to find myself, I was like, this is who I have to be. Whether it works or not. I just have to be myself because I can’t be anyone else or I’ll be absolutely miserable and I won’t enjoy the time in the music industry anyway. So that was my big changing point where I was like, just sing how you actually sing and if people like it, they like it. If they don’t, then they don’t. And I’m okay with that.”

Anyone who sees Lyra live is blown away by how impressive her performance is and how her songs come to life in the live setting. She takes the passion in her music to new heights while still maintaining a fun and charming stage presence. We discussed the Kilmainham pilot music festival during the summer this year as that was my first time seeing Lyra perform live. 

“I loved that. That was so scary.  It’s so nice to hear that because you know a lot of people do say to me, “I follow you on Spotify and I came to my first show of yours and, it’s actually better in real life than on Spotify because you go for it” and I’m really singing and I suppose I can really get that passion out of the song, what it means to me and what it means to be in front of an audience. It’s just in that moment factor. So it’s always so nice when people say that because that’s why I want to be in the music industry, for the audience more than anything else. So thank you for saying that.”

The music video for ‘Lose My Mind’ was filmed on location within the infamous haunted corridors of Loftus Hall, situated at Hook peninsula County Wexford. It’s an impressive, fun and powerful video that makes use of the grand venue with rich lighting and multiple wonderful costume changes.

I knew with this song that I wanted a simple music video, I didn’t want to overcomplicate this and then I went working with this amazing girl called Debbie Scanlon. We worked together and we went back and forth and you know [to see] how we could develop [it]. Then it was actually my manager Caroline Downey who said “oh my god Loftus Hall would be amazing for this”. It’s a really big grand open space and I wanted somewhere where I could really show off my outfits as well, because originally the music video was going to be in a nightclub. Then we were kind of like, you know this space isn’t letting me artistically express myself and these outfits, I need a bigger space. So it’s actually my manager who came up with Loftus Hall.”

“Debbie was the director of the whole thing and she was amazing. She made me feel so comfortable on set and allowed me to be myself which I think always brings out the best in an artistic person and we went into the room and she was like, “well, we’re just gonna play the song and you, just do you and you know, this can be a test run and it’s fine”. And it’s actually the scene where I’m wearing the black outfit and we literally just put the music on and I just went crazy. I was just living in the moment of the song. It’s about losing your mind, being free, having no inhibitions in life. The song is about just living in that moment and just really enjoying yourself and that’s exactly what I did and she was like, okay, there it is. The music video is done. I just stopped and I was like wow, I just lost myself in that song for that moment”

“I call them my different colour characters in there where you start off with the lady in green, who has been left in the shadows and is this shy person that kind of meek person. Then she starts finding herself through the music video, and then you meet the girl in the blue tulle dress and the tulle dress is pretty but then you have like this diamante bra underneath it. That’s sexiness, like her transition from becoming this kind of meek little person who’s a bit shy and a bit timid and maybe a bit scared to express herself. This is the transition into the black outfit who was this badass b**ch who is like, this is my domain and I’m f**king living life how I want to f**king live it. Then you go into the Red Room, which is the final scene. She is the goddess sprawled across the bed with her diamante eyebrows on and, she’s like, I’ve arrived and you know, this is my domain and its that kind of full circle.”

“It was really good fun because I decided actually to style that myself. So I was literally arriving in Ryanair and there were like Fifteen thousand bags and they were like, where are you going your flight is for a week and I was like, it’s just clothes. Customs everywhere stopped me and they pulled me aside and tried to open my bags thinking I’m smuggling something. I was like I swear this is just massive tulle dresses in here that’s all. They were like who is this bloody girl?”

Loftus Hall is a famously haunted mansion located along the Hook Peninsula, County Wexford. It is said by locals to have been haunted by the devil and the ghost of a young woman. I wondered whether Lyra had experienced any spooky incidents.

“Sandra [Gillen] on makeup and Katrina [Kelly] on hair said that they heard banging on the wall like somebody was knocking on the other side of the wall, but it wasn’t a wall that was dividing anything and they said they kept hearing stuff. I was like “you need to stop saying this to me because I’m the scarediest scaredy cat ever, you can’t say that to me cuz I’m going to shit myself”. But the thing is, I [ spent ] the whole day concentrating on doing a performance, getting out of the outfits, changing the entire look and going back in. I could have been standing next to a ghost the whole day and I wouldn’t have even noticed. I genuinely wouldn’t have had a clue. I was just – next outfit, next look, next this, next that. The ghosts are there like “who is this spooky b**ch she’s scarier than us” and there’s me with my ass out walking up and down, Jesus Christ, oh mortified.”

‘Lose My Mind’ is the first new single to come from the artist’s as-yet-untitled new body of work due for release later this year. Lyra explained to me that the song teases the sound to come from this collection of work. 

Yes, it definitely is. This is me developing. All my music has been a development from something. l started with ‘Emerald’ which is really Celtic. It was very much inspired by Enya [ and ] it was you know quite Kate Bush. They were all my influences back then when I was writing and I suppose I’ve just developed as a songwriter. I’ve developed my tastes and developed what I’m like singing on stage and you know, how I see the audience interacting with different types of songs. Then, I went on to ‘Falling’, which has that more commercial sound but still being very true to me as an artist with my drums and stuff like that and I feel ‘Lose My Mind’ is a very nice step up from ‘Falling’. So they all have [ been ] stepping stones to where I’m going. ‘Lose My Mind’ very much is a taster of what’s to come. I’m so excited, I think people are going to be pleasantly surprised.”

Lyra is set to perform at this year’s New Year’s Festival, Countdown Concert in Dublin Castle. She told me what else she has planned for the year and how much she is looking forward to the festival.

“ My Christmas EP, that I produced myself in lockdown last year. I’m going to bring that back out for Christmas. Just because everyone loves an old Christmas song and then in New Year’s, I’m playing at Dublin Castle with Picture This and Ryan Sheridan and that’s going to be amazing because I did Dublin Castle last year on my own, literally in the middle of Dublin Castle on a podium by myself singing ‘New Day’ ringing in the new year. So it’s amazing to go back. I’m really looking forward to that it’s going to be quite an emotional event for me, just from comparing it to last year. That’s what I have planned for this year, obviously a lot of mulled wine drinking. I’m going to my very first bingo loco which I’m so excited about because I’ve heard so much about it so I need a Christmas outfit for that.”

“Then next year I’m going bloody nuts you will find me everywhere. I’m going to be touring, releasing loads of new music and new stage setup. I’m just ready to take that extra step towards where my dream goals are so big bloody year. There’s no bloody stopping me. Nobody will be able to stop me next year. I’m working my ass off as we speak just to make sure that everything’s ready for next year. I missed out on a year and a half already. I’m making up for lost time and I can’t wait. I just can’t wait.”

‘Lose My Mind’ surges forward with an effervescent sonic wall of sound that is filled with elements of dark electronic and pulsing Celtic drums. Lyra’s incomparable vocals remain at the helm, strong and evocative as always. It’s a tantalising and exciting glimpse into what the singer-songwriter has planned for her next collection of work. Fuelled by ambitious vision, Lyra is an artist forging her own path and the result is engaging and exhilarating tunes that exude passion, lyrical depth and impressive musicianship.

Watch the video for ‘Lose My Mind’ below. 


Author: Danu

LYRA ‘Lose My Mind’

Cork native LYRA has released her new single ‘Lose My Mind’, via Rubyworks label. It is the first new single to come from the as-yet-untitled new body of work due for release later this year.’Lose My Mind’ was written and co-produced by LYRA and Dane Etteridge (former Ordinary Boys guitarist), it was mixed by Grammy-nominated Darren Heelis (Sam Smith, Tom Walker, Liam Payne) in the US. Darren Heelis also worked with LYRA on her previous single release the Jackie Lomax cover of ‘New Day’, which achieved #1 chart positions with iTunes and Shazam.

‘Lose My Mind’ radiates with LYRA’s emotive and cinematic musicianship. Propulsive rhythms and blustery electronics exude dance anthem vibes while powerful vocals soar across a kinetic soundscape and anchor the listener within the tracks alternative pop backdrop. A dark and ominous undertone bubbles underneath, enhanced by tense drums and brooding verses that build to a fantastic hair-raising crescendo. LYRA is a master of her craft. Her striking, dynamic vocal delivery and ability to create thrilling, emotive arrangements that stir the soul is admirable and ‘Lose My Mind’ is a fine example of this.

About the track, LYRA said: “I had so much fun with this single, I wrote ‘Lose My Mind’ in the recording studio, it is a song about losing all your inhibitions, being free of mind, the idea that you can be possessed and yet exhilarated at the same time”.

 Watch the video for ‘Lose My Mind’ below


Author: Danu

Event News : Subterranean Sessions – Songs From Beneath The Surface Of The Earth

Subterranean Sessions – Songs From Beneath The Surface Of The Earth

 Airs on RTE 2 on Thursday, July 15th at 22.30h

Filmed In The Spectacular Surrounds of the Mitchelstown Cave

Featuring Stunning Performances from Lisa Hannigan, Gavin James, 

Paul Noonan, Lyra, Talos, Eve Belle, Moncrieff and Róisín O

Filmed in the atmospheric and awe-inspiring caverns of the Mitchelstown Cave, Subterranean Sessions will air on RTE 2 on Thursday, July 15th at 22.30h.

Subterranean Sessions: Songs from Beneath the Surface of the Earth, is presented by Róisín O and Barry Murphy (Hermitage Green) and features stunning performances from Lisa Hannigan, Gavin James, Paul Noonan, Lyra, Talos, Eve Belle, Moncrieff and Róisín O.

Recorded live, Subterranean Sessions was filmed in the beautiful Mitchelstown Cave in December 2020. The superb acoustics and the vast natural auditorium of the cavern makes for a unique and unforgettable concert experience.

With a diverse and talented range of artists performing, this is sure to be a spectacular night of music. From the passionate and ever-changing sound of Moncrieff, the mesmerising alternative pop of Lyra, and Eve Belle to the timeless vocals of Lisa Hannigan, Róisín O and Paul Noonan, it’s one not to miss. 

Producer Shane Dunne says: “At the point this was recorded we as an industry hadn’t worked or seen our colleagues for months. While we are still very much in the worst impacted industry of the pandemic, recordings like this were such a special few days for artists and crew alike. It was a chance to feel normal, to feel valued and to see brilliant artists express themselves in a beautiful location. Now as we hopefully see green shoots and look to the future, it’s nice to look back to those dark December days in South Tipperary and believe this time, that some summer night we’ll see our friends again.”

Subterranean Sessions was part-funded by The Department of Tourism, Culture, Arts, Gaeltacht, Sport & Media through the Live Performance Support Scheme.

Subterranean Sessions: Songs from Beneath the Surface of the Earth will air on RTE 2 on Thursday 15 July 2021 at 22.30h.


Author : Danu