Jack Hughes has released his new single ‘Wasn’t Built That Way’.The track follows the release of his hit single ‘Crossed The Line’ which garnered support from RTÉ 2FM’s Track of the Week with Jenny Greene, Track of the Week on Spin South West and huge support throughout Spin 103.8, Today FM, Cork’s 96FM, WLR, 8 Radio and many more.
Wrapping delicate, tender melodies in dark washes of electronics and intricate rhythms, ‘Wasn’t Built That Way’ fleshes out Hughes’ engaging and passionate sound. Light percussion twinkles over an emotive melody while cinematic soundscapes ebb and flow throughout. Warm vocals move from brisk croons to sing-along outbursts that are destined for arena crowds to bellow back. With dark heavy rhythms creating an eerie tone between twinkling keys and layered backing vocals, ‘Wasn’t Built That Way’ surges with emotion and hair-raising musicianship. Hughes is a musical talent, he balances moving tenderness with refined and, at times, explosive arrangements alongside polished production to create an impressive and compelling listening experience.
Speaking about the single ‘Wasn’t Built That Way’, Jack said: “It’s a song title that speaks for itself but the song alone hinders a story that is worth searching for.”
Following on from his acclaimed debut single, ‘Loving You’, songwriter and multi-instrumentalist Neil Dexter returns with his second offering, ‘I’ll Be With You’. This exquisite tune showcases Dexter’s luxuriant flair with textures, space and melodies. He drifts shimmering synths through an expansive soundscape of intricate percussion and soft electronics that exude a 70’s- esque psychedelic undertone throughout. Warm french horn embellishments and biting moments on guitar weave between the catchy melody as Dexter subtly layers the song meticulously to create an immersive, heavenly listening experience for listeners to indulge in.
Mexican singer, songwriter and multi-instrumentalist Julian Lamadrid has released his sophomore album, ‘Rebels of The Neon God’, on Arista Records. ‘Rebels of The Neon God’ serves as the follow up to Julian’s 2019 debut, ‘Mala Noche’. To compliment the album, Julian launched the ‘Rebel Universe,’ a virtual world inspired by the album. Fans can immerse themselves in the world of the Neon God and unlock different rooms by purchasing limited edition NFT keys.
‘Rebels of The Neon God’ is a diverse and enthralling listening experience. The impressive depth of this album is achieved by soft but rich electronics, overlaid by thick beats and the smooth, emotive vocals of Lamadrid. Free from the confines of just one genre, the album meanders between indie, alternative pop and electronic with psychedelic and tropical flirtations displayed throughout previously released singles ‘Teenager’, ‘One More Trip’, ‘Cigarette’, ‘Patience’ and ‘The Neon God’. Lamadrid’s musical prowess is in fine form on the album. Expressive soundscapes filled with bubbling beats, jaunty guitars, sweet steel drums, heavy synth pulses and washes of reverb flesh out his exhilarating treasure trove of songs, with each track’s musical arrangement complementing the overall tonality of the album.
There are many moments of excellence on ‘Rebels of The Neon God’ that display Lamadrid’s artistic talent and masterful songwriting. ’Blue’ is a sublime example of this. Lamadrid sets a dark, harrowing yet grand instrumental backdrop of jarring strings between deep piano thuds, while distressed vocals pine, “I woke up with you on my lips, Harder than a rock, I try my best to cover my ears. But the noises wouldn’t stop”. The coil of tension created for the verses evokes a sharp sense of unease before the track finally loosens for the short chorus. The emotional power ballad ‘Bang’ follows this potent lyrical thread “You’ve got a gun, You took your aim, And that gun went “Bang”, And stole my heart away, And all that I know it’s all that I gave”. Once again, Ladmadrid spreads these striking lyrics over cinematic instrumentation, uplifting brass embellishments and driving pop melodies. Lamadrid manages to whack out some infectious boppers aswell, ’Pressure’ deals with self-doubt against a glittering 80’s synth-infused backdrop that peppers the song in dance vibes, ethereal atmospheres and adrenaline.
‘Rebels of The Neon God’ is richly and carefully constructed to display Lamadrid’s exceptional knack for melody, production and poignant lyrics and the result is a passionate collection of tracks that reveals new exciting sounds, textures and lyrical undertones with each subsequent listen.
About the album, Lamadrid said: “The album is centered around the dichotomy between frustration and dance, vacancy and ecstasy; enlightenment through pain. I have glimpsed into the eyes of The Neon God, pierced through the void and come out the other end, desperate for connection, hungry for the eternal.”
Fya Fox has released her new single ‘Numb’.Fya Fox is the exciting new prospect from Ireland. A classically trained vocalist straying beyond Ireland’s traditional country/folk scene, Fya’s previous singles ‘Body’, ‘Lies’ and ‘Sunset’ have already been supported by BBC Radio 1, 2fm, Today FM and many more.
Earnest, tender and strikingly emotive, ‘Numb’ is a moving display of alternative pop. An intriguing aspect of Fya’s music is her vocals. Her rich tones have the power to ignite emotion within the listener and create a wonderfully hair-raising listening experience. ‘Numb’ is a fine example of this; Fya displays raw emotion within this powerful tune, her immaculate vocals convey a crippling sense of loss “paralysed now that I’m alone should feel more, but I’m scared I don’t” that is enhanced by a lamenting piano feature. The track is an absolute gem to treasure and a wonderful display of Fya Fox’s eloquent songwriting and exquisite musicianship.
Speaking about her latest track ‘Numb’, Fya said: “I was standing there singing at this funeral watching from the gallery and just couldn’t understand why I was so numb. I kept my composure the entire ceremony but as the coffin was being carried out I suddenly got this feeling, this is it, this is the last time I see you. My Granny who was a major inspiration in my life passed away. A few days later I had a zoom session with an artist in the US who I’d never written with before so didn’t want to cancel. Brompton the legend didn’t know what he had himself in for, we wrote NUMB and 5 days later I went into the studio with the incredible Matt Weir to record a rough demo. NUMB is very different from my previous tracks, it’s the most honest! I really didn’t think I was going to release it but I feel so many people can connect and relate with it especially after the year we’ve had!”
Critically acclaimed American singer, songwriter, multi-instrumentalist and producer Ryan Egan has released his new single ‘Alone For the Last Time’.The song is the second single off Ryan Egan’s debut LP Soft Power which is due out April 8, 2022. The song was produced by Egan and Kevin Basko (Foxygen, Rubber Band Gun). This arrives shortly after the album’s debut single ‘Weeknights’ generated immense buzz, with features including Spotify’s New Music Friday.
‘Alone For the Last Time’ is a brooding slow-burner that boasts the silken, chic sound of Eagan. The song builds superbly, its laid back atmosphere and lush swooning soundscapes are filled with saxophone pines, washes of synths and sharp guitars while Eagan’s soft croons create a tender and soothing tone throughout. The track is a joy to listen to and is a fine example of Ryan Egan’s exquisite musicianship. Blending elements of psychedelia with lo-fi indie, dream pop and 70’s embellishments ‘Alone For the Last Time’ is a bittersweet anthem to immerse yourself in and enjoy.
From his forthcoming sophomore album, ‘Patterns’, Martin Callingham has released his new single, ‘Bedding In’. Martin Callingham is a writer and musician from Bristol, UK. He has been melting audiences into a puddle with his intimate delivery and beautifully crafted songs since 2016’s ‘Tonight We All Swim Free’. The album found acclaim from the press and radio including BBC 6 Music, Clash Magazine, Louder Than War and Folk Radio.
‘Bedding In’ is a haunting single wrapped in twinkling guitar and mystical melodies. Callingham croons over the sweet, weaved guitar melodies, creating enchanting soundscapes filled with mystery and glittering textures. This delicate, alluring tune is arranged with minimal instrumentation yet unfolds beautifully to reveal a refined and mesmerising tune for listeners to enjoy.
Recorded mostly live at J&J Studios in Bristol by Jim Barr (Portishead, Get the Blessing), ‘Bedding In’ is accompanied by a striking claymation video. About its creation, Callingham says, “The video for ‘Bedding In’ was made by Sam Wisternoff who has worked with the likes of This is The Kit, Rachael Dadd and Get the Blessing. When we got together to discuss the video, I had been drinking all afternoon and inadvertently agreed to Sam having a free rein on the project. The end result – Sam’s first attempt at claymation – is pretty weird, but I rather like it.”
Harry J Hart releases his brand new EP, ‘Holding On For My Life’.Documenting the demise of a relationship, the EP takes the listener through the motions of realising it’s just better to move on. Hart has already acquired accolades and merits that musicians could only dream of. From being a Gold Coast Music Awards ‘Musician of the Year’ finalist, to training in LA under Tom Morello, Nuno Bettencourt, and Bibi McGill, becoming a state finalist for the Listen Up Songwriting Prize. He reached #1 on the Triple J Unearthed charts, was a Queensland Music Awards finalist and became a Fenech Guitars endorsed artist.
Balancing gritty riffs, heavy drums and pop-punk soundscapes with heart on your sleeve lyrics and passionate melodies, ‘Holding On For My Life’ is an emotionally-charged collection of tracks that boasts the tight indie rock sound of Harry J Hart. From the jagged blitz of ‘No Goodbye’ with its coarse guitar refrains to the piano speckled ‘Make It Easy’, Hart creates a full-bodied and exhilarating EP for listeners to enjoy. Moody melodies weave grunge tones through the dark ‘Come Back Down’, as Hart discusses his journey through heartbreak. Filled with light haunting guitar embellishments, building rhythms and jabs on guitar the song ventures into 90’s rock territory while at the same time maintaining Hart’s brand of exhilarating musicianship. Epic solos and catchy yet gripping instrumentation abound throughout the EP, each track is fresh and leaves the listener craving to hear more. ‘Holding On For My Life’ is a well crafted and satisfying listening experience.
London-based pop singer-songwriter AJ Wander has released his new single, ‘Take It All’, The track is a cinematic and emotional tune doused in refined musicianship, crisp production and evocative songwriting.
I caught up with the singer-songwriter to talk about the new single, his plans for live shows and writing the new single in a caravan in Wales.
“It came to me when I was in Wales with my friend Geth [Gethin Williams]. Wewere staying at his caravan, sort of at the foot of Snowdon, which is a nice little spot to write and I was definitely feeling the need to write in that moment of life. I was just in a toxic situation and it felt quite cathartic and something that I needed to get out. It was quite a positive turn for me in terms of reevaluating self-worth and realizing that I couldn’t let it continue.”
“It was last November. We had a heater. He actually lives in the caravan. I feel like caravan is definitely miss selling it. It’s definitely like a big caravan that doesn’t move. It was a glamping caravan. I mean it definitely did get cold at night, that’s for sure and when the heater was off, you definitely felt the bite of Welsh winter.”
The track was produced by co-writer Gethin Williams alongside Brad Mair (Dean Lewis, Jamie Cullum, Kygo). Wander’s songs are vividly emotional with a personal aspect rooted within the lyrics. This makes his songs heartfelt, passionate and relatable. We discussed how nerve-wracking it can be to express all these personal emotions to the people he co-wrote with.
“ I think it’s nice knowing that’s what these people do. It’s definitely a hurdle to get over that initial awkwardness but I think once you accept it for what it is and that there’s not really any judgment on their part, they’re literally there to help you get your thoughts out and into music, it doesn’t feel awkward”
Lyrically the song tackles pain as Wander explores personal emotions in the midst of a toxic relationship. However, with his signature beautiful piano at the helm, the music is uplifting while cinematic soundscapes urge the track forward. Wander found the music and production came naturally to him and Gethin Williams, as they worked on the track.
“As with the other songs it just happened naturally, I think I was sat writing the lyrics whilst Geth, was producing up the track. It just happened organically, it wasn’t over planned, it wasn’t overthought it’s just the way it happened.”
Wander began his solo career during the pandemic. Lockdowns etc made it difficult to promote music and yet his debut single, ‘Time Out’ has just under 4 million streams. Like other artists of this generation, Wander has the power and influence of streaming platforms which gives artists huge exposure however it doesn’t really make them money. We talked about this paradox and the fact you can reach more people but don’t reap the benefits as much as you would with album sales and touring as well as how streaming has helped him with his music.
“Yeah, definitely and it’s still sort of difficult to come by. It seems that everyone that was supposed to be gigging before and during lockdown is now playing catch up and they’re playing all of their shows so for new artists you know, gigs are hard to come by. But things have been booked in now, which is exciting for next year. So 2022 is pretty busy. Yeah, it’s been tough. I guess the only sort of meter I’ve had to gauge the tracks success and how people are enjoying the tracks and connecting with them is Spotify and streaming. So it’s not multifaceted. It’s very singular and I do miss that connection with people in the room. It’s easy to forget why you do it. So yeah, having that barrier there was definitely a struggle and it’s a barrier I’m looking forward to knocking down soon and getting out and seeing some faces as I sing.”
“ Obviously, I don’t do it for the money. I think it’s a dream to just be able tosurvive on music. It plays into the whole sort of social media thing. It is one thing to release a song and it’s another thing reaching people. It’s something I’m struggling with right now. I think being able to perform in front of people will be a great thing for me because I can actually see people connecting with it rather than just seeing the number go up on a screen. So yeah, very much excited to streaming not being my only way of gauging how people are connecting with my music.”
Wander has been creating great content with his videos and the lyric video for ‘Take It All’ is an impressive example of his creative genius.
“I wish I could take all of the credit. I mean, initially, it came from me. I was saton the tube and as it left the station, I was watching the adverts pass behind the train window. I was like that’s kind of a cool way to present lyrics as if they were adverts on the wall behind the train. Then that turned out to be pretty hard to do, to make it look like adverts on a wall. So then my mate Skip and I walked around London, taking pictures all over the place and just capturing loads of footage trying to think of situations where lyrics could be made to look like they were there. It’s nice to be able to show off a bit of London too like my hometown and people to have that kind of connection with me.”
With the release of ‘Take It All’ I wondered if Wander was giving us a teaser for an EP or an album to come.
“ Yeah, definitely an EP coming next year and then I get to perform it to lots of people which I’m even more excited about. So yes, there’s lots more music coming. So between now and Christmas is getting that EP ready, getting my live show ready, getting in rehearsals, and just prepping for a big 2022 really.”.
So what can we expect from an upcoming AJ Wander show?
“That’s a very good question. Yes, there will be a band. I think it will depend on the show that I’m playing. I’ll have a piano. I know that I’ll have a piano and I will have a band on the bigger shows. Other than that anything is possible. There might be pyrotechnics, I imagine. Maybe I’ll like pop out with some smoke out of the bottom of the stage. In reality, I’ll probably be playing in a pub corner to about ten people, with the pyrotechnics obviously.”
AJ Wander is a compelling musician who showcases his effortless and ambitious talent through moving, rich and heartfelt tunes. His lyrical depth and remarkable songwriting is incomparable and ‘Take It All’ is a sublime example of this. Wander’s passion for music radiates from each release and his live shows are sure to have an audience captivated. Keep an eye out for his live show announcements.
Cork native LYRA has released her new single ‘Lose My Mind’, via Rubyworks label. It is the first new single to come from the as-yet-untitled new body of work due for release later this year.’Lose My Mind’ was written and co-produced by LYRA and Dane Etteridge (former Ordinary Boys guitarist), it was mixed by Grammy-nominated Darren Heelis (Sam Smith, Tom Walker, Liam Payne) in the US. Darren Heelis also worked with LYRA on her previous single release the Jackie Lomax cover of ‘New Day’, which achieved #1 chart positions with iTunes and Shazam.
‘Lose My Mind’ radiates with LYRA’s emotive and cinematic musicianship. Propulsive rhythms and blustery electronics exude dance anthem vibes while powerful vocals soar across a kinetic soundscape and anchor the listener within the tracks alternative pop backdrop. A dark and ominous undertone bubbles underneath, enhanced by tense drums and brooding verses that build to a fantastic hair-raising crescendo. LYRA is a master of her craft. Her striking, dynamic vocal delivery and ability to create thrilling, emotive arrangements that stir the soul is admirable and ‘Lose My Mind’ is a fine example of this.
About the track, LYRA said: “I had so much fun with this single, I wrote ‘Lose My Mind’ in the recording studio, it is a song about losing all your inhibitions, being free of mind, the idea that you can be possessed and yet exhilarated at the same time”.
Tommy Cullen has released his new single, ‘In the Winter’, a downbeat seasonal love song inviting cosy contemplation when it’s needed most. Featuring guest vocals by fellow singer-songwriter Amy Ellen, the single comes at a transitional moment for both artists. For Tommy, it caps off a series of songs recorded in ‘The Gatehouse’, his old home atop an urban river. These songs were released throughout various lockdowns, and encompass such diverse subjects as scary sharks, imaginary breakups, monochromatic rainbows and really nice trains. Likewise, Amy recently released her eagerly-awaited debut EP ‘Only You Will Know’ to enthusiastic reviews and international fanfare.
Drifting upon a delicate guitar and piano, ‘In the Winter‘ is a melodically lush new single from Tommy Cullen and Amy Ellen. This sweet and wholesome tune glides on a swooning melody while soft pines on guitar create an ethereal quality between supple percussive twinkles. It’s a soothing and emotive tune that highlights the compelling vocal tones within these two very talented artists as their voices ebb and flow, highlighting the emotion and tenderness within the lyrics, “Well love changes everything, You got the sweetest something, Smiling down so wonderful, And I don’t want to run”. ‘In the Winter’ is a warm blanket on a chilly evening – press play and enjoy.
With both artists preparing for the next phase in their journeys, it seemed like an appropriate time for something slightly different. As Tommy explains:“We met a couple of years ago at a gig we were both playing. Amy had heard the first single I put out and suggested we sing something together, so I had that in mind for a while. When I started writing what became ‘In the Winter’, I thought ‘this is the one’. The prospect of working with Amy made it easy to prioritise getting it finished, and it was such a joy to hear her contribution when the time came. I think we’re both really happy with how it turned out, the vocal blend seems to work nicely.”
Stream ‘In the Winter’ below
Author: Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
