Worth A Listen -Bitch Falcon

Our Worth A Listen This Week Comes From Bitch Falcon

Dublin grunge-rock trio, Bitch Falcon have released their new single ‘Gaslight’ on Small Pond Records.The track premiered on BBC Radio 1 last Sunday and is the band’s debut release of 2020 and their first since signing to Brighton’s Small Pond Records. Formed by front-woman Lizzie Fitzpatrick with her friends in a small kitchen in 2014, the lineup has galvanised around the rhythm section of Barry O’Sullivan on Bass and Nigel Kenny on Drums. To date they have performed several headline and support tours around the UK along with frequent visits to the Benelux countries and North America. From the early days of their first single, Wolfstooth to their most recent release Damp Breath, an evolution in sound can be heard as the group perfect and refine their raw, fuzz-laced offerings over six singles and one EP. 

‘Gaslight’ is Bitch Falcon’s most exciting release to date. The band unleash an alternative rock maelstrom filled with raw guitars, powerful vocals and heavy barbed bass lines. The hefty tight rhythmic foundation anchors the listener through the tracks crazed agitated atmospherics as Lizzie Fitzpatrick’s bewitching vocals haunt over brooding sound rumbles and pummeling drum progressions.

Bitch Falcon have a deft ability to create wonderful calm moments of respite in between their chaotic sound which is a difficult task to achieve and yet they do this with such ease that the listener can not help but be in awe of their musical prowess. They are one of Ireland’s most exciting alternative rock bands at the moment. The refined layering and dark chilling atmospheres created within their tracks is utterly thrilling and a joy to listen to.

With gritty riffs and a dark all consuming soundscape, ‘Gaslight’ is an epic return from Bitch Falcon.

About the trackLizzie Fitzpatrick commented “I wanted to describe the feeling of what you see is not necessarily what you get. Gaslight is a song that came together quite fast. Barry started playing his riff and I played along messing rhythmically, just making noise. It sounded so weird and intense so quickly. I remember us all looking at each other and saying this is the one. I think this song was a change in our writing together. We knew we wanted a heavy sound with melodic intricacies.I recorded the vocal layering at home, building up chords with my voice. When we recorded it in the studio, I wasn’t able to sustain my voice for the whole section, Rían (Trench), and I decided to record it in a wave, one-note resting while the other picks up, so it sounds like a living, breathing thing.

I wanted to describe the feeling of what you see is not necessarily what you get. The holy grail of public display, and worth to others. Expressing yourself puts you in a vulnerable position, and I think a lot of people embellish the truth. In that way, an unachievable status is shoved down our throats, and we play into the game every day.”

Stream ‘Gaslight’ below


Author : Danu